A reporter photographs the miracle, and wealthy, skeptical, Jewish psychiatrist Camillo Lombardi arrives in Naples to investigate. When she materializes the ghost of his dead mother, he risks his reputation and fortune to finance a tour of the Continent, challenging the scientific and academic elite of Europe to test Alessandra's mysterious powers. She will help him rewrite Science. His fee will help her escape her sadistic husband Pigotti and start a new life in Rome. Newspapers across Europe trumpet her Cinderella story and baffling successes, and the public demands to know - does the "Queen of Spirits" really have supernatural powers? Nigel Huxley is convinced she's simply another vulgar, Italian trickster. The icy, aristocratic detective for England's Society for the Investigation of Mediums launches a plot to trap and expose her. Meanwhile, the Vatican is quietly digging up her childhood secrets, desperate to discredit her supernatural powers; her abusive husband Pigotti is coming to kill her; and the tarot cards predict catastrophe. Inspired by the true-life story of controversial Italian medium Eusapia Palladino (1854-1918), The Witch of Napoli masterfully resurrects the bitter,19th-century battle between Science and religion over the possibility of an afterlife.

    A dangerous time for a woman to be different . . .Midsummer’s Eve, 1648, and England is in the grip of civil war between renegade King and rebellious Parliament. The struggle reaches every corner of the kingdom, even to the remote Tidelands – the marshy landscape of the south coast. Alinor, a descendant of wise women, crushed by poverty and superstition, waits in the graveyard under the full moon for a ghost who will declare her free from her abusive husband. Instead she meets James, a young man on the run, and shows him the secret ways across the treacherous marsh, not knowing that she is leading disaster into the heart of her life.Suspected of possessing dark secrets in superstitious times, Alinor’s ambition and determination mark her out from her neighbours. This is the time of witch-mania, and Alinor, a woman without a husband, skilled with herbs, suddenly enriched, arouses envy in her rivals and fear among the villagers, who are ready to take lethal action into their own hands.

    When she leaves for Moscow to audition for drama school, she defies her mother and grandparents and abandons her first love, Andrei.Before she leaves, Sasha discovers the hidden war journal of her uncle Kolya, an artist still missing in action years after the war has ended. His pages expose the official lies and the forbidden truth of Stalin’s brutality. Kolya’s revelations and his tragic love story guide Sasha through drama school and cement her determination to live a thousand lives onstage. After graduation, she begins acting in Leningrad, where Andrei, now a Communist Party apparatchik, becomes a censor of her work. As a past secret comes to light, Sasha’s ambitions converge with Andrei’s duties, and Sasha must decide if her dreams are truly worth the necessary sacrifice and if, as her grandmother likes to say, all will indeed be well.

    . . and menace.Aided only by a beautiful young Florentine with a conspirator’s mind and dark secrets, Franco is soon caught up in a life-and-death struggle from which there is no escape. Relentlessly pursued by deadly assassins and demons of his own, in the end he must confront—and defeat—an evil greater than anything conjured in his worst nightmares.Packed with breathtaking invention and breakneck adventure, The Medusa Amulet is a harrowing ride from the streets of Chicago to the châteaux of France, from the ramparts of the French Revolution to the palazzos of Rome, a story where historical fact meets with fascinating conjecture . . . and the impossible becomes terrifyingly real. Like a masterpiece from the hand of Cellini himself, The Medusa Amulet is a unique and powerful work, as inviting as it is forbidding, as ingenious as it is bold.

    Enslaved in Pompeii's brothel. Determined to survive. Her name is Amara. Welcome to the Wolf Den...Amara was once a beloved daughter, until her father's death plunged her family into penury. Now she is a slave in Pompeii's infamous brothel, owned by a man she despises. Sharp, clever and resourceful, Amara is forced to hide her talents. For as a she-wolf, her only value lies in the desire she can stir in others.But Amara's spirit is far from broken.By day, she walks the streets with her fellow she-wolves, finding comfort in the laughter and dreams they share. For the streets of Pompeii are alive with opportunity. Out here, even the lowest slave can secure a reversal in fortune. Amara has learnt that everything in this city has its price. But how much is her freedom going to cost her?Set in Pompeii's lupanar, The Wolf Den reimagines the lives of women who have long been overlooked.

