commits suicide, devastating his circle and deeply puzzling his friend Kingsbitter. For among B.’s effects, Kingsbitter finds a play that eerily predicts events after his death. Why did B.–who was born at Auschwitz and miraculously survived–take his life? As Kingsbitter searches for the answer –and for the novel he is convinced lies hidden among his friend’s papers–Liquidation becomes an inquest into the deeply compromised inner life of a generation. The result is moving, revelatory, and haunting.

    Yet only one visionary man-Heniek Corben- can see him and hear him. Heniek soon realizes that Cohen has become an ibbur-a spirit. But how and why has he taken this form? As Cohen recounts his disturbing and moving story, small but telling inconsistencies appear in his narrative. Heniek begins to believe that Cohen is not the secular Jew he claims to be, but may, in fact, be a student of practical Kabbalah-of magic. Why is he lying? And what is the importance of the anagrams he creates for the names of his friends and relatives? Heniek traces his suspicions and comes to an astonishing conclusion-one that has consequences for his own identity and life, and perhaps for the reader's as well.

    Maximilien Aue has reinvented himself, many years after the war, as a middle-class family man and factory owner in France. An intellectual steeped in philosophy, literature, and classical music, he is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man we experience in disturbingly precise detail the horrors of the Second World War and the Nazi genocide of the Jews. Eichmann, Himmler, Göring, Speer, Heydrich, Höss—even Hitler himself—play a role in Max's story. An intense and hallucinatory historical epic, The Kindly Ones is also a morally challenging read. It holds a mirror up to humanity—and the reader cannot look away.

    He must fight for his place against the bullies in his Depression-shadowed Bronx neighborhood and his own frail health. As a young man, he must start anew and define his own path of personal belief that diverges sharply with his devout father and everything he has been taught...

    Will they manage to pick up the thread of their strange love story, interrupted almost as soon as it began and then lost in the tides of history? The truth is that after such a long absence "their memories no longer match." We always believe that our memories coincide with those of the person we loved, that we experienced the same thing. But this is just an illusion. Then again, what can we expect of our weak memory? It records only "an insignificant, minuscule particle" of the past, "and no one knows why it's this bit and not any other bit." We live our lives sunk in a vast forgetting, a fact we refuse to recognize. Only those who return after twenty years, like Odysseus returning to his native Ithaca, can be dazzled and astounded by observing the goddess of ignorance firsthand.Milan Kundera is the only author today who can take such dizzying concepts as absence, memory, forgetting, and ignorance, and transform them into material for a novel, masterfully orchestrating them into a polyphonic and moving work.Author Biography: The Franco-Czech novelist Milan Kundera was born in Brno and has lived in France, his second homeland, for more than twenty years. He is the author of the novels The Joke, Life Is Elsewhere, The Farewell Party, The Books of Laughter and Forgetting, The Unbearable Lightness of Being, and Immortality, and the short story collection Laughable Loves, all originally written in Czech. Like Slowness, his two earlier nonfiction works, The Art ofthe Novel and Testaments Betrayed, were originally written in French.

    It tells the story, through an interwoven plot, of the clash between old traditions and growing desires.

    Leon Uris's novel is set in the midst of the ghetto uprising that defied Nazi tyranny, as the Jews of Warsaw boldly met Wehrmacht tanks with homemade weapons and bare fists. Here, painted on a canvas as broad as its subject matter, is the compelling story of one of the most heroic struggles of modern times.

    In this gripping novel, based on a true story, he reveals the extraordinary lives of the Russian, Polish and Jewish partisans trapped behind enemy lines during the Second World War. Wracked by fear, hunger and fierce rivalries, they link up, fall apart, struggle to stay alive, and to sabotage the efforts of the all-powerful German army. A compelling tale of action, resistance and epic adventure, it also reveals Levi's characteristic compassion and deep insight into the moral dilemmas of total war. It ranks alongside THE PERIOD TABLE and IF THIS IS A MAN as one of the rare authentic masterpieces of the 20th century.

    In The Hope, his long-awaited return to historical fiction, he turns to one of the most thrilling stories of our time - the saga of Israel. In the grand, epic style of The Winds of War and War and Remembrance, The Hope plunges the reader into the major battles, the disasters and victories, and the fragile periods of peace from the 1948 War of Independence to the astounding triumph of the Six-Day War in 1967. And since Israelis have seen their share of comic mishaps as well as heroism, this novel offers some of Herman Wouk's most amusing scenes since the famed "strawberry business" in The Caine Mutiny. First to last The Hope is a tale of four Israeli army officers and the women they love: Zev Barak, Viennese-born cultured military man; Benny Luria, ace fighter pilot with religious stirrings; Sam Pasternak, sardonic and mysterious Mossad man; and an antic dashing warrior they call Kishote, Hebrew for Quixote, who arrives at Israel's first pitched battle a refugee boy on a mule and over the years rises to high rank. In the love stories of these four men, the author of Marjorie Morningstar has created a gallery of three memorable Israeli women and one quirky fascinating American, daughter of a high CIA official and headmistress of a Washington girls school. With the authenticity, authority, and narrative force of Wouk's finest fiction, The Hope portrays not so much the victory of one people over another, as the gallantry of the human spirit, surviving and triumphing against crushing odds. In that sense it can be called a tale of hope for all mankind; a note that Herman Wouk has struck in all his writings, against the prevailing pessimism of our turbulent century.

    In 1940 Charles A. Lindbergh, heroic aviator and rabid isolationist, is elected President. Shortly thereafter, he negotiates a cordial "understanding" with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism.For one boy growing up in Newark, Lindbergh's election is the first in a series of ruptures that threatens to destroy his small, safe corner of America - and with it, his mother, his father, and his older brother.(back cover)

    An eccentric Russian literature professor leaves his native Paris to be near his uncle--a world-class genius in botany but a total bungler when it comes to women--in the Midwest.

    His brothers and their families share in Joseph's prosperity and the farm flourishes - until one brother, scared by Joseph's pagan belief, kills the tree and brings disease and famine on the farm. Set in familiar Steinbeck country, To a God Unknown is a mystical tale, exploring one man's attempt to control the forces of nature and to understand the ways of God.

    A harrowing story that follows the wanderings of a boy abandoned by his parents during World War II, The Painted Bird is a dark novel that examines the proximity of terror and savagery to innocence and love.

    Three stories are told: a young Southerner wants to become a writer; a turbulent love-hate affair between a brilliant Jew and a beautiful Polish woman; and of an awful wound in that woman's past--one that impels both Sophie and Nathan toward destruction.

    for they would be able to do all these things simply by changing the words ..." The power of the word is evident in Portuguese author José Saramago's novel, The History of the Siege of Lisbon. His protagonist, a proofreader named Raimundo Silva, adds a key word to a history of Portugal and thus rewrites not only the past, but also his own life. Brilliantly translated from the Portuguese by Giovanni Pontiero, The History of the Siege of Lisbon is a meditation on the differences between historiography, historical fiction, and "stories inserted into history." The novel is really two stories in one: the reimagined history of the 1147 siege of Lisbon that Raimundo feels compelled to write and the story of Raimundo's life, including his unexpected love affair with the editor, Maria Sara. In Saramago's masterful hands, the strands of this complex tale weave together to create a satisfying whole.