"The hushed reverence of the gallery can fool you into believing masterpieces are polite things; visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure, and then proceed in short order to re-arrange your sense of reality. . . ."With the same disarming force, The Power of Art propels us on an eye-opening, breathtaking odyssey, zooming in on eight extraordinary masterpieces, from Caravaggio's David and Goliath to Picasso's Guernica. Jolting us far from the comfort zone of the hushed art gallery, Schama closes in on intense make-or-break turning points in the lives of eight great artists who, under extreme stress, created something unprecedented, altering the course of art forever.The embattled heroes—Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso and Rothko—each in his own resolute way, faced crisis with steadfast defiance, pitting passion and conviction against scorn and short-sightedness. The masterpieces they created challenged convention, shattered complacency, shifted awareness and changed the way we look at the world.With vivid storytelling and powerfully evocative descriptive passages, Schama explores the dynamic personalities of the artists and the spirit of the times they lived through, capturing the flamboyant theatre of bourgeois life in Amsterdam, the passion and paranoia of Revolutionary Paris, and the carnage and pathos of Civil War Spain.Most compelling of all, The Power of Art traces the extraordinary evolution of eight "eye-popping" world-class works of art. Created in a bolt of illumination, such works "tell us something about how the world is, how it is to be inside our skins, that no more prosaic source of wisdom can deliver. And when they do that, they answer, irrefutably and majestically, the nagging question of every reluctant art-conscript . . . 'OK, OK, but what's art really for?'"

    At seven o'clock on the morning of 13th February 1542, Catherine Howard stepped out into the cold of the great courtyard of the Tower of London. Slowly she was escorted across the yard and carefully helped up the steps of the wooden scaffold. Only a small group of sightseers had gathered to watch the death of a queen; there was no weeping, no remorse, only chilly curiosity. The ax rose and fell, a life ceased, an episode came to an end. The life and death of Catherine was truly a Tudor tragedy. A mere teenager, the vivacious and flirty Catherine Howard was an unsuitable bride for the elderly and fat Henry VIII. Like most of Henry's wives she had come to his attention at court whilst lady-in-waiting to his fourth wife of only a few months, Anne of Cleves. Henry was soon besotted and came to adore Catherine, his 'very jewel of womanhood'. His head already turned by the 19 year old, Henry never consummated his marriage to Anne, he divorced her and married for the fifth time on 28th July 1540.Lacey Baldwin Smith, one of the finest historians of the Tudor age, narrates the rise and fall of the most tragic of Henry's queens, the woman who dared to cuckold the king of England.

    This book, by the noted historian who served as a consultant for the film, adds new dimensions to this famous legend.

    Written in an attractive and accessible style, it makes extensive use of original sources to introduce early medieval men and women at all levels of society from slave to emperor, and allows them to speak to the reader in their own words. It overturns traditional narratives and instead offers an entirely fresh approach to the centuries from c.500 to c.1000. Rejecting any notion of a dominant, uniform early medieval culture, it argues that the fundamental characteristic of the early middle ages is diversity of experience. To explain how the men and women who lived in this period ordered their world in cultural, social, and political terms, it employs an innovative methodology combining cultural history, regional studies, and gender history. Ranging comparatively from Ireland to Hungary and from Scotland and Scandinavia to Spain and Italy, the analysis highlights three themes: regional variation, power, and the legacy of Rome. In the context of debates about the social, religious and cultural meaning of 'Europe' in the early twenty-first century, this books seeks the origins of European cultural pluralism and diversity in the early Middle Ages.

    But the crusaders never made it to the Holy Land. Steered forward by the shrewd Venetian doge, they descended instead on Constantinople, wreaking terrible devastation. The crusaders spared no one: They raped and massacred thousands, plundered churches, and torched the lavish city. By 1204, one of the great civilizations of history had been shattered. Here, on the eight hundredth anniversary of the sack, is the extraordinary story of this epic catastrophe, told for the first time outside of academia by Jonathan Phillips, a leading expert on the crusades. Knights and commoners, monastic chroniclers, courtly troubadours, survivors of the carnage, and even Pope Innocent III left vivid accounts detailing the events of those two fateful years. Using their remarkable letters, chronicles, and speeches, Phillips traces the way in which any region steeped in religious fanaticism, in this case Christian Europe, might succumb to holy war.

    In this book, award-winning author Richard Fletcher illuminates English society and politics in the years around the Norman Conquest, threading together scanty documentary evidence to produce a rich narrative.

