Until Robin sets his sights on Sir John Hartlebury’s heiress niece. The notoriously graceless baronet isn’t impressed by good looks, or fooled by false charm. He’s sure Robin is a liar—a fortune hunter, a card sharp, and a heartless, greedy fraud—and he’ll protect his niece, whatever it takes.Then, just when Hart thinks he has Robin at his mercy, things take a sharp left turn. And as the grumpy baronet and the glib fortune hunter start to understand each other, they also find themselves starting to care—more than either of them thought possible. But Robin's cheated and lied and let people down for money. Can a professional rogue earn an honest happy ever after?

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    Morrow's task: get close enough to map the extent of Rook's power, then bring that knowledge back to help Professor Joachim Asbury unlock the secrets of magic itself.Magicians, cursed by their gift to a solitary and painful existence, have never been more than a footnote in history. But Rook, driven by desperation, has a plan to shatter the natural law that prevents hexes from cooperation, and change the face of the world-a plan sealed by an unholy marriage-oath with the goddess Ixchel, mother of all hanged men. To accomplish this, he must raise her bloodthirsty pantheon from its collective grave through sacrifice, destruction, and apotheosis.Caught between a passel of dead gods and monsters, hexes galore, Rook's witchery, and the ruthless calculations of his own masters, Morrow's only real hope of survival lies with the man without whom Rook cannot succeed: Chess Pargeter himself. But Morrow and Chess will have to literally ride through Hell before the truth of Chess's fate comes clear-the doom written for him, and the entire world.

     No matter how many times he tries to clean up his act, drinking and fighting and picking pockets are about the only things that make him feel good. All he wants when he boards a train headed for Nevada is a fresh start. He might not even know where it is on a map, but nobody knows him there. He just needs a little change, a little adventure, a chance to shake off the dark cloud he seems to be stuck under. What he doesn’t expect is to meet Will Kaplan. A tall, handsome cowboy with a chiseled jaw who pulls him out of a jam five minutes after he steps off the train. He’s ever met anyone like the no nonsense stranger who offers him a temporary place to stay. Will might be stern and have a lot of strict rules, but he’s patient and fair, and he makes Jesse crave things he’s never thought about. Makes him want to cause trouble, just to see what might happen. Will makes him want to do all kinds of things that are definitely a bad idea. Will Kaplan couldn’t care less about people. Everyone he was ever close to is long gone, and he’s perfectly happy on his farm with his animals and just enough to get by— alone. He only heads into town when he has to, and sure never expected to come back home with a mouthy stranger who seems dead set on driving him crazy. Will doesn’t need a farmhand. He definitely doesn’t need one who’s stubborn and reckless and has an ugly temper, even if he’s sexy as hell. Just because Jesse is good company when he isn’t being irritating doesn’t mean Will is interested in having another person in his life for more than a week or two. Excitement and disruption are not things he’s fond of. Just like he’s not fond of this sassy, sullen city boy who seems determined to cause trouble, almost like he’s begging for a firm hand… Looking for Trouble is a 135,000 word low angst, slow burn, historical western romance between a stern, reclusive cowboy and a rowdy, troublemaking stranger. It includes forced proximity, a bit of hurt/comfort, some serious pining, a ten year age gap, spanking, daddy kink, first times, steamy scenes, a woodshed, and an HEA.

    Coworkers at a cultural journal, they soon become good friends. Jack even introduces Will to the woman he will marry. But their friendship is complicated: Jack is also in love with Will. Troubled by his subversive longings, Jack sees a psychiatrist and dates a few women, while also pursuing short-lived liaisons with other men. But in the two decades of their friendship, from the first stirrings of gay liberation through the catastrophe of AIDS, Jack remains devoted to Will. And as Will embraces his heterosexual sensuality, nearly destroying his marriage, the two men share a newfound libertinism in a city that is itself embracing its freedom. Moving among beautifully delineated characters in a variety of social milieus, Edmund White brings narrative daring and an exquisite sense of life's submerged drama to this masterful exploration of friendship, sexuality, and sensibility during a watershed moment in history.

    Now his fight against Napoleon is reduced to quiet, lonely days compiling paperwork at Horse Guards headquarters.His evenings are spent dutifully escorting his mother and sister to stifling social engagements, where his lameness renders him an object of pity and distaste. But his orderly, restricted life is thrown into sudden disarray with the arrival of Colonel Theo Lindsay. Theo is everything Hugh is not—a man of physical perfection and easy yet distinguished address. Surprisingly to Hugh, Theo appears to be interested in making his acquaintance. Lindsay turns out to be a most convivial companion, and Hugh finds great pleasure in his company. Their friendship deepens when they become lovers.In spite of himself, Hugh falls desperately in love. But when a French spy is suspected at Horse Guards, Hugh discovers nothing is as it seems…and the paper he shuffles from day to day could be the instrument of his lover’s death. Product WarningsContains gallant English officers in love, dastardly French spies, skintight pantaloons (sometimes on the floor) and gleaming tasseled Hessians.

    Yet as he gets to know Matthew—an irrepressibly cheerful ad man whose missing arm hasn’t dimmed his smile—George begins to lose sight of his mission. As Matthew’s advances become ever harder to resist, George tries to convince himself his brother’s death was just the luck of the draw, and to forget he’s hiding a secret of his own. His true identity—and an act of conscience that shamed his family. But as their mutual attraction grows, so does George’s desperation to know the truth about what happened that day in Ypres. If only to prove Matthew innocent—even if it means losing the man he’s come to love. Warning: Contains larks in the snow, stiff upper lips, shadows of the Great War, and one man working undercover while another tries to lure him under the covers.

