Observing the crisis of human appetite through the lenses of psychology and science fiction, she's disquieted at a world "ruled by a bi-polar father-god, unconscious, suicidal."The personal meets the collective in these poems: insane rants transform into contemporary oracular speech; a child who once hoarded candy grows into an adult who consumes a planet. Mutation, social media, eco-collapse, a dream of a survivable End Times: no less than the future of the body is at stake, bodies corporeal and political, ecological and spiritual. Was that the soul, wishingwe would invent the bodyout of existence,so many of us nowenthralled by doom...Dana Levin has published three books of poetry, Wedding Day (Copper Canyon), Sky Burial (Copper Canyon), and her first book, In the Surgical Theatre, won the APR/Honickman Award. A teacher of poetry for over twenty years, Levin splits her time between Santa Fe, New Mexico, and Maryville University in St. Louis, where she serves as Distinguished Writer in Residence.

    His goal was to claim what is now the Gulf Coast of the United States for the Spanish crown and, in the process, become as wealthy and famous as Hernán Cortés.But from the moment the Narváez expedition landed in Florida, it faced peril—navigational errors, disease, starvation, as well as resistance from indigenous tribes. Within a year there were only four survivors: the expedition’s treasurer, Álvar Núñez Cabeza de Vaca; a Spanish nobleman named Alonso del Castillo Maldonado; a young explorer named Andrés Dorantes de Carranza; and Dorantes’s Moroccan slave, Mustafa al-Zamori, whom the three Spaniards called Estebanico. These four survivors would go on to make a journey across America that would transform them from proud conquistadores to humble servants, from fearful outcasts to faith healers.

    Special Ambassador Waris Dirie was born to a family of tribal nomads in Somalia. She told her story—enduring female circumcision, fleeing through the desert, and, improbably, becoming a top model—in her first book, Desert Flower. In Desert Dawn, she wrote about her return to Somalia and her work as a U.N. Special Ambassador against FGM (female genital mutilation). Her latest book recounts her investigations into the practice of FGM in Europe—it is estimated that as many as 500,000 women and girls have undergone FGM or are at risk. Here are the voices of women who have felt emboldened by Waris Dirie’s courage.

    After years away, fighting in a war against his own people, he returns to his village to find his parents gone, and his sister Afiya given away.Another young man returns at the same time. Hamza was not stolen for the war, but sold into it; he has grown up at the right hand of an officer whose protection has marked him life. With nothing but the clothes on his back, he seeks only work and security – and the love of the beautiful Afiya.As fate knots these young people together, as they live and work and fall in love, the shadow of a new war on another continent lengthens and darkens, ready to snatch them up and carry them away…

    It brings together poems from Knight’s previously published books and a section of new poems.

    They are as insistent as they are circumspect, drawing close to the reader’s ear and bringing them into confidence. The engine of Shine, Darling is one of strength, of fortitude in confronting and surviving the world, of a lifted-chin audacity – ‘There was pain,’ the speaker allows, ‘but it was not new pain.’ Frears’s work is world-weathered rather than world-weary, delighted by service stations, fucking on bins in Cornwall, in constant communion with the moon. It lives for the power-play of people, of the pull of the sea, the smoky air – ‘Stormy, sticky with flies’ – and tangled underbrush where the land ends. Her characters test each other, experimenting with the boundaries of physical violence, of punishment, of traps, all the while drawing the reader into a complicity that gives these poems all their daring, electrifying muscularity. In Shine, Darling, the desire to expose and disclose wrestles with defence and defiance. The result is exhilarating, a ‘glorious full-bodied’ debut collection with the draw of an adamant tide. ‘Uncompromising, intelligent, surprising, accessible and sharp … These lyric poems have a clarity and straightforwardness that only a special kind of attention, and a certain kind of fearlessness can achieve.’ – Mark Waldron

    Philip Taiwo is called on by a powerful Nigerian politician to investigate the public torture and murder of three university students in remote Port Harcourt, he has no idea that he’s about to be enveloped by a perilous case that is far from cold. Philip is not a detective. He’s an investigative psychologist, an academic more interested in figuring out the why of a crime than actually solving it. But when he steps off the plane and into the dizzying frenzy of the provincial airport, he soon realizes that the murder of the Okriki Three isn’t as straightforward as he thought. With the help of his loyal and streetwise personal driver, Chika, Philip must work against those actively conspiring against him to parse together the truth of what happened to these students. A thrilling and atmospheric mystery, and an unforgettable portrait of the contemporary Nigerian sociopolitical landscape, Lightseekers is a wrenching novel tackling the porousness between the first and third worlds, the enduring strength of tribalism and homeland identity, and the human need for connection in the face of isolation.

    Written in dialogic fragments and intersped with prose poems reflecting on the lasting impact of colonial trauma, it is arranged around the two different discourses. The bed on which America sleeps, and which America has made, is built on the fear that the nations it has oppressed will rise up against it, a monstrous shadow in a child’s nightmare. Written in English, while they sleep points to a imperialist American identity: the dormant body of the text. Answering in Spanish, under the bed is another country is the footnote, the monster under the bed, the colony: Puerto Rico.