    As if to highlight those expectations, Taylor periodically interrupts her third-person narrative with Greek chorus-type commentary from the Scranton-based Isabelle Lumley Bible Class, including excerpts from a 1929 sex manual for women. The overall result is a thought-provoking book club discussion cornucopia."-- Booklist , Starred review"Set in the 1930s, Taylor's suspenseful and intricate follow-up to Sing in the Morning, Cry at Night tells the story of sisters Violet and Lily Morgan...Taylor delivers startling plot twists and incisive commentary on the social unrest of a coal-mining town during the Great Depression. Covering a six-year span, the novel reveals the consequences of arduous labor and widespread sterilizations that came with the eugenics movement. Among the prostitutes, mobsters, and miners is a web of interconnected lives that come together for a breathtaking ending in Taylor's fine sequel."-- Publishers Weekly "A good selection for book clubs, All Waiting Is Long is set in Pennsylvania coal country in the 1930s, a time of tumultuous change and social unrest, including the rise of the eugenics movement. Barbara Taylor’s characters—a cast of nuns and prostitutes, mobsters and miners, social activists and church busybodies—reflect the varying pressures and expectations of small-town life with rich, insightful prose and dialogue that rings true to each character’s voice. Will the web of lies the two sisters weave around themselves survive? You’ll have to read it yourself to find out. Recommended."-- Historical Novel Review "Barbara J. Taylor has created another suspenseful page-turner . . . revealing shocking details of enlightened thinking in the 1930s against the backdrop of political corruption, unions, rampant prostitution, coal mine strikes, and judgmental Christians. But it’s Taylor’s finely honed characters and plot twists that make “All Waiting Is Long” an unforgettable novel."-- BookMark on WPSU "In this richly populated community, old ties are either torn or tightened, and the characters left behind when the sisters went off are nicely fleshed out...Ms. Taylor writes with total mastery of her craft. Her similes and metaphors are born of a highly developed abstractive sensitivity, and her dialogues are unerringly true to their respective speakers."--BookPleasuresThe latest novel in Akashic's Kaylie Jones Books imprint.All Waiting Is Long tells the stories of the Morgan sisters, a study in contrasts. In 1930, twenty-five-year-old Violet travels with her sixteen-year-old sister Lily from Scranton, Pennsylvania, to the Good Shepherd Infant Asylum in Philadelphia, so Lily can deliver her illegitimate child in secret. In doing so, Violet jeopardizes her engagement to her longtime sweetheart, Stanley Adamski. Meanwhile, Mother Mary Joseph, who runs the Good Shepherd, has no idea the asylum's physician, Dr. Peters, is involved in eugenics and experimenting on the girls with various sterilization techniques.Five years later, Lily and Violet are back home in Scranton, one married, one about to be, each finding her own way in a place where a woman's worth is tied to her virtue. Against the backdrop of the sweeping eugenics movement and rogue coal mine strikes, the Morgan sisters must choose between duty and desire. Either way, they risk losing their marriages and each other.The novel picks up sixteen years after the close of Barbara J. Taylor's debut novel, Sing in the Morning, Cry at Night--a Publishers Weekly Best Summer Book of 2014--and continues her Dickensian exploration of the Morgan

    Carter doesn't believe in aliens. And he certainly doesn't defend his dad's claims that they exist, even if they aired on national television. But then, the girl he's falling for starts doing strange things, magical things, things that seem a bit out of this world.Kokab hungers to be a Perfect in a world where her emotions are her greatest flaw. But when her planet faces extinction, her sympathy makes her the perfect ambassador to persuade humans to accept her people. Failure means invasion, but success means she will never become a Perfect.Ags dreams of graduating from the Academy and becoming a guardian of Earth. Obsessed with all things human, she's eager to spend time on the unique planet. But when she uncovers an impending invasion, she's willing to lose everything, including herself, to stop it.

    

    Their owners call them captives. They are taught their captors’ tongues and their beliefs but they have a language and rituals all their own. In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball Greene, they never know what harm may befall them: inhumane physical toil in the plantation’s quarry by day, a beating by night, or the sale of a loved one at any moment. It’s that cruel practice—the wanton destruction of love, the belief that Black people aren’t even capable of loving—that hurts the most. It hurts the reserved and stubborn William, who finds himself falling for Margaret, a small but mighty woman with self-possession beyond her years. And it hurts Cato, whose first love, Iris, was sold off with no forewarning. He now finds solace in his hearty band of friends, including William, who is like a brother; Margaret; Little Zander; and Milton, a gifted artist. There is also Pandora, with thick braids and long limbs, whose beauty calls to him. Their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence. He tells them that with freedom comes the right to choose the small things—when to dine, when to begin and end work—as well as the big things, such as whom and how to love. Do they follow the preacher and pursue the unknown? Confined in a landscape marked by deceit and uncertainty, who can they trust? In an elegant work of monumental imagination that will reorient how we think of the legacy of America’s shameful past, Jabari Asim presents a beautiful, powerful, and elegiac novel that examines intimacy and longing in the quarters while asking a vital question: What would happen if an enslaved person risked everything for love?

