Yet Margaret has been largely airbrushed out of the story in which she played so important a role. John Guy restores her to her rightful place in this captivating account of their relationship.Always her father’s favorite child,Margaret was such an accomplished scholar by age eighteen that her work earned praise from Erasmus. She remained devoted to her father after her marriage—and paid the price in estrangement from her husband.When More was thrown into the Tower of London,Margaret collaborated with him on his most famous letters from prison, smuggled them out at great personal risk, even rescued his head after his execution. John Guy returns to original sources that have been ignored by generations of historians to create a dramatic new portrait of both Thomas More and the daughter whose devotion secured his place in history.

    The real Jane was a very different character, demure and submissive yet with a ruthless streak - as Anne Boleyn was being tried for treason, Jane was choosing her wedding dress. From the lowliest origins of any of Henry's wives her rise shows an ambition every bit as great as Anne's. Elizabeth Norton tells the thrilling life of a country girl from rural Wiltshire who rose to the throne of England and became the ideal Tudor woman.

    A King denies his heart and soul. A girl faces her true identity. All things must come to an end—all things but love. IN THE WINTER OF 1535, fourteen-year-old Kate Carey wants to escape her family home. She thinks her life will be so much better with Anne Boleyn, Henry VIII’s second wife and the aunt she idolises. Little does Kate know that by going to attend Anne Boleyn she will discover love and a secret that will shake the very foundations of her identity. As an attendant to Anne Boleyn, Kate is swept up in events that see her witness her aunt’s darkest days. By the time winter ends, Kate will be changed forever.

    His father, John Dudley, saw his own father executed by Henry VIII when he ascended the throne, and suffered ignominy and obscurity as a result. But John is determined to rise high and see his family restored to its former glorious position. He places his sons in the Royal Household, and Robert spends his childhood years at the Royal Court, as playmate to King Henry's children, Prince Edward and the Lady Elizabeth. Robert sees his father gain power and influence, becoming the young King Edward VI's most important courtier. But when John tries to make his daughter-in-law, Lady Jane Grey, queen,the Catholic Mary Tudor proves she has the support of the people, and John is forced to renounce Jane and proclaim Mary queen. For their part in the Nine Days Queen affair, John and his sons are imprisoned in the Tower of London, to await trial and probable execution. Forced to admit that he erred in his belief in the New Religion, Protestantism, John, along with his son, Guildford who married Jane Grey, are executed, having their heads cut off on Tower Hill. One more brother dies of illness, and Queen Mary shows mercy and releases the remaining three brothers. Robert becomes desperate to restore the family's name and fortune, and persuades his brothers to join Queen Mary's husband, King Philip of Spain, in a war against the French. In France, the youngest Dudley brother, Henry, is killed, but Robert is mentioned in despatches as having fought valiantly, and the taint of attainder is removed from the Dudley family name. The Dudleys are not considered traitors any longer. But Robert is still not wanted at court, and he is forced to leave London and settle down with his wife, Amy Robsart, in Norfolk. But he soon grows tired of both the country and his wife, and hopes one day to be able to return to the court. His chance comes when Queen Mary dies and Elizabeth Tudor becomes queen. Abandoning his wife, Robert rushes to her side. Elizabeth soon falls in love with Robert, and sordid rumours spread throughout Europe about their relationship, made worse when Robert's wife dies in mysterious circumstances, and he is suspected of having her murdered. Exiled from the court, Robert has to wait in the country for the coroner's court to return a verdict of Accidental Death before Elizabeth allows him to return to her. Robert is now a free man, but Elizabeth, ever fearful of relinquishing her power, and haunted by the beheadings of her mother, Anne Boleyn, and her stepmother, Katherine Howard, will not agree to marry him, while jealously keeping him by her side. But Robert keeps hoping, and with his heart set on becoming king, he is forced to live a double life, keeping his mistress and illegitimate son secret to avoid Elizabeth's wrath. Until he falls in love with Elizabeth's cousin, the pretty and seductive, Lettice. Lettice demands marriage when she becomes pregnant, and Robert, tired of waiting for Elizabeth and wanting an heir to carry on the Dudley name, agrees. Meanwhile, his growing reputation as politician and staunch Protestant, means that Europe looks to him to solve their religious and territorial problems. Ever eager to improve his reputation and to prove that he is more than Elizabeth's favourite, he launches himself into war in the Netherlands, and is finally offered the governorship of the Dutch, making him a king in all but name. He accepts the Dutch offer but when Elizabeth hears of it, she is furious and insists that he renounce the title. Robert is forced to make a humiliating exit. He returns to England, disappointed and broken in body. Forced to become a soldier again when the Spanish launch their Armada, Robert is too ill to celebrate the English victory and dies en route to taking the spa waters at Buxton. When Elizabeth hears the news, she looks herself away in her room to grieve alone.