    The palace itself has been radically altered since 1789, and the court was long ago swept away. Versailles sets out to rediscover what is now a vanished world: a great center of power, seat of royal government, and, for thousands, a home both grand and squalid, bound by social codes almost incomprehensible to us today.Using eyewitness testimony as well as the latest historical research, Spawforth offers the first full account of Versailles in English in over thirty years. Blowing away the myths of Versailles, he analyses afresh the politics behind the Sun King’s construction of the palace and shows how Versailles worked as the seat of a royal court. He probes the conventional picture of a “perpetual house party” of courtiers and gives full weight to the darker side: not just the mounting discomfort of the aging buildings but also the intrigue and status anxiety of its aristocrats. The book brings out clearly the fateful consequences for the French monarchy of its relocation to Versailles and also examines the changing place of Versailles in France’s national identity since 1789. Many books have told the stories of the royals and artists living in Versailles, but this is the first to turn its focus on the palace itself---from architecture and politics to scandal and restoration.

    This volume deals completely with the First Crusade and the foundation of the kingdom of Jerusalem. As Runciman says in his preface: 'Whether we regard the Crusades as the most tremendous and most romantic of Christian adventures, or as the last of the barbarian invasions, they form a central fact in medieval history. Before their inception the centre of our civilization was placed in Byzantium and in the lands of the Arab caliphate. Before they faded out the hegemony in civilization had passed to western Europe. Out of this transference modern history was born.'

    Was she a divinely inspired saint? A schizophrenic? A demonically possessed heretic, as her persecutors and captors tried to prove?Every era must retell and reimagine the Maid of Orleans's extraordinary story in its own way, and in Joan of Arc: A Life Transfigured, the superb novelist and memoirist Kathryn Harrison gives us a Joan for our time—a shining exemplar of unshakable faith, extraordinary courage, and self-confidence during a brutally rigged ecclesiastical inquisition and in the face of her death by burning. Deftly weaving historical fact, myth, folklore, artistic representations, and centuries of scholarly and critical interpretation into a compelling narrative, she restores Joan of Arc to her rightful position as one of the greatest heroines in all of human history.

    Anne was determined to shape her own destiny, first through a secret engagement to Henry Percy, the heir of the Earl of Northumberland, and later through her insistence on marriage with the king, after a long and tempestuous relationship as his mistress. Their love affair was as extreme as it was deadly, from Henry's 'mine own sweetheart' to 'cursed and poisoning whore' her fall from grace was total.

    Charlemagne was an extraordinary figure: an ingenious military strategist, a wise but ruthless leader, a cunning politician, and a devout believer who ensured the survival of Christianity in the West. He also believed himself above the rules of the church, siring bastards across Europe, and coldly ordering the execution of 4,500 prisoners. Derek Wilson shows how this complicated, fascinating man married the military might of his army to the spiritual force of the Church in Rome, thereby forging Western Christendom. This is a remarkable portrait of Charlemagne and of the intricate political, religious, and cultural world he dominated.

    Their history is suffused with crusading, campaigning and struggle. Feared by their enemies but respected by medieval Christendom, the knights and their Order maintained a firm hold over the Baltic and northern Germany and established a formidable regime which flourished across central Europe for 300 years. This book surveys the gripping history of the knights and relates their rise to power; their struggles against Prussian pagans; the series of wars against Poland and Lithuania; the clash with Alexander Nevsky's Russia; and the gradual stagnation of the Order in the fourteenth century. The book is replete with dramatic episodes - such as the battle on frozen Lake Peipus in 1242, or the disaster of Tannenberg - but focuses primarily on the year-after-year struggle to maintain power, fend off incursions and raiding bands, and to launch crusades against unbelieving foes. And it was the crusade, with knights demonstrating their valor, which chiefly characterized and breathed life into this militant, conquering Holy Order. The narrative charts the rise and fall of the Order, and, in an accessible and engaging style, throws light on a band of knights whose deeds and motives have long been misunderstood.

    Eamon Duffy shows that late medieval Catholicism was neither decadent nor decayed, but was a strong and vigorous tradition, and that the Reformation represented a violent rupture from a popular and theologically respectable religious system. For this edition, Duffy has written a new Preface reflecting on recent developments in our understanding of the period.From reviews of the first edition:“A magnificent scholarly achievement [and] a compelling read.”—Patricia Morrison, Financial Times“Deeply imaginative, movingly written, and splendidly illustrated. . . . Duffy’s analysis . . . carries conviction.”—Maurice Keen, New York Review of Books“This book will afford enjoyment and enlightenment to layman and specialist alike.”—Peter Heath, Times Literary Supplement“[An] astonishing and magnificent piece of work.”—Edward T. Oakes, Commonweal

    Full-color illustrations.

    In reality, the flamboyant royal family appear, in many ways, to have behaved much like most other monarchies. Their story, however, is none the less enthralling for that. It is populated by such unforgettable figures as mad Queen Juana, progressing through Spain with her husband’s decaying body; the ‘heroically fertile’ Maria Theresa, and the quixotic Maximilian, ‘Emperor’ of Mexico.