He is a gentle giant of a man, who promises Susan the world.Two years later they throw in their jobs, marry and sell everything they own, embarking on an incredible adventure, to start a new life in the romantic city of Granada, where they learn Spanish and enjoy too much tapas. In love, and enthralled by the splendour of a European springtime, the pair treasure every moment together.Until a shocking series of events alters everything.Susan Francis' memoir is riveting and remarkably honest and Susan Duncan said it was fearless and raw and an amazing read.

    Jody is in his forties and runs a map store. Not one for the outside world, he stays in his store all the time. His friend, Carl is in his late thirties and has been bringing chairs of dead friends into Jody's store and leaving them there. When Jody needs to take an AIDS test, Carl tries to convince him it is not only okay to leave the store, but also that he must take responsibility for his life. If he doesn't, he will join the set of chairs that Carl has taken great pains to place in the right spots around the store. Jody finally leaves the map store to take his HIV test and return to find Carl sitting in a chair of his own. With this gesture, we know that Carl has joined the many of their friends who have died, but now Jody must take Carl's place as the caretaker.

    O'Neill is a writer of limitless imagination." —Hector Tobar, author of The Barbarian NurseriesRanging from Australia and Africa to Europe and Asia and back again, The Weight of a Human Heart heralds a fresh and important new voice in fiction. Ryan O'Neill takes us on a journey that is sometimes comic, sometimes tragic, and wholly original.A young Tutsi girl flees her village on the brink of the Rwandan genocide. A literary duel—and an affair—play out in the book review section of a national newspaper. A young girl learns her mother’s disturbing secrets through the broken key on a typewriter. With imagination, wit, and a keen eye, Ryan O'Neill draws the essence of the human experience with a cast of characters who stick with you long after you turn the last page of this brilliant short story collection.

    Many women are repeat callers: on average, they will go back to an abusive partner eight times before leaving for good.‘You must get so frustrated when you think a woman’s ready to leave and then she decides to go back,’ I say.‘No,’ replies one phone counsellor, pointedly. ‘I’m frustrated that even though he promised to stop, he chose to abuse her again.’Women are abused or killed by their partners at astonishing rates: in Australia, almost 17 per cent of women over the age of fifteen – one in six – have been abused by an intimate partner.In this confronting and deeply researched account, journalist Jess Hill uncovers the ways in which abusers exert control in the darkest – and most intimate – ways imaginable. She asks: What do we know about perpetrators? Why is it so hard to leave? What does successful intervention look like?What emerges is not only a searing investigation of the violence so many women experience, but a dissection of how that violence can be enabled and reinforced by the judicial system we trust to protect us.Combining exhaustive research with riveting storytelling, See What You Made Me Do dismantles the flawed logic of victim-blaming and challenges everything you thought you knew about domestic and family violence.

    . ."When Esther McKay, an idealistic young constable with the NSW police, entered the tough, male-dominated world of forensic investigation, she was determined to hold her own. She soon found herself at deeply confronting crime scenes, often working alone and without supervision. After years of long, lonely, exhausting days and nights, and following a particularly harrowing high-profile case involving the disappearance of two young boys, Esther had a break-down and was diagnosed with post-traumatic stress disorder. This is Esther's story. Powerful, moving and unforgettable, Crime Scene takes us inside the life of a forensic investigator, and reveals as never before the extraordinary demands and dangers of forensic work.

    So Karuna returns the favour. Eventually, Karuna can’t ignore the reality: she is pregnant. Incensed, her mother, already over-protective, confines her to their fourteenth-storey housing-commission flat for one hundred days, to protect her from the outside world – and make sure she can’t get into any more trouble. Stuck inside for endless hours, Karuna battles her mother and herself for a sense of power in her own life, as a new life forms and grows within her. One Hundred Days is a fractured fairytale exploring the fault lines between love and control. At times tense and claustrophobic, it also brims with humour, warmth and character. It is a magnificent new work from one of Australia’s most celebrated writers.

    Is he evil? Or crazy? His violence is in fact a mirror for the brutality of Australian life - and is a dim reflection at that, in a country where atrocities by whites against blacks are so ingrained few question them.The effects of the rampage ripple out from the island to link the fates of those who witnessed it, across the north and down through the decades. It is a time when silence in the face of tyranny is at its loudest. When allegiance to English niceties is confounded by the landscape and by the weather. And change is a slow wind that brings little real difference.

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    When her Aussie-soap-obsessed grandma sends her to Australia to recover, it seems a great opportunity for some rest and relaxation while she figures out what's next.But when Beth arrives in Australia things get off to a rocky start. To begin with, she's on the wrong coast and there are deadly creatures everywhere. And if that weren't enough, her neighbours are driving her crazy. She's staying in the beautiful Margaret River wine region, right next door to a family-owned vineyard. It should be perfect, but the boisterous Hardy clan just don't seem able to leave her alone. The usually reserved Beth is soon reluctantly embroiled in their family disputes and romantic entanglements. And eldest son Clayton Hardy is proving surprisingly persistent.The more Beth gets to know Clayton and the Hardys, the more she sees what she wants for her future. But as the end of summer approaches, her past comes back to haunt her and will test her newfound relationships to the limit.From the author of Fly In Fly Out comes this entertaining and touching story about family, friendship and love among the grapevines.