By any standard, theirs is a history of epic variety and drama. Mark Slouka recounts their tumultuous story, from the docks of Vietnam to American fame, with intimacy and compassion.A Washington Post, San Francisco Chronicle, and Dallas Morning News Best Book of the Year.

    Jangmi, on the other hand, has had to fend for herself since childhood, most recently by smuggling goods across the border. Then there is Danny, a Chinese-American teenager of North Korean descent whose quirks and precocious intelligence have long marked him as an outcast in his California high school. These three disparate lives converge when each of them escapes to the region where China borders North Korea—Danny to visit his mother, who is working as a missionary there, after a humiliating incident keeps him out of school; Yongju to escape persecution after his father is killed at the hands of the Dear Leader himself; and Jangmi to protect her unborn child. As they struggle to survive in a place where danger seems to close in on all sides, in the form of government informants, husbands, thieves, abductors, and even missionaries, they come to form a kind of adoptive family. But will Yongju, Jangmi and Danny find their way to the better lives they risked everything for? Transporting the reader to one of the most little-known and threatening environments in the world, and exploring how humanity persists even in the most desperate circumstances, How I Became a North Korean is a brilliant and essential first novel by one of our most promising writers.

    A skilled internist, he's built a thriving practice in suburban New Jersey. He has a devoted wife, a network of close friends, and an impressive house, and most important, he has a son, Alec, on whom he's pinned all his hopes. Pete has afforded Alec every opportunity, bailed him out of close calls with the law, and even ensured his acceptance into a good college. But Pete never counted on the wild card: Laura, his best friend's daughter--ten years older than Alec, irresistibly beautiful, with a past so shocking that it's never spoken of. When Laura sets her sights on Alec, Pete sees his plans for his son not just unraveling but being destroyed completely. Believing he has only the best of intentions, he sets out to derail this romance and rescue his son. He could never have foreseen how his whole world would shatter in the process. Lauren Grodstein delivers a riveting story in the tradition of The Ice Storm, American Beauty, and Little Children, charting a father's fall from grace as he struggles to save his family, his reputation, and himself.

    There they meet the daughter of the local tailor and discover a hidden stash of Western classics in Chinese translation. As they flirt with the seamstress and secretly devour these banned works, they find transit from their grim surroundings to worlds they never imagined.

    But they don’t know this yet.So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.

    . . an American missionary . . . twins separated at birth . . . a dwarf chauffeur . . . a serial killer . . . all are on a collision course. In the tradition of A Prayer for Owen Meany, Irving's characters transcend nationality. They are misfits--coming from everywhere, belonging nowhere. Set almost entirely in India, this is John Irving's most ambitious novel and a major publishing event.

    and Mrs. Fang called it art.Their children called it mischief.Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist’s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents’ madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents’ strange world.When the lives they’ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance -– their magnum opus -– whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what’s ultimately more important: their family or their art.

    Now, Lucie’s childhood friend Kate is living within a mysterious group called Marrow Colony—a community that claims to be “ministering to the Earth.” There have been remarkable changes to the land at the colony’s homestead. Lucie’s experience as a journalist tells her there’s more to the Colony—and their charismatic leader-- than they want her to know, and that the astonishing success of their environmental remediation has come at great cost to the Colonists themselves. As she uncovers their secrets and methods, will Lucie endanger more than their mission? What price will she pay for the truth? In the company of Station Eleven and California, Marrow Island uses two tense natural disasters to ask tough questions about our choices—large and small. A second novel from a bookseller whose sleeper-hit debut was praised by Karen Russell as “haunted, joyful, beautiful….” it promises to capture and captivate new readers even as it thrills her many existing fans.

    Ocampo’s newspaper column “Looking Back” that began in the Philippine Daily Globe and later moved to the Philippine Daily Inquirer. He presents a readable and painless introduction to Jose Rizal and offers fascinating insights, lively anecdotes, academic intrigue, and little-known facts about the hero as human. Investigating Rizal’s own writings - his diaries, letters, and other papers – Ocampo attempts to strip the countless myths and rumors that surround the national hero.