    His monumental decision to split from Rome and the Catholic Church was one that would forever shape the religious and political landscape of Britain.Combining magnificent storytelling with an extraordinary grasp of the pleasures and perils of power, Margaret George delivers a vivid portrait of Henry VIII and Tudor England and the powerhouse of players on its stage: Thomas Cromwell, Cardinal Wolsey, Thomas More and Anne Boleyn. It is also a narrative told from an original perspective: Margaret George writes from the King's point of view, injecting irreverent comments from Will Somers - Henry's jester and confidant.

    Everything Anne touches seems to turn to gold, and Mary is certain Anne will one day become Queen. But Mary has also seen the King's fickle nature and how easily he discards those who were once close to him. . . Discovering that she is a pawn in a carefully orchestrated plot devised by her father, the duke of Norfolk, Mary dare not disobey him. Yet despite all of her efforts to please him, she too falls prey to his cold wrath. Not until she becomes betrothed to Harry Fitzroy, the Duke of Richmond and son to King Henry VIII, does Mary find the love and approval she's been seeking. But just when Mary believes she is finally free of her father, the tides turn. Now Mary must learn to play her part well in a dangerous chess game that could change her life--and the course of history.

    And she is not to be disappointed, for her beautiful sister, Mary, has been handed a mission: to let herself be seduced by the King of France in order to uncover his secrets.Mesmerized by the thrilling passion, intrigue, and betrayal that unfolds, Anne discovers the power of being a woman who catches the eye of a powerful king. And, as she grows into a beautiful young woman, she undergoes her own sexual awakening, each daring exploit taking her one step closer to the life that is her destiny.

    Her story, as Carolly Erickson re-creates it, is page-turning drama: from the splendors of the Field of the Cloth of Gold to the gory last years of the outsize King Henry, when heads rolled and England trembled, Catherine bestrode her destiny and survived to marry her true love.Catherine Parr attracted the king’s lust and, though much in love with the handsome Thomas Seymour, was thrown into the intrigue-filled snake pit of the royal court. While victims of the king’s wrath suffered torture and execution, Catherine persevered—until, at last, she came within the orbit of the royal fury. King Henry toyed with her, first ordering her arrested, then granting her clemency. She managed to evade execution, but she knew that the king had his wandering eye fixed on wife number seven. She was spared by his death and married the attractive but dangerously unbalanced Seymour. Her triumph was shadowed by rivalry with the young Princess Elizabeth, whose lands and influence the lecherous Seymour coveted. Catherine won the contest, but at great cost.In The Last Wife of Henry VIII, critically acclaimed author Carolly Erickson brings this dramatic story of survival and redemption to life.

    All of these women received attention in academic circles and are the subjects of countless biographies. Not many people, however, realize that Henry VIII also had a niece, a daughter-in-law and a mistress, who were close friends, but who today remain on the fringes of history. Margaret Douglas was the daughter of Henry VIII’s elder sister Margaret, Queen of Scotland. She was imprisoned thrice, and each time, as she admitted, “not for matters of treason, but for love matters”. Her legacy includes marrying her son to Mary, Queen of Scots, and playing the doting grandmother to King James VI and I. Mary Howard was the daughter of Thomas Howard, third Duke of Norfolk, leading peer of the Tudor court. She served as maid of honour to her first cousin, Anne Boleyn, and married Henry VIII’s illegitimate but acknowledged son, Henry Fitzroy, Duke of Richmond. Widowed at the age of seventeen, Mary fought for her rightful jointure and was, by her father’s admission, “too wise for a woman”. Mary Shelton, like Mary Howard, was related to Anne Boleyn and became her servant at court. Beautiful and skilled in poetry, Mary attracted Henry VIII’s attention and became his mistress in 1535, but many don’t realize how important her contributions were to the literary scene of the time. This book moves Margaret Douglas, Mary Howard and Mary Shelton from the footnotes of history into the spotlight, where they deserve to shine along with their more famous contemporaries.

    This is a page-turning, revisionist history of the villainised and misunderstood Mary Tudor, the first queen of England.

