But their dreams are abruptly shattered by a brutal Indian raid upon the Johnsons' settlement while Britt is away establishing a business. Returning to find his friends and neighbors slain or captured, his eldest son dead, his beloved and severely damaged Mary enslaved, and his remaining children absorbed into an alien society that will never relinquish its hold on them, the heartsick freedman vows not to rest until his family is whole again. A soaring work of the imagination based on oral histories of the post-Civil War years in North Texas, Paulette Jiles's The Color of Lightning is at once an intimate look into the hearts and hopes of tragically flawed human beings and a courageous reexamination of a dark American history.

    C. Gwynne’s Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specifically designed to fight them: the six-gun. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads—a historical feast for anyone interested in how the United States came into being. Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with cornflower-blue eyes who was kidnapped by Comanches from the far Texas frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend. S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told.

    The invasion of white society threatens to change their traditional way of life, and they must choose to fight or assimilate. The story is a powerful portrait of a fading way of life. The story culminates with the historic Marias Massacre of 1870, in which the U.S. Cavalry mistakenly killed a friendly band of Blackfeet, consisting mostly of non-combatants."A major contribution to Native American literature." -- Wallace Stegner.

    A national bestseller in hardcover for more than a year after its initial publication, it has sold almost four million copies and has been translated into seventeen languages. For this elegant thirtieth-anniversary edition—published in both hardcover and paperback—Brown has contributed an incisive new preface.Using council records, autobiographies, and firsthand descriptions, Brown allows the great chiefs and warriors of the Dakota, Ute, Sioux, Cheyenne, and other tribes to tell us in their own words of the battles, massacres, and broken treaties that finally left them demoralized and defeated. A unique and disturbing narrative told with force and clarity, Bury My Heart at Wounded Knee changed forever our vision of how the West was really won.

    Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.

    government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.

    Will is a bound boy, obliged to run a remote Indian trading post. As he fulfills his lonesome duty, Will finds a father in Bear, a Cherokee chief, and is adopted by him and his people, developing relationships that ultimately forge Will’s character. All the while, his love of Claire, the enigmatic and captivating charge of volatile and powerful Featherstone, will forever rule Will’s heart. In a voice filled with both humor and yearning, Will tells of a lifelong search for home, the hunger for fortune and adventure, the rebuilding of a trampled culture, and above all an enduring pursuit of passion.

    When a woman is found murdered, young attorney Eben Pay, newly arrived to the territory, is pulled into a posse that follows a trail of blood and destruction. Among the dead he discovers a survivor, the beautiful, traumatized Jennie Thrasher, and the question of what she witnessed hangs like a storm cloud over the investigation. From the trial to the courtroom, Winding Stair is a classic historical novel that brings to vivid life a bygone era.

    Lord and Lady Berrybender have abandoned their home in England to broaden the horizons for themselves and their three children. With irascible determination—and a great deal of outright chaos—the party experiences both the awesome majesty and brutal savagery of the unexplored land, from buffalo stampedes and natural disasters to Indian raids and encounters with frontiersmen and trappers, explorers, pioneers, and one part-time preacher known as "the Sin Killer." Sin Killer, the strong, silent Westerner, captures the heart of the strong-willed, beautiful Berrybender daughter, Tasmin. But their fast developing relationship can only bring more trouble for the Berrybender's. Packed with breathtaking adventure, charming romance, and a sense of humor stretching clear over the horizon, Sin Killer is a truly unique view of the West that could only come from the boundless skill and imagination of Larry McMurtry.

    But its very fame has obscured its oddness. Its public image of discovery and triumphant return has veiled its private stories of longing and loss, of self-discovery and mutual ignorances, of good luck and mischance and fortunate misunderstanding." "Rather than concentrate exclusively on the expedition, Brian Hall has chosen to focus on emblematic moments through the whole range of the lives of its participants. Ever present as a backdrop is the violent collision of white and Native American cultures, and the broader tragedy of the inability of any human being to truly understand what lies in the heart of another." Hall has written the novel in four competing voices. The primary one is that of Lewis, the troubled and mercurial figure who found that it was impossible to enter paradise without having it crumble around him. Hall brings this enigmatic character to life as no historian ever has. A second voice is that of the Shoshone girl-captive Sacagawea, interpretor on the expedition, whose short life of disruption and displacement mirrored the times in which she lived. Other perspectives are provided by William Clark and by Toussaint Charbonneau, the French fur trader who took Sacagawea as his wife.