    Seperated by seven years of war, the two meet up again in the Caribbean, where Dermot now commands a privateer. The couple's adventures on the Spanish Main make a swashbuckling romance in the best pirate tradition. A rip-roaring yarn from the author of "Ice Wind and Fire, Death's Head, Equinox" and "Aquamarine."

    With his best friend, Alayne, in tow, Jonathan returns to the estate to take possession, meet the current staff, and generally learn what it’s like to live as the landed gentry now. He’d only been there once before, fourteen years earlier. But that was a different time, he’s a different person now, determined to put that experience out of his mind and his heart….The locals agree that Jonathan is indeed different from the lost young man he was that long ago summer, when he arrived at the farm for a stay after his mother died. Back then the hot summer days were filled with sunshine, the nearby ocean, and a new friend, Nat. Jonathan and the farmhand had quickly grown close, Jonathan needing comfort in the wake of his grief, and Nat basking in the peace and love he didn’t have at home.But that was also a summer of rumors and strange happenings in the surrounding countryside, romantic triangles and wronged lovers. Tempers would flare like a summer lightning storm, and ebb just as quickly. By the summer’s end, one young man was dead, and another haunted for life.Now Jonathan is determined to start anew. Until he starts seeing the ghost of his former friend everywhere he looks. Until mementos of that summer idyll reappear. Until Alayne’s life is in danger. Until the town’s resident witch tells Jonathan that ghosts are real. And this one is tied to Jonathan unto death…

    To Thomas's dismay, Barrington Hall is no longer the joyful home he remembers from his childhood, and his young niece has no idea what Christmas is.Determined to bring Christmas back to the gloomy estate, Thomas must confront his tyrannical father, salvage a brother lost in his own misery, and attempt to fight off his father’s machinations. As the holidays near, Thomas and Andrew begin to realize they are more than merely close friends... and those feelings are not only a threat to their social positions but, in Victorian England, to their lives as well.

    For Nicolas Rathe, the wiry, street-smart pointsman with a strong sense of justice, the fair means more work: keeping the peace, preventing the pickpockets from getting too bold, and tracking down runaway youths and apprentices. But this year the number of missing children is far larger than usual; someone has been stealing them away without a trace and the populace is getting angry. At least the children are alive, Rathe knows, even though it adds to the mystery; the necromancers have not noticed any new ghosts of children.To complicate matters, the citizens have another good reason to be anxious: theirs is a world ruled by the stars, and the heavens are now in a transition that heralds an upheaval in the Kingdom and possibly even the death of the reigning Queen. Contenders for the throne are jockeying for position, each claiming that her stars are the luckiest and most suited for the position.Rathe suspects that the astrological portents and the missing children are linked, but has no idea how. With the unlikely help of Philip Eslingen, a handsome, out-of-work soldier, Rathe must find the children and stop whatever dark plans are being hatched before the city explodes into chaos.

    That is until his new master, Laurea Calvus, orders Saevius to discover the gladiator with whom his wife is having a sordid affair. In order to do that, Saevius must return to the arena, training alongside the very men on whom he’s spying. Worse, he’s now under the command of Drusus, a notoriously cruel—and yet strangely intriguing—lanista.But Saevius’s ruse is the least of his worries. There’s more to the affair than a wife humiliating her prominent husband, and now Saevius is part of a dangerous game between dangerous men. He isn’t the only gladiator out to expose the Lady Verina’s transgressions, and her husband wants more than just the guilty man’s name.When Saevius learns the truth about the affair, he’s left with no choice but to betray a master: one he’s come to fear, one he’s come to respect, and either of whom could have him killed without repercussion.For the first time in his life, the most dangerous place for this gladiator isn’t the arena.This novel has been previously published under the pseudonym L.A. Witt, and has been lightly revised.

    Toklas. But it is the honesty and vulnerability of Sergey, our young gay narrator, that hook the reader: his stuttering childhood in the shadow of his brilliant brother, his opium-fueled evenings with his sometime lover Cocteau, his troubled love life on the margins of the Ballets Russes and its legendary cast, and his isolation in war torn Berlin where he will ultimately be arrested, sent to a camp and die in 1945. A meticulously researched novel, in which you will meet an extraordinary cast of characters including Picasso, Diaghilev, Stravinsky, Magnus Hirschfield ("Tante Magnesia"), Gertrude Stein and Alice B. Toklas, Cocteau, and of course the master himself, Vladimir Nabokov, this is ultimately the story of a beautiful and vulnerable homosexual boy growing into an enlightened and courageous man.

    It's a turbulent time in Ulster, and in the staunchly Catholic community to which Gabriel belongs, the strict rules for belief and behavior are clear. As Gabriel begins to suspect that he's not like other boys, he tries desperately to lock away his feelings, and his fears. But secrets have a way of being discovered, and Gabriel learns that his might not be the only ones in the Harkin family....Evoking a sense of time and place as compelling as Angela's Ashes and At Swim, Two Boys, Damian McNicholl's A Son Called Gabriel announces the arrival of a striking new literary voice.

    But what he also wants is a partner. The problem is, loving other men in 1881 means a lonely life for a man like Luke. As the son of a butcher from Boston, his desire for a loving domestic relationship seems nothing more than a dream, until one winter night, a snow storm blows a young man to his door in need of shelter. As the winter drags on, bringing with it a slow-burning love, his hopes begin to soar. Along with those hopes, his fears of the reactions of the people in the small town of De Smet grow.Sam Smith is a romantic, but he also holds a strong family loyalty. He leaves Boston to get away from his parents’ expectations for a while, always knowing he must return at some point. The sweet young man does not anticipate meeting a rugged, honest man like Luke, who is desperate for love while at the same time afraid of the repercussions. The first time Luke holds him in his arms, Sam plans on making Luke his darling man.