    Thomas secures a place for Anne’s sister, Mary, at the prestigious court of Margaret of Austria, but fate has other plans, and Anne ends up taking her place.At thirteen, Anne yearns for adventure. However, unused to curbing her outspoken tongue and youthful curiosity, she discovers that life at Margaret’s court is not quite how she’d imagined. Experiencing love, loss, jealousy and fear, she soon realises that her future happiness lies in her own hands - and that she must shape her own destiny... The Falcon’s Rise is the first part of a two-part series, beginning the journey with the young Anne Boleyn growing into the woman who captured the heart of a king. Author Interview How did you first become interested in Anne Boleyn? I was always passionate about the history of England, and I first became interested in Anne Boleyn by reading the Tudor books my mother brought from the library. They were always about the six wives of King Henry VIII, but it was Anne Boleyn that captured my imagination when I read ’The King’s Secret Matter,’ by Jean Plaidy’. I was probably about 13 at the time. At the same age, I watched ‘Anne of a Thousand Days’ at the cinema and that was it. I was hooked for life. Of course, in those days, it was Geneviève Bujold, rather than Natalie Dormer in The Tudors, playing Anne. Did you uncover any interesting Tudor facts in your research? It was interesting finding out about people I knew nothing about such as Margaret of Austria and the Emperor. Is there one character in your historical novel that you particularly found interesting? It has to be Margaret of Austria. I knew nothing of her before I started my research, but she comes across as a delightful woman who despite her sorrows, was charming and amusing. I often read her poetry and truly like her. I’m also interested in Charles Brandon, admiring his ability to survive his secret marriage to the king’s sister and escape the Tower of London! What period of Anne Boleyn's life does this fictional history story cover? The book starts in 1497 and ends in 1514. However, I have set Anne's birth in May 1500. What is interesting is that she was born during the reign of the old King Henry VII - founder of the Tudor dynasty - and nine years before his son, Henry, ascended the throne. It had different fashions to how we imagine the later Tudor ones. I think the life-size models of Anne and her nurse in the gallery at Hever Castle illustrate this well. They are still in the medieval style. Is there a more in-depth interview with you and how you researched your books? Yes, its on TheAnneBoleynFiles website, just search for my name - Natalia Richards Any other thoughts? Looking at portraits of Anne Boleyn as a young woman, it is sad to think about the tragic end she came to. But it is not the end of her life that fascinates me, it is the beginning and the many questions it raises. What made her the woman she later became? Why did she attract Henry VIII in the first place and why write about Anne when she has been written about so extensively?

     Publicly declared a bastard at the age of three, daughter of a disgraced and executed mother, last in the line of succession to the throne of England, Elizabeth I inherited an England ravaged by bloody religious conflict, at war with Spain and France, and badly in debt. When she died in 1603, after a forty-five year reign, her empire spanned two continents and was united under one church, victorious in war, and blessed with an overflowing treasury. What's more, her favorites--William Shakespeare, Sir Francis Drake, and Sir Walter Raleigh--had made the Elizabethan era a cultural Golden Age still remembered today. But for Elizabeth the woman, tragedy went hand in hand with triumph. Politics and scandal forced the passionate queen to reject her true love, Robert Dudley, and to execute his stepson, her much-adored Lord Essex. Now in this spellbinding novel, Rosalind Miles brings to life the woman behind the myth. By turns imperious, brilliant, calculating, vain, and witty, this is the Elizabeth the world never knew. From the days of her brutal father, Henry VIII, to her final dying moments, Elizabeth tells her story in her own words.

    Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years. But historian Julia Fox, whose previous work painted an unprecedented portrait of Jane Boleyn, Anne’s sister, offers deeper insight in this first dual biography of Katherine and Juana, the daughters of Spain’s Ferdinand and Isabella, whose family ties remained strong despite their separation. Looking through the lens of their Spanish origins, Fox reveals these queens as flesh-and-blood women—equipped with character, intelligence, and conviction—who are worthy historical figures in their own right.When they were young, Juana’s and Katherine’s futures appeared promising. They had secured politically advantageous marriages, but their dreams of love and power quickly dissolved, and the unions for which they’d spent their whole lives preparing were fraught with duplicity and betrayal. Juana, the elder sister, unexpectedly became Spain’s sovereign, but her authority was continually usurped, first by her husband and later by her son. Katherine, a young widow after the death of Prince Arthur of Wales, soon remarried his doting brother Henry and later became a key figure in a drama that altered England’s religious landscape.Ousted from the positions of power and influence they had been groomed for and separated from their children, Katherine and Juana each turned to their rich and abiding faith and deep personal belief in their family’s dynastic legacy to cope with their enduring hardships. Sister Queens is a gripping tale of love, duty, and sacrifice—a remarkable reflection on the conflict between ambition and loyalty during an age when the greatest sin, it seems, was to have been born a woman.

    Her beautiful middle sister Katherine Grey charms all the right people--until loyalties shift. And finally Lady Mary Grey, a dwarf with a twisted spine whose goal is simply to protect people she loves--but at a terrible cost.   In an age in which begetting sons was all that mattered and queens rose and fell on the sex of their child, these three girls with royal Tudor blood lived under the dangerous whims of parents with a passion for gambling. The stakes they would wager: their daughters' lives against rampant ambition.

    She was both manipulator and pawn, a complex, misunderstood mélange of subtlety and fire. Her name was Anne Boleyn.In The Queen of Subtleties, Suzannah Dunn reimagines the rise and fall of the tragic queen through two alternating voices: that of Anne herself, who is penning a letter to her young daughter on the eve of her execution, and Lucy Cornwallis, the king’s confectioner. An employee of the highest status, Lucy is responsible for creating the sculpted sugar centerpieces that adorn each of the feasts marking Anne’s ascent in the king’s favor. They also share another link of which neither woman is aware: the lovely Mark Smeaton, wunderkind musician—the innocent on whom, ultimately, Anne’s downfall hinges.