    Far overstaying his visit, he returns home to find that his absence has contributed to a devastating family tragedy. Haunted by remorse, Thompson abandons his farm and begins a westward exile in the attempt to outpace his grief.Unwittingly, he finds himself at journey’s end in the one place where his strongest temptations are able to over take him and once again put him to the test. Set against the backdrop of the frontier during the years just preceding the Civil War, Crossing Purgatory tells a story of unprincipled ambition, guilt, and the price one man is willing to pay for atonement.

    Samantha and her half brother, Benjamin, survive, but she is left traumatized, her face horribly scarred. Narrated in Benjamin’s beguilingly plainspoken voice, The Which Way Tree is the story of Samantha’s unshakeable resolve to stalk and kill the infamous panther, rumored across the Rio Grande to be a demon, and avenge her mother’s death. In their quest she and Benjamin, now orphaned, enlist a charismatic Tejano outlaw and a haunted, compassionate preacher with an aging but relentless tracking dog. As the members of this unlikely posse hunt the panther, they are in turn pursued by a hapless but sadistic Confederate soldier with troubled family ties to the preacher and a score to settle. In the tradition of the great pursuit narratives, The Which Way Tree is a breathtaking saga of one steadfast girl’s revenge against an implacable and unknowable beast. Yet with the comedic undertones of Benjamin’s storytelling, it is also a timeless tale full of warmth and humor, and a testament to the enduring love that carries a sister and brother through a perilous adventure with all the dimensions of a legend.

     Lakota Oglala Sioux Nation, South Dakota. Two Native American cousins, Rick Overlooking Horse and You Choose Watson, though bound by blood and by land, find themselves at odds as they grapple with the implications of their shared heritage. When escalating anger towards the injustices, historical and current, inflicted upon the Lakota people by the federal government leads to tribal divisions and infighting, the cousins go in separate directions: Rick chooses the path of peace; You Choose, violence.Years pass, and as You Choose serves time in prison, Rick finds himself raising twin baby boys, orphaned at birth, in his meadow. As the twins mature from infants to young men, Rick immerses the boys within their ancestry, telling wonderful and terrible tales of how the whole world came to be, and affirming their place in the universe as the result of all who have come before and will come behind. But when You Choose returns to the reservation after three decades behind bars, his anger manifests, forever disrupting the lives of Rick and the boys.A complex tale that spans generations and geography, Quiet Until the Thaw conjures with the implications of an oppressed history, how we are bound not just to immediate family but to all who have come before and will come after us, and, most of all, to the notion that everything was always, and is always, connected. As Fuller writes, "The belief that we can be done with our past is a myth. The past is nudging at us constantly."

    Cow Tom, born into slavery in Alabama in 1810 and sold to a Creek Indian chief before his tenth birthday, possessed an extraordinary gift: the ability to master languages. As the new country developed westward, and Indians, settlers, and blacks came into constant contact, Cow Tom became a key translator for his Creek master and was hired out to US military generals. His talent earned him money--but would it also grant him freedom? And what would become of him and his family in the aftermath of the Civil War and the Indian Removal westward? Cow Tom's legacy lives on--especially in the courageous spirit of his granddaughter Rose. She rises to leadership of the family as they struggle against political and societal hostility intent on keeping blacks and Indians oppressed. But through it all, her grandfather's indelible mark of courage inspires her--in mind, in spirit, and in a family legacy that never dies. Written in two parts portraying the parallel lives of Cow Tom and Rose, Citizens Creek is a beautifully rendered novel that takes the reader deep into a little known chapter of American history. It is a breathtaking tale of identity, community, family--and above all, the power of an individual's will to make a difference.