    Set in the exotic background of the little mining village of Nibucal in the southern Philippines, A Blade of Fern sketches a panoramic vista of rural life and problems of survival among miners prospecting for gold.The novel is in the tradition of the Romantic hero who runs away from a society he rejects to seek regeneration in a deeply natural environment.A Blade of Fern should be of interest to students of Philippine literature in English and the general reader.

    . . William Faulkner, Toni Morrison, Cormac McCarthy and Edward P. Jones” (San Francisco Chronicle), Jon Clinch returns with Kings of the Earth, a powerful and haunting story of life, death, and family in rural America. The edge of civilization is closer than we think.It’s as close as a primitive farm on the margins of an upstate New York town, where the three Proctor brothers live together in a kind of crumbling stasis. They linger like creatures from an older, wilder, and far less forgiving world, until one of them dies in his sleep and the other two are suspected of murder.Told in a chorus of voices that span a generation, Kings of the Earth examines the bonds of family and blood, faith and suspicion, that link not just the brothers but their entire community.Vernon, the oldest of the Proctors, is reduced by work and illness to a shambling shadow of himself. Feebleminded Audie lingers by his side, needy and unknowable. And Creed, the youngest of the three and the only one to have seen anything of the world (courtesy of the U.S. Army), struggles with impulses and accusations beyond his understanding. We also meet Del Graham, a state trooper torn between his urge to understand the brothers and his desire for justice; Preston Hatch, a kindhearted and resourceful neighbor who’s spent his life protecting the three men from themselves; the brothers’ only sister, Donna, who managed to cut herself loose from the family but is then drawn back; and a host of other living, breathing characters whose voices emerge to shape this deeply intimate saga of the human condition at its limits.

    For her, time and identity blur, and all action is reaction. She can’t quite understand what motivates others to take life seriously enough to focus on anything—for her existence is a loosely woven tapestry of fleeting concepts. From losing her virginity to mindless jobs and a splintered, unsupportive family, the lessons learned have less to do with the reality we all share and more to do with the truth of the imagination, which is where the narrator focuses to discover herself.

    On a dark Kentucky night in 1952 exactly halfway between her fifteenth and sixteenth birthdays, Annie Holleran crosses into forbidden territory. Everyone knows Hollerans don’t go near Baines, not since Joseph Carl was buried two decades before, but, armed with a silver-handled flashlight, Annie runs through her family’s lavender fields toward the well on the Baines’ place. At the stroke of midnight, she gazes into the water in search of her future. Not finding what she had hoped for, she turns from the well and when the body she sees there in the moonlight is discovered come morning, Annie will have much to explain and a past to account for.It was 1936, and there were seven Baine boys. That year, Annie’s aunt, Juna Crowley, with her black eyes and her long blond hair, came of age. Before Juna, Joseph Carl had been the best of all the Baine brothers. But then he looked into Juna’s eyes and they made him do things that cost innocent people their lives. Sheriff Irlene Fulkerson saw justice served—or did she? As the lavender harvest approaches and she comes of age as Aunt Juna did in her own time, Annie’s dread mounts. Juna will come home now, to finish what she started. If Annie is to save herself, her family, and this small Kentucky town, she must prepare for Juna’s return, and the revelation of what really happened all those years ago

    Teenage romance should be difficult, but not this difficult. Boys like Toby should cause trouble but not this much. The moon should glow gently over children safe in their beds. Uncles in their rockers should be kind. Teachers should guide and inspire. Manatees should laze and palm trees sway and snakes keep to their shady spots under the azalea thickets. The air shouldn’t smell like a swamp. The stars should twinkle. Shelby should be her own hero, the first hero of Citrus County. She should rescue her sister from underground, rescue Toby from his life. Her destiny should be a hero’s destiny.

    The regime is corrupt and harsh, the expatriates are hard-drinking money-grubbers, and her Muslim neighbours are secretive, watchful. The streets are not a woman's territory; confined in her flat, she finds her sense of self begin to dissolve. She hears whispers, sounds of distress from the 'empty' flat above her head. She has only rumours, no facts to hang on to, and no one with whom to share her creeping unease. As her days empty of certainty and purpose, her life becomes a blank -- waiting to be filled by violence and disaster.