    To have no memory of ever being alone."Twin sisters Bibike and Ariyike are enjoying a relatively comfortable life in Lagos in 1996. Then their mother loses her job due to political strife, and the family, facing poverty, becomes drawn into the New Church, an institution led by a charismatic pastor who is not shy about worshipping earthly wealth.Soon Bibike and Ariyike's father wagers the family home on a "sure bet" that evaporates like smoke. As their parents' marriage collapses in the aftermath of this gamble, the twin sisters and their two younger siblings, Andrew and Peter, are thrust into the reluctant care of their traditional Yoruba grandmother. Inseparable while they had their parents to care for them, the twins' paths diverge once the household shatters. Each girl is left to locate, guard, and hone her own fragile source of power.Written with astonishing intimacy and wry attention to the fickleness of fate, Tola Rotimi Abraham's Black Sunday takes us into the chaotic heart of family life, tracing a line from the euphoria of kinship to the devastation of estrangement. In the process, it joyfully tells a tale of grace and connection in the midst of daily oppression and the constant incursions of an unremitting patriarchy. This is a novel about two young women slowly finding, over twenty years, in a place rife with hypocrisy but also endless life and love, their own distinct methods of resistance and paths to independence.

    Ike's plan is fueled by desperation. Despite a degree in economics from a major American college, his strong accent has barred him from the corporate world. Forced to eke out a living as a cab driver, he is unable to manage the emotional and material needs of a temperamental African American bride and a widowed mother demanding financial support. When he turns to gambling, his mounting losses compound his woes.And so he travels back to Nigeria to steal the statue, where he has to deal with old friends, family, and a mounting conflict between those in the village who worship the deity, and those who practice Christianity. A meditation on the dreams, promises and frustrations of the immigrant life in America; the nature and impact of religious conflicts; an examination of the ways in which modern culture creates or heightens infatuation with the "exotic," including the desire to own strange objects and hanker after ineffable illusions; and an exploration of the shifting nature of memory, Foreign Gods is a brilliant work of fiction that illuminates our globally interconnected world like no other.

    In the Caine Prize finalist story “It Takes a Village, Some Say,” Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In “The Devil Is a Liar,” a pregnant pastor’s wife struggles with the collision of western Christianity and her mother’s traditional Cameroonian belief system as she worries about her unborn child.In other stories, Nkweti vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa, and in a mermaid tale about a Mami Wata who forgoes her power by remaining faithful to a fisherman she loves. In between these two ends of the spectrum there’s everything from an aspiring graphic novelist at a comic con to a murder investigation driven by statistics to a story organized by the changing hairstyles of the main character.Pulling from mystery, horror, realism, myth, and graphic novels, Nkweti showcases the complexity and vibrance of characters whose lives span Cameroonian and American cultures. A dazzling, inventive debut, Walking on Cowrie Shells announces the arrival of a superlative new voice.

    On the one hand she is a pious mother of four sons, but under the veil she is a daring, independent-minded woman with a sexuality, and a liking for risky behavior, that she keeps secret from those closest to her. We follow her story in two different time frames. As a woman in her forties, dealing with the tragic death of her son from AIDS, Abeeda is drawn into the world of casino gambling and quickly develops a gambling addiction, in which she convulsively wins and loses large amounts of money. In a serious of flash backs we also trace her life as a woman in her twenties, from the time when her husband left her, through a torrid affair with her younger sister's fiance (and then husband) Imran. The episodes in the casino are intense - the compulsive attraction and the nightmare of gambling are made vivid to the reader. On the other hand, Abeeda's involvement in her community, and her genuine spiritual seeking, are also very clear. Weaving together these captivating main story lines are numerous subplots involving her family, religion, friends and her life in the community.

    In this ambitious lyric sequence, the speaker’s fear of annihilation expands beyond the self to an imperiled planet on which all inhabitants are “soft targets.” Her melancholic examinations recall life’s uncanny ability to transform ordinary places―subways, cafes, street corners―into sites of intense significance that weigh heavily on the modern mind.“O you who want to slaughter us, we’ll be dead soon/enough what’s the rush,” Landau writes, contemplating a world beset by political tumult, random violence, terror attacks, and climate change. Still there are the ordinary and abundant pleasures of day-to-day living, though the tender exchanges of friendship and love play out against a backdrop of 21st century threats with historical echoes, as neo-Nazis marching in the United States recall her grandmother’s flight from Nazi Germany.

    With language of devastating beauty and complexity, he investigates conflicted personal history and political tragedy, and how the human body fares against both. A book-length sequence of linked poems, Sanctificum is Abani’s most intimate and ambitious book to date, a tour de force bringing together religious ritual, the Igbo language of his Nigerian homeland, and reggae rhythms in a complex, liturgical love song.

    Arriving full of trepidation, the musician discovers that his community no longer recognises him, believing that Taduno is dead. His girlfriend Lela has disappeared, taken away by government agents. As he wanders through his house in search of clues, he realises that any traces of his old life have been erased. All that was left of his life and himself are memories. But Taduno finds a new purpose: to unravel the mystery of his lost life and to find his lost love. Through this search, he comes to face a difficult decision: to sing for love or to sing for his people. Taduno's Song is a moving tale of sacrifice, love and courage.