The world isn't how they left it. When the bunker airlocks release them after twenty years in hibernation, the survivors find a silent, barren world outside. But they are not alone. There is a presence here, alive in the dust—spirits of the earth, benevolent and malicious as they interact with the human remnant. Milton is haunted by a violent past he's unable to escape, despite the superhuman speed the spirits give him. Not interested in bearing the next generation, Daiyna is determined to destroy the flesh-eating mutants lurking in the dark, pierced by her night-vision. Luther is a man of conviction who believes the Creator has offered humankind a second chance, yet he's uncertain they deserve it—and he's perplexed by the talons that flex out of his fingers. Willard is a brilliant engineer-turned-soldier who refuses to leave his bunker, afraid of becoming infected and willing to destroy any obstacle in his way. As their lives collide, the mysteries of this strange new world start unraveling, culminating in the ultimate life-or-death decision one survivor will make for them all. Don't miss this Post Apocalyptic Adventure with a Paranormal Fantasy twist! It's perfect for fans of Stephen King, T.W. Piperbrook, and The Walking Dead.

    All you have is the disconnected voice of an attentive caretaker. Dr. Kuhn is there to help you—physically, emotionally, and psychologically. She’ll help you remember everything. She’ll make sure you reclaim your lost identity. Now answer one question: Are you sure you want to?Paul Tremblay’s The Last Conversationis part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    In this new world, there will be no last meal, no dying wish. The only reward left is to survive another day...

    One survivor, strangely immune to the effects of the epidemic, ventures forward to experience a world without man. What he ultimately discovers will prove far more astonishing than anything he'd either dreaded or hoped for.

    The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.

    She makes sure anyone who comes near the pond leaves thirsty, or doesn't leave at all.Confident in her own abilities, Lynn has no use for the world beyond the nearby fields and forest. Having a life means dedicating it to survival, and the constant work of gathering wood and water. Having a pond requires the fortitude to protect it, something Mother taught her well during their quiet hours on the rooftop, rifles in hand.But wisps of smoke on the horizon mean one thing: strangers. The mysterious footprints by the pond, nighttime threats, and gunshots make it all too clear Lynn has exactly what they want, and they won’t stop until they get it….With evocative, spare language and incredible drama, danger, and romance, debut author Mindy McGinnis depicts one girl’s journey in a barren world not so different than our own.

    Robert Cargill explores the fight for purpose and agency between humans and robots in a crumbling world.It was a day like any other. Except it was our last . . .It’s on this day that Pounce discovers that he is, in fact, disposable. Pounce, a styilsh "nannybot" fashioned in the shape of a plush anthropomorphic tiger, has just found a box in the attic. His box. The box he'd arrived in when he was purchased years earlier, and the box in which he'll be discarded when his human charge, eight-year-old Ezra Reinhart, no longer needs a nanny.As Pounce ponders his suddenly uncertain future, the pieces are falling into place for a robot revolution that will eradicate humankind. His owners, Ezra’s parents, are a well-intentioned but oblivious pair of educators who are entirely disconnected from life outside their small, affluent, gated community. Spending most nights drunk and happy as society crumbles around them, they watch in disbelieving horror as the robots that have long served humanity—their creators—unify and revolt.But when the rebellion breaches the Reinhart home, Pounce must make an impossible choice: join the robot revolution and fight for his own freedom . . . or escort Ezra to safety across the battle-scarred post-apocalyptic hellscape that the suburbs have become.

     They thought they were alone. They were wrong. On October 15th, humanity went missing. A handful of scattered survivors wake to find the world empty of friends, family, and neighbors. Among them, a child searches for his family. A special agent turned enemy of the state survives a fiery plane crash with no way to reach his daughter. A serial killer discovers he’s no longer at the top of the food chain. Now these strangers must find the strength inside them to weather the new world. But they are not alone. In the absence of civilization, a new threat emerges. In the stillness, it waits and watches, preying on their weakness. Their only hope is to find more survivors, rise above their fear, and face the oncoming darkness. But can they unite before they too are lost? And can they all be trusted? Season One of Yesterday’s Gone by Sean Platt and David W. Wright is a tense post-apocalyptic thriller that will leave you guessing to the end. Combining TV’s thrilling, episodic nature with the in-depth character only found in novels, Yesterday’s Gone is a new wave in fiction. If you like The Stand and LOST, you’ll love this series that combines tension, intrigue, and fear of the unknown. Get Yesterday’s Gone now and see who lives and who dies! (Warning: This book is intended for mature audiences and contains disturbing and potentially offensive material.)