    An exceptional swimmer, Coralie appears as the Mermaid in her father’s “museum,” alongside performers like the Wolfman, the Butterfly Girl, and a one-hundred-year-old turtle. One night Coralie stumbles upon a striking young man taking pictures of moonlit trees in the woods off the Hudson River. The dashing photographer is Eddie Cohen, a Russian immigrant who has run away from his father’s Lower East Side Orthodox community and his job as a tailor’s apprentice. When Eddie photographs the devastation on the streets of New York following the infamous Triangle Shirtwaist Factory fire, he becomes embroiled in the suspicious mystery behind a young woman’s disappearance and ignites the heart of Coralie.

    . . black as it may be.Two years after losing their infant son to a tragic accident, Peter Martell, a novelist with a peculiar knack for finding lost things, and his wife, Sylvia, are devastated to learn they may no longer be able to have children. In need of a fresh start, and compelled by strange dreams, the couple decide to rent a lake house in the idyllic town of Gilchrist, Massachusetts, a place where bad things might just happen for a reason. As bizarre events begin to unfold around them—a chance encounter with a gifted six-year-old boy, a series of violent deaths, and repeated sightings of a strange creature with a terrifying nature—Peter and Sylvia find themselves drawn into the chaos and soon discover that coming to Gilchrist may not have been their decision at all.Set against a small New England town in the summer of 1966, Gilchrist is a sinister tale about the haunting origins of violence, evil, and the undying power of memory.

    All this seems far removed from Kami, a boy who quietly goes about his everyday life in his farm village until one day he trips over the unconsious body of a warrior hidden in the long grass.That discovery will lead him on an adventure across the warring kingdoms, facing assassins and enemy soldiers as he journeys to the capital to face the new Shogun. Through his travels he aspires to become a samurai, and in his many challenges he eventually comes to understand what it means to be one.

    Rider Haggard's Quatermain series, including 'King Solomon's Mines' and 'Allan Quatermain.' Includes an active table of contents for easy navigation.Contents:King Solomon's MinesAllan QuatermainAllan's WifeMaiwa's RevengeMarieChild of StormAllan the Holy FlowerFinishedThe Ivory ChildThe Ancient AllanAllan and the Ice-GodsMagepa the BuckA Tale of Three LionsHunter Quatermain's StoryLong OddsHenry Rider Haggard (1856-1925) was an English writer of adventure novels set predominantly in Africa, and a founder of the Lost World literary genre. Haggard is most famous as the author of the novels KING SOLOMON'S MINES and its sequel ALLAN QUATERMAIN, and SHE and its sequel AYESHA, swashbuckling adventure novels set in the context of late 19th century Africa. Hugely popular KING SOLOMON'S MINES is one of the best-selling adventure books of all time.This unexpurgated edition contains the complete text, with minor errors and omissions corrected.

    Not a perfect trip.Daniel Stafford wants to visit his family in Tuscany—after his girlfriend dumps him for their Italian driver, he botches a work presentation in Rome, and an assertive American falls in front of his car.When their two disastrous lives collide, they end up sleeping on the side of the road. Falling in love with Italy—and each other—is the least of their concerns.

    Before it was over, sixteen people had been killed and thirty-two wounded. It was the first mass shooting of civilians on a campus in American history. Monday, Monday follows three students caught up in the massacre: Shelly, who leaves her math class and walks directly into the path of the bullets, and two cousins, Wyatt and Jack, who heroically rush from their classrooms to help the victims. On this searing day, a relationship begins that will eventually entangle these three young people in a forbidden love affair, an illicit pregnancy, and a vow of secrecy that will span forty years. Reunited decades after the tragedy, they will be forced to confront the event that changed their lives and that has silently and persistently ruled the lives of their children.With electrifying storytelling and the powerful sense of destiny found in Ann Patchett's Bel Canto, and with the epic sweep of Jess Walter's Beautiful Ruins, Elizabeth Crook's Monday, Monday explores the ways in which we sustain ourselves and one another when the unthinkable happens. At its core, it is the story of a woman determined to make peace with herself, with the people she loves, and with a history that will not let her go. A humane treatment of a national tragedy, it marks a generous and thrilling new direction for a gifted American writer.