The second thing is that it matters.On her way to her nineteenth wedding anniversary celebration, Natalie Falcone leaves the struggling restaurant she owns with her brother-in-law Vince. She doesn’t speak to him on her way out; they haven’t spoken in months. Out on the sidewalk, she gets a phone call every mother dreads: It’s from a hospital emergency room in the town where her daughter, Arden, attends college. Arden’s been in a fire, along with Natalie’s niece, Rory—Vince’s daughter and Arden’s best friend.Natalie rushes to the hospital and learns that both Arden and Rory lie unconscious, and that another student has died in the blaze. The police suspect arson.As the investigation mounts, Natalie struggles to piece together the elusive details of Arden’s and Rory’s freshman year. Growing up, Rory was charming, popular, and charismatic, while Arden was artistic, perceptive, and reserved. They were different yet inseparable, more like sisters than cousins. But the case unearths a different portrait—of a complex friendship, a love triangle, a fight, and a girl who was struggling more than anyone realized. To discover what really happened that tragic night, Natalie’s and Vince’s families must confront the one truth that ultimately emerges: Nothing is ever exactly what it seems.

    When Martha finds herself struggling to balance early motherhood and her growing business, Becky steps in to babysit her niece, Layla, without a second thought, bringing the two women closer than ever. But when Layla is found dead one morning, at only eight weeks old, Becky is charged with the unthinkable: the murder of her sister's child.Nine months later, Becky is on trial and maintains her innocence--and so does Martha. Unable to shake the feeling that her sister couldn't possibly be guilty, Martha sets out to uncover exactly what happened that night, and how things could have gone so wrong. As the trial progresses, fault lines between the sisters begin to show--revealing cracks deep in their relationship and threatening the family each has worked so hard to build. With incredible empathy and resounding emotional heft, The Good Sister is a powerhouse of a novel that will lead readers to question everything they know about motherhood, family, and the price of forgiveness.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    In her office above her bookstore’s shelves and stacks, where she luxuriates in books and the comfort they provide, she also tracks certain men. Dangerous men. Men who have hurt the women they claim to love. And Nikki likes to teach those men a lesson, to teach them what it feels like to be hurt and helpless, so she can be sure that their victims are safe from them forever.When a regular PI job tailing Karen, a tech company's disgruntled employee who might be selling secrets, turns ugly and Karen's life is threatened, Nikki has to break cover and intervene. Karen tells Nikki that there are people after her. Dangerous men. She says she'll tell Nikki what's really going on. But then something goes wrong, and suddenly Nikki is no longer just solving a case—she's trying hard to stay alive.Part Lisbeth Salander, part Jack Reacher, part Jessica Jones, Nikki Griffin is a kickass character who readers will root for as she seeks to right the world's wrongs. S.A. Lelchuk’s Save Me from Dangerous Men marks the beginning of a gripping new series and the launch of a fabulous new character.

    One, Alec, a journalist in exile, the other, Lorna, a charismatic literature professor. Starting out under the flat grey skies of an east Anglian university campus and ending up on an idyllic Mediterranean island, The Truants is about a group of clever and eccentric misfits who yearn to break the rules. As Jess’ experience of infatuation and betrayal, disappearance and loss gives way to a breathless search for the truth, she finds herself detective in a twisted crime of the heart. Unsettling, challenging, surprisingly funny and beautifully written, The Truants is a compulsively readable literary debut with a twist – and a dead body to boot.

    All that’s required is to look pretty and hang on his every word. Sexual favours are optional.Though more than thirty years her senior, Gabe, a handsome corporate finance attorney, seems like the perfect candidate, and within a month, they are madly in love. At least, Nat is…Gabe already has a family, whom he has no intention of leaving.So when he abruptly ends things, Nat can’t let go. She begins drinking heavily and stalking him: watching him at work, spying on his wife, even befriending his daughter, who is not much younger than she is. But Gabe’s not about to let his sugar baby destroy his perfect life. What was supposed to be a mutually beneficial arrangement devolves into a nightmare of deception, obsession, and, when a body is found near Gabe’s posh Upper East Side apartment, murder.

    From the award-winning author of The Golden Mean.Saskia and Jenny are twins who are alike only in appearance. Saskia is a hard-working grad student whose interests are solely academic, while Jenny, an interior designer, is glamourous, thrill-seeking, capricious and narcissistic. Still, when Jenny is severely injured in an accident, Saskia puts her life on hold to be with her sister.Sara and Mattie are sisters with a difficult relationship. Mattie, the younger sister, is affectionate, curious and intellectually disabled. As soon as Sara is able, she leaves home, in pursuit of a life of the mind and the body: she loves nothing more than fine wines, sensual perfumes, and expensive clothing. But when their mother dies, Sara inherits the duty of caring for her sister. Arriving at the house one day, she finds out that Mattie has married Robert, her wealthy mother's handyman. Though Mattie seems happy, Sara cannot let this go, forcing the annulment of the marriage and the banishment of Robert. With him out of the picture, though, she has no choice but to become her sister's keeper, sacrificing her own happiness and Mattie's too. When Robert turns up again, another tragedy happens. The waves from these events eventually engulf Sara and Saskia, sisters in mourning, in a quest for revenge.Consent is a startling, moving, thought-provoking novel on the complexities of familial duty and on how love can become entangled with guilt, resentment and regret.