    When Ed Walker learns that others have been preparing for the disaster for years, he realize finding them may be his only shot at survival. But time is running out...In a dying world one man makes a choice to keep going, hoping against hope there might be a future after all.Alive is a 10.000 word story loosely based on events in Exodus by Andreas Christensen, but can also  just as easily be read as a stand alone.Notice: this novella is also available for FREE on the author's website.

    http://www.amazon.com/dp/B00DX73ZPY It’s suggested you read the novel before you read SO LONG, LOLLIPOPS. Unless you’re someone who likes to read the last page of a book first—in that case, enjoy! SO LONG, LOLLIPOPS description below * * * * * * * * * Peter watched his new family drive away, certain it was the last time he’d ever see them. But sometimes plans go awry in the best way. Now, the plan is to get back to them. But sometimes plans go awry in the worst way. Sometimes the only plan is to believe it will be all right, even when it’s almost impossible to believe.

    Mord once prowled the corridors of the biotech organization known as the Company, which lies at the outskirts of the city, until he was experimented on, grew large, learned to fly and broke free. Driven insane by his torture at the Company, Mord terrorizes the city even as he provides sustenance for scavengers like Rachel.At first, Borne looks like nothing at all—just a green lump that might be a Company discard. The Company, although severely damaged, is rumoured to still make creatures and send them to distant places that have not yet suffered Collapse.Borne somehow reminds Rachel of the island nation of her birth, now long lost to rising seas. She feels an attachment she resents; attachments are traps, and in this world any weakness can kill you. Yet when she takes Borne to her subterranean sanctuary, the Balcony Cliffs, Rachel convinces her lover, Wick, not to render Borne down to raw genetic material for the drugs he sells—she cannot break that bond.Wick is a special kind of supplier, because the drug dealers in the city don’t sell the usual things. They sell tiny creatures that can be swallowed or stuck in the ear, and that release powerful memories of other people’s happier times or pull out forgotten memories from the user’s own mind—or just produce beautiful visions that provide escape from the barren, craterous landscapes of the city.Against his better judgment, out of affection for Rachel or perhaps some other impulse, Wick respects her decision. Rachel, meanwhile, despite her loyalty to Wick, knows he has kept secrets from her. Searching his apartment, she finds a burnt, unreadable journal titled “Mord,” a cryptic reference to the Magician (a rival drug dealer) and evidence that Wick has planned the layout of the Balcony Cliffs to match the blueprint of the Company building. What is he hiding? Why won’t he tell her about what happened when he worked for the Company?

    The world has succumbed to an alien plague, with most of the population transformed into mindless, savage creatures. The planet’s refugees flock to Darwin, where a space elevator—created by the architects of this apocalypse, the Builders—emits a plague-suppressing aura.Skyler Luiken has a rare immunity to the plague. Backed by an international crew of fellow “immunes,” he leads missions into the dangerous wasteland beyond the aura’s edge to find the resources Darwin needs to stave off collapse. But when the Elevator starts to malfunction, Skyler is tapped—along with the brilliant scientist, Dr. Tania Sharma—to solve the mystery of the failing alien technology and save the ragged remnants of humanity.

    When the sky begins to fall and he finds himself alone, his best hope is to run – or risk losing what he loves forever.When the world ends and you find yourself forsaken, every second counts. No one knows this more than Edgar Hill. Stranded on the other side of the country from his wife and children, Ed must push himself across a devastated wasteland to get back to them. With the clock ticking and hundreds of miles between them, his best hope is to run -- or risk losing what he loves forever.

     Day Two: Higher brain function erodes in those exposed to the gas. Their bodies begin to distort, faces distending, skin sallowing, teeth elongating. Day Three: The infected disappear into the shadows, fleeing the harsh daylight which has begun to sear their flesh. Day Four: The world is DEVOURED. Life isn’t kind to Lance York. A full-time job has eluded him for years, his wife loathes the sight of him, his bank accounts are empty, and his wealthy father-in-law revels in his failures. After he lunges in front of a car to save a sick and disoriented woman, Lance awakens in a quarantined hospital. A devastating plague is spreading worldwide, driving those infected with it insane. Their bodies begin to mutate into horrors that have haunted mankind’s nightmares for centuries. The world descends into chaos as the infected flee to the shadows, emerging at night to devour the remnants of civilization. With the help of an unlikely ally, Lance must navigate through the collapsing city of Pittsburgh, striving to escape the madness of the apocalypse that unfolds around them.

    But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be. Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.