K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.

     Good Bones is a cornucopia of good things — precise, witty, wise, and sometimes offbeat Atwood writing, with the funny and the sidelong view of the world which her readers recognize at once.

    When he loses a bet to her and the penalty is to go out on five dates with men she’s chosen from Guys4Guys.com, he thinks that’s bad enough. Finding out she used a thirteen-year-old picture of him to score a date with a young guy who looks like a rock star? Epically bad.Jay thought he wanted to fall for an older man. But his last boyfriend left him feeling humiliated and determined to stick to guys his own age. When he realizes he’s been conned into a date with exactly the kind of man he’s sworn to avoid, he’s ready to walk away on the spot. Only Devin’s swift apologies convince Jay to accept dinner to make up for the deception.“The date doesn’t count for the bet unless you get a goodnight kiss.” After one not-a-date dinner with Jay, Devin isn’t worried about his sister’s rules. He just wishes he could convince Jay to go out with him for real. Jay wants no part of Devin, but Devin wants every part of Jay . . . so he asks Jay to help update his look for the rest of his dates. But once Jay’s made Devin over into the perfect date, will he be able to let him go?------------Dear Author,I lost a bet with my sister. I was so sure the Broncos would win. Now it is time for me to pay up. She has decided I need a man in my life. She submitted a profile for me at Guys4Guys.com and set up five dates. I haven’t been on five dates in the past five years. And if the thought of five first dates isn’t scary enough, check out the photo she put in my profile.Yes, that hot, young, guy really is me… thirteen years ago! To be twenty-two again. I miss my thirty-two-inch waist and six-pack.Photo Description: A good-looking, young blond man leans back against exposed pipework. He is shirtless and his jeans look a little old-fashioned with their light wash. His arms are huge and he sports a six-pack, although he’s already looking the tiniest bit soft around the waistline. As if that six-pack might not quite be there in ten years…This story was written as a part of the M/M Romance Group's "Love’s Landscapes" event. Group members were asked to write a story prompt inspired by a photo of their choice. Authors of the group selected a photo and prompt that spoke to them and wrote a short story. This story may contain sexually explicit content and is intended for adult readers. It may contain content that is disagreeable or distressing to some readers. The M/M Romance Group strongly recommends that each reader review the General Information section before each story for story tags as well as for content warnings.

    But unlike her first collection of stories, the women in these tenderly wrought tales face their problems head on, proving powerful and self-possessed even when degraded by others—sometimes by those closest to them. But even as the female protagonists face exploitation, social asymmetries, and casual cruelties, Walker leavens her stories with ample wit and, as always, an eye for the redemptive power of love. A collection that reveals a master of fiction approaching the fullness of her talent, these are the stories Walker produced while penning The Color Purple. This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection.

    The formerly popular high school quarterback now works at a gas station in the middle of nowhere. The last thing he needs is meeting the guy he used to bully at school and seeing him all sorts of polished up. James is now the proud owner of an amazing silver Jaguar and a self-made millionaire. It seems that the day couldn’t get any worse for Mike, but James ‘Lovelace’ Austin might just turn out to be his golden ticket out of the job he hates.When James Austin meets Mike Miller, his high school crush and tormentor all in one, working at an old, dirty gas station, it feels as if the stars have finally aligned in his favor. He wants to finally get his revenge on the guy, but when Mike turns out to be gay, the whole afternoon takes a turn for the surreal. Instead of just humiliating Mike at his workplace, James decides to hire him for a weekend at a conference he’s attending. A hot guy by his side is the only accessory James needs to rub his success in the faces of his frenemies.Only problem is, a gay Mike Miller might be too much of a blast from the past than James ever expected. If James wants his nerdy heart safe from the hunky jock, he needs to keep Mike at arms length. The task would be a lot easier if Mike wasn’t unashamedly hitting on James. Or is it just James’s money Mike is after?Photo Description: Two men lie on a bed locked in a passionate embrace. Completely naked, oblivious to the world around them, they share something special, a bond they couldn’t possibly have with anyone else.This story was written as a part of the M/M Romance Group's "Love’s Landscapes" event. Group members were asked to write a story prompt inspired by a photo of their choice. Authors of the group selected a photo and prompt that spoke to them and wrote a short story. This story may contain sexually explicit content and is intended for adult readers. It may contain content that is disagreeable or distressing to some readers. The M/M Romance Group strongly recommends that each reader review the General Information section before each story for story tags as well as for content warnings.