    The authorities launch a nationwide search with no success. Naomi has vanished, and her family is broken.As the months pass, the worst-case scenarios—kidnapping, murder—seem less plausible. The trail has gone cold. Yet for a desperate Jenny, the search has barely begun. More than a year after her daughter’s disappearance, she’s still digging for answers—and what she finds disturbs her. Everyone she’s trusted, everyone she thought she knew, has been keeping secrets, especially Naomi. Piecing together the traces her daughter left behind, Jenny discovers a very different Naomi from the girl she thought she’d raised.

    . .   The truth is easy to miss, even when it’s right in front of us. As a forensic reconstructionist, Rory Moore sheds light on cold-case homicides by piecing together crime scene details others fail to see. Cleaning out her late father’s law office a week after his burial, she receives a call that plunges her into a decades-old case come to life once more. In the summer of 1979, five Chicago women went missing. The predator, nicknamed The Thief, left no bodies and no clues behind—until police received a package from a mysterious woman named Angela Mitchell, whose unorthodox investigation skills appear to have led to his identity. But before police could question her, Angela disappeared. Forty years later, The Thief is about to be paroled for Angela’s murder—the only crime the DA could pin on him. As a former client of her father’s, Rory becomes reluctantly involved with the killer—though he continues to insist he didn’t murder Angela. Now he wants Rory to do what her father once promised: prove that Angela is, in fact, still alive. As Rory begins reconstructing Angela’s last days, another killer emerges from the shadows, replicating those long-ago murders. With every startling discovery she makes, Rory becomes more deeply entangled in the enigma of Angela Mitchell—and in The Thief’s tormented mind. Drawing connections between past and present is the only way to stop the nightmare, but even Rory can’t be prepared for the full, terrifying truth that is emerging . . .

    She's smart, she’s a hard worker, she does the right thing, she’s successfully married to a faithful and devoted husband, a lion of Boston's defense bar, and her internship with the Boston DA's office is her ticket to a successful future.Problem is--she’s wrong.And in this cat and mouse game--the battle for justice becomes a battle for survival.The Murder List is a new standalone suspense novel in the tradition of Lisa Scottoline and B.A. Paris from award-winning author and reporter Hank Phillippi Ryan.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    But she doesn't know she's lost.Carmel Wakeford becomes separated from her mother at a local children's festival, and is found by a man who claims to be her estranged grandfather. He tells her that her mother has had an accident and that she is to live with him for now. As days become weeks with her new family, 8-year-old Carmel realises that this man believes she has a special gift...While her mother desperately tries to find her, Carmel embarks on an extraordinary journey, one that will make her question who she is - and who she might become.

    Caroline Thompson, devoted mother of two, sticks to the moral high ground and attempts to avoid these women. She’s relieved to hear her name appears only three times, citing her philanthropy. Despite being grateful that she has nothing to hide, a delayed pang of insecurity prods Caroline to Google her maiden name—which none of the others know.The hits cascade like a tsunami. Caroline’s terrified by what she reads. An obituary for her sister, JD? That’s absurd. With every click, the revelations grow more alarming. They can’t be right. She’d know. Caroline is hurled into a state of paranoia—upending her blissful family life—desperate to prove these allegations false before someone discovers they’re true.The disturbing underpinnings of THE MEMORY BOX expose a story of deceit, misconceptions, and an obsession for control. With its twists, taut pacing, and psychological tenor, Natiello's page turning suspense cautions: Be careful what you search for.HOUSTON WRITERS GUILD MANUSCRIPT AWARD WINNER

    It’s the perfect getaway to unplug—and to calm an uneasy marriage. But on Adam’s first day out on the water, he sees Sophie abducted by a stranger. A hundred yards from shore, Adam can’t save her. And Sophie disappears.In a nearby cabin is another couple, Kristen and Connor Moss. Unfortunately, beyond what they’ve heard in the news, they’re in the dark when it comes to Sophie’s disappearance. For Adam, at least there’s comfort in knowing that Mason County detective Lee Husemann is an old friend of his. She’ll do everything she can to help. She must.But as Adam’s paranoia about his missing wife escalates, Lee puts together the pieces of a puzzle. The lives of the two couples are converging in unpredictable ways, and the picture is unsettling. Lee suspects that not everyone is telling the truth about what they know—or they have yet to reveal all the lies they’ve hidden from the strangers they married.

    I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC has been hit with a nuclear bomb, then New York, then London, and finally Berlin. That’s all he knows before news outlets and social media goes black—and before the clouds on the horizon turn orange.Now, two months later, there are twenty survivors holed up at the hotel, a place already tainted by its strange history of suicides and murders. Those who can’t bear to stay commit suicide or wander off into the woods. Jon and the others try to maintain some semblance of civilization. But when the water pressure disappears, and Jon and a crew of survivors investigate the hotel’s water tanks, they are shocked to discover the body of a young girl.As supplies dwindle and tensions rise, Jon becomes obsessed with investigating the death of the little girl as a way to cling to his own humanity. Yet the real question remains: can he afford to lose his mind in this hotel, or should he take his chances in the outside world?

    She used to be able to tell what they were thinking, feeling, if they were lying…But it's as though every day, every minute even, she knows them a little less. Her boys aren’t boys anymore, they’re becoming men - men she’s not sure she recognises, men she’s not sure she can trust.So when one of her son’s classmates is killed in suspicious circumstances, people start asking questions.Was it really a hit and run? A car-jacking gone wrong? Or something much more sinister?Now Jackie must separate the truth from the lies.How did that boy end up on the road?And where was her son that night?