But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    Drama followers her everywhere and her sister, Stacey and Randi are fed up with her short temper and untamed tongue. Their relationship with Sasha seems toxic due to her unbearable irresponsible lifestyle. She faces many trails but relies on her good looks to get her out of trouble. Until she finally gets a wake up call.

    A series of scenes that gradually tell the story of how the financial collapse affects a British couple and how fiscal worry, stress, and fear can strain mankind's greatest emotion.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    However, her husband Darius is too pigheaded to work on it, since—in his mind—he is not the problem. Tired of being kept under lock and key—and completely controlled by Darius, Safa makes a trip back to her old neighborhood to see her grandmother against Darius’s wishes, and everything changes. Safa meets Kordell, a sexy, street boxer who gives her what she's been missing out on. They begin an affair that pulls Safa even further away from her marriage. After some major flare ups, Safa finds herself questioning everything. Was her marriage a mistake? Is Kordell the one? Could she really give up everything for him? And what will happen if Darius finds out? So many things are shaken up when a woman gets fed up.

    But while rumors run wild and everyone forms an opinion, Scarlett just stays silent.With roles for up to twenty-four young female actors (though it can also be performed by a smaller cast), the play is perfect for any schools, youth theatres or drama groups looking to tackle a contemporary subject in a theatrically exciting way.Specially commissioned by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse, Girls Like That was developed through work with young people from the three theatres and first performed by their youth theatre companies in 2013."[Tackles] strong, relevant issues... a well-written, immaculately crafted and brave piece of energetic theatre." - A Younger Theatre"An urgent, powerful and haunting examination... I can see this play becoming a very popular resource for 16+ groups and that will be no bad thing." National Drama MagazineEvan Placey is a Canadian-British playwright. His other work includes Mother of Him, Holloway Jones, which won the Brian Way Award for Best Play for Young People, and Pronoun, commissioned as part of the 2014 National Theatre Connections Festival.

    The Fireproof Your Marriage study integrates video clips from the movie FIREPROOF, along with key Scriptures, thought-provoking questions and devotionals. The Couple's Kit includes a six-session DVD and two Participant's guides. Also makes a great wedding or anniversary gift! Fireproof Your Marriage includes these six sessions: 1.) He Said/She Said: appreciating the God-designed differences between men and women. 2.) He First Loved Us: God's love for you and how it enables you to love others.3.) Love for a Lifetime: marriage as a lifelong covenant. 4.) Breaking Free: freeing yourself from temptations that can destroy a marriage. 5.) Forgiveness: offering and receiving forgiveness. 6.) A Better Way of Loving: unconditional love.

    Capturing the moment when her unique talent blossomed in a new direction, this new edition of her life-affirming, universal stories will allow her to be read by a another generation of readers. Wallace’s poetry and short stories have been anthologized, and have appeared in periodicals across the country. She won a National Magazine Award, the Pat Lowther Award, the Du Maurier Award for Poetry, and in 1989 she was named Regional Winner of the Commonwealth Poetry Prize in the U.K.

    The first part of what has come to be known as the Mercer Series, Leaving Home tells the story of a Newfoundland family that has emigrated and lost all sense of its place in the world.Leaving Home was named one of the "100 Most Influential Canadian Books" by the Literary Review of Canada.

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    Set in Scotland in 1899, this dark and redemptive gothic comedy is a story of family secrets that have come to life and of the birth and evolution of ideas – and truly a play of morals. Reaching out in two directions to reconcile the extremes of rationalism and romanticism, Belle Moral embraces a complex range of turn-of-the-century thought including Charles Darwin’s theory of evolution, contemporary medical beliefs and the concept of eugenics.

    From this point they learn to respond to their wives in a consistent Christlike manner. A radically transformed and renewed marriage is the result.Drawing from his own story and the stories of husbands whose marriages were dissolving, Ken Nair reveals major problems in life and marriage. After discussing the problems, he reveals relationship altering concepts which not only will revive a marriage, they will radiate throughout couple's lives as well.

    From high-class hookers to 7/7 survivors these monologues paint a revelatory picture of Britain as it is today. After rave reviews at the 2008 Edinburgh Festival and in New York, "Eight" opened in London's West End in July 2009.

    It is an acute and compassionate look at male mid-life crises, female sexual desire, death and the fear of it, children and the trouble with them - all the things we battle with every day.

    This trilogy includes: Taming Emma Emma had always been interested in exploring the world of BDSM, and given her desperate circumstances, this sounded like the perfect opportunity. One weekend of complete submission to the highest bidder among a select group of wealthy men, and her financial troubles would be over. Emma wasn’t really sure what to expect when she agreed to the deal, but one thing she definitely did not expect was Luke Roark. The moment Luke removed the blindfold and recognized the beautiful, nearly-nude young woman standing before him as Emma Lawson, his best-friend’s little sister, he knew what he had to do. However, after buying her contract with the intention of giving her a firm lecture and taking her home, he cannot help but imagine the things he could teach her. Emma spent many years as a teenager fantasizing about Luke, and when he is suddenly thrust into her life again she is torn between her fears and her desires, but her need to submit wins out. Emma chooses to stay and honor her contract, and she quickly finds herself on her knees before him, bare, bound, helpless, and forced to take whatever he wishes to give her… and he wishes to give her a great deal, relishing the chance to play Emma’s naked, trembling body like a finely-tuned instrument until she is blushing red and begging for more. It is not long, though, before both Luke and Emma can feel that something much more than just physical attraction binds them together, but can they put aside their painful pasts and embrace a future together? Taming Megan Jake Roark is the husband Megan never dreamed she could have—handsome, responsible, kind-hearted, and so much more. Before she ever said her wedding vows, though, she also knew that he was traditional enough to take a misbehaving wife in hand. When the bad habits from the wild life she led before she met Jake begin to resurface, Megan soon finds herself over his knee for a bare bottom spanking. Jake's firm hand and old-fashioned ways only increase her love for him, but when a mistake from the past is suddenly thrust into the forefront of her life and her marriage, will Jake's love for Megan be strong enough to keep her in his arms forever, no matter what he learns about her? Taming Naia Naia knows that Liam Roark has every right to be angry with her for sabotaging his career ten years ago with the accusation that he spanked her. When she seeks him out to ask his forgiveness, though, he will only give it on one condition: she'll have to accept the bare-bottom spanking she once falsely claimed to have been given. Although hesitant, Naia agrees, but after a painful and humiliating punishment which leaves her tearful and blushing, Liam sends her on her way. Despite her protests he is determined not to see her again… for his sake and for hers. He knows full well how strongly he yearns to dominate and have his way with her, and he fears she is far from ready to see that side of him. But Liam isn't the only one who has to come to terms with the past, and when Naia persists, he finds himself unable to resist the twenty-eight year old beauty any longer. Deciding to give her a taste of the life he lives, Liam brings her with him to his vacation home in Miami. He will demand her absolute obedience, thoroughly punish any defiance, and take her in any way he pleases, leaving her begging on her knees for more.