    The teens are a diverse group who come from all walks of life, and they were all sent to Zeppelin Bend as a last chance to get them to turn their lives around. They’ve just spent nearly two weeks learning to survive in the wilderness, and now their instructors have dropped them off eighteen miles from camp with no food, no water, and only their packs, and they’ll have to struggle to overcome their vast differences if they hope to survive.Inspired by The Canterbury Tales, Feral Youth features characters, each complex and damaged in their own ways, who are enticed to tell a story (or two) with the promise of a cash prize. The stories range from noir-inspired revenge tales to mythological stories of fierce heroines and angry gods. And while few of the stories are claimed to be based in truth, they ultimately reveal more about the teller than the truth ever could.

    Her story "Pleiades" was called "a masterpiece" by Dave Eggers. Sachdeva has a talent for creating moving and poignant scenes, following her highly imaginative plots to their logical ends, and depicting how one small miracle can affect everyone in its wake.The world by night --Glass-lung --Logging lake --Killer of kings --All the names for God --Robert Greenman and the mermaid --Anything you might want --Manus --Pleiades

    James muddles through a topsy-turvy relationship with his son, Rufus, which is further complicated when Rufus marries Claudia Christie.Claudia’s mother—Agnes Miller Christie—is a beautiful African American woman who survives a chance encounter on a Georgia road that propels her into a new life in the Bronx. Soon after, her husband, Eddie Christie, is called to duty on an air craft carrier in Vietnam, where Tom Stoppard’s play “Rosencrantz and Guildenstern Are Dead” becomes Eddie’s life anchor, as he grapples with mounting racial tensions on the ship and counts the days until he will see Agnes again.These unforgettable characters’ lives intersect with a cast of lovers and friends—the unapologetic black lesbian who finds her groove in 1970s Berlin; a moving man stranded in Portsmouth, New Hampshire, during a Thanksgiving storm; two half-brothers who meet as adults in a crayon factory; and a Coney Island waitress whose Prince Charming is too good to be true.With piercing humor, exacting dialogue, and a beautiful sense of place, Regina Porter’s debut is both an intimate family portrait and a sweeping exploration of what it means to be American today.

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    They navigate the obstacles that come with mixed-race identity and instabilities in social class, and they use their liminal positions to leverage power. They employ rage and tenderness and logic and sex, but for all of their rationality they're drawn to self-destructive behavior. Shepard’s stories explore what we do to lessen our burdens of sadness and isolation; her characters, fiercely true to themselves, are caught between their desire to move beyond their isolation and a fear that it’s exactly where they belong.

    It was initially rejected, along with four other stories, by The New Yorker, but was ultimately published in Harper's Magazine in September 1953. It was adapted for an episode of Alfred Hitchcock Presents and starred Barbara Bel Geddes. Originally broadcast on April 13, 1958, it was one of only 17 AHP episodes directed by Hitchcock himself. The story was subsequently adapted for Dahl's British TV series Tales of the Unexpected. Dahl included it in his short story compilation Someone Like You."Lamb to the Slaughter" demonstrates Dahl's fascination with horror (with elements of black comedy), a theme that would influence both his in adult fiction as well as his children stories.

    Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight "realism"-if such a thing exists-is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples. The writers featured in The Book of Other People include: Aleksandar Hemon Nick Hornby Hari Kunzru Toby Litt David Mitchell George Saunders Colm Tóibín Chris Ware, and more

    Discovering Jamie had also cleaned out my bank accounts made it officially the worst day of my life. I think I can be forgiven for wanting revenge, even if a few little laws (and possibly Jamie's nose) got bent in the process.Fortunately, the law is on my side in the form of my oldest friend, Tony Gervase. I've tried to deny my attraction to the sexy trooper for years. After all, he made it clear long ago that he wasn't interested in me that way. But if the hot encounter in his kitchen is any indication, he is now. At least the day is ending a whole lot better than it began...But the morning after, the Jamie situation goes from bad to seriously messed up. The jerk's in more trouble than I could have imagined. And as it turns out, I don't know Tony as well as I thought I did either...

    Take Me With You, illustrated throughout with evocative line drawings by Sarah J. Coleman, is small enough to fit in your bag, with messages that are big enough to wake even the sleepiest heart. Divided into three sections (love, the world, and becoming) of one liners, couplets, greatest hits phrases, and longer form poems, it has something for everyone, and will be placed in stockings, lockers, and the hands of anyone who could use its wisdom.

    Ever since, she’s lived an alternative narrative. Decades later, it’s time for Geraldine to reconcile the telling of her life, to finally grieve, and to discover what happened to that part of her past that slipped away.Cheryl Strayed’s This Telling is part of Out of Line, an incisive collection of funny, enraging, and hopeful stories of women’s empowerment and escape. Each piece can be read or listened to in a single thought-provoking sitting.