She is never allowed to travel to the village and her only friend is her beloved older brother, Niklas. When a bright-eyed girl named Iris comes to stay, Milla hopes her loneliness might finally be coming to an end. But Iris has a secret she's forbidden to share: The village is cursed by a demon who possesses girls at random, and the townspeople live in terror of who it will come for next.Now, it seems, the demon has come for Iris. When Iris is captured and imprisoned with other possessed girls, Milla leaves home to rescue her and break the curse forever. Her only company on the journey is a terrible new secret of her own: Milla is changing, too, and may soon be a demon herself.The Cold Is in Her Bones is a novel about the dark, reverberating power of pain, the yearning to be seen and understood, and the fragile optimism of love.

    Dark and funny, lyrical and earthy, these fifty stories are part of an important and enduring historical tradition that dates back hundreds of years. Described by Neil Gaiman as the "master", Crossley-Holland's unforgettable retellings will capture the imagination of readers young and old alike.

    But since then, her father has found love again. He's happy and doesn't quite notice that Ellison does not get along with his new wife or her mean daughters. When Ellison discovers a necromantic tome while traveling the secret passages of her father's mansion, she wonders if it could be the key to her freedom. Until then, she must master her dark new power, even as her stepmother makes her a servant in her own home. And when her younger brother falls incurably ill, Ellison will do anything to ease his pain, including falling prey to her stepmother and stepsisters' every whim and fancy.Stumbling into a chance meeting of Prince William during a secret visit to her mother's grave feels like a trick of fate when her stepmother refuses to allow Ellison to attend a palace festival. But what if Ellison could see the kind and handsome prince once more? What if she could attend the festival? What if she could have everything she ever wanted and deserved by conjuring spirits to take revenge on her cruel stepmother?As Ellison's power grows, she loses control over the evil spirits meant to do her bidding. And as they begin to exert their own power over Ellison, she will have to decide whether it is she or her stepmother who is the true monster.

    From Roger Zelansky's delightful tale of Death's disobedient godson to Peter Straub's blood-chilling examination of a gargantuan Cinderella and her terrible twisted "art," here are stories strange and miraculous -- remarkable modern storytelling that remold our most cherished childhood fables into things sexier, more sinister... and more appealing to grown-up tastes and sensibilities. The "Snow White, Blood Red" Collection #1. Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones

    ContentsJorinda and JoringelPuss in BootsThe Emperor's New ClothesBilly Beg and His BullLittle One Eye, Little Two Eyes, and Little Three EyesThe Red ShoesThe Steadfast Tin SoldierSnegourka, the Snow MaidenThe Three Little PigsThe Shoemaker and the ElvesDoctor Know-It-AllThe Six SwansDick Whittington and His CatRapunzelAladdin and the Wonderful LampThe Three BearsRumpelstiltzkinThe Golden Headed FishHansel and GretelThe Brave Little TailorThe Gingerbread ManA Horned GoatSeven SimonsThe Little Match-GirlEast of the Sun and West of the MoonThe Musicians of BremenBlue BeardThe Princess on the Glass HillThe Half-ChickSleeping BeautyThe Magic CarpetJack the Giant KillerTwelve Dancing PrincessesLittle Claus and Big ClausThe Colony of CatsSindbad the Sailor

    Liga lives modestly in her own personal heaven, a world given to her in exchange for her earthly life. Her two daughters grow up in this soft place, protected from the violence that once harmed their mother. But the real world cannot be denied forever—magicked men and wild bears break down the borders of Liga’s refuge. Now, having known Heaven, how will these three women survive in a world where beauty and brutality lie side by side?

    A third daughter can dream of being a creature of flight and magic, of wearing a swan-skin like her sisters. But Doucette must run the castle household while her older sisters learn to weave spells. Her dream of flying is exactly that--until the day she discovers her own hidden birthright. Sudden, soaring freedom--it is a wish come true. Yet it comes with a price. As Doucette struggles to find her own way in the world, she risks losing the one she loves most of all. An age-old fairy tale told in a refreshingly original voice, Heather Tomlinson's stunning debut is fantasy at its most eloquent and richly imagined.

    The authors argue that these works are part of an existentialist tradition that stretches back from the French atheistic existentialist Jean-Paul Sartre, through the Danish Christian existentialist Soren Kierkegaard, to the Russian novelist and existentialist Fyodor Dostoevsky. Whedon and Dostoevsky, for example, seem preoccupied with the problem of evil and human freedom. Both argue that in each and every one of us a demon lies hidden. Whedon personifies these demons and has them wandering about and causing havoc. Dostoevsky treats the subject only slightly more seriously. Chapters cover such topics as Russian existentialism and vampire slayage; moral choices; ethics; Faith and bad faith; constructing reality through existential choice; some limitations of science and technology; love and self-sacrifice; love, witchcraft, and vengeance; soul mates and moral responsibility; love and moral choice; forms of freedom; and Whedon as moral philosopher.

    But after the death of her mother, seventeen-year-old Raven Weathersby gives up her dream of becoming a fashion designer, barely surviving life in the South Carolina lowlands. To make ends meet, Raven works after school as a seamstress creating stunning works of fashion that often rival the great names of the day. Instead of making things easier on the high school senior, her stepdad's drinking leads to a run in with the highly reclusive heir to the Maddox family fortune, Gideon Maddox. But Raven's stepdad's drying out and in no condition to attend the meeting with Maddox. So Raven volunteers to take his place and offers to repay the debt in order to keep the only father she's ever known out of jail, or worse. Gideon Maddox agrees, outlining an outrageous demand: Raven must live in his home for a year while she designs for Maddox Industries' clothing line, signing over her creative rights. Her handsome young captor is arrogant and infuriating to the nth degree, and Raven can't imagine working for him, let alone sharing the same space for more than five minutes. But nothing is ever as it seems. Is Gideon Maddox the monster the world believes him to be? And can he stand to let the young seamstress see him as he really is?

    Instead, her charges keep pairing themselves up with other people. At this rate she’ll never get her real wings or wand.This time will be different! This time Indigo is determined that her charge will get his right “princess suave”.There are only two obstacles in her way: her charge’s constant pining over his childhood friend, and his ridiculously handsome older brother who keeps inserting himself where he is not wanted.

    As a child, she used to lie in bed wishing that her life would become one of these tragic fairy tales because she couldn’t imagine how a stepmother could be worse than her mother now. As adults, Imogen and her sister Marin are accepted to an elite post-grad arts program—Imogen as a writer and Marin as a dancer. Soon enough, though, they realize that there’s more to the school than meets the eye. Imogen might be living in the fairy tale she’s dreamed about as a child, but it’s one that will pit her against Marin if she decides to escape her past to find her heart’s desire.

    A panther runs through the forests of England and pixies prey upon violent men.From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today.

     An old tale tells the story of how a little man named Rumpelstiltskin spun straw into gold and tricked a desperate girl into trading away her baby. But that’s not exactly how it happened. The real story began with a drunken father who kept throwing money away on alcohol and women, while his daughter, Aoife, ran the family farm on her own. When he gambled away everything they owned to the Duke, it was up to her to spin straw into gold to win it all back. With her wits and the help of a magical guardian, she outsmarted the Duke and saved the day. Well almost… Her guardian suddenly turned on Aoife and sent her on a quest to find his name, the clues to which were hidden deep in the woods, a moldy dungeon, and a dead woman’s chamber. Her feelings for one of the men who tricked her from the start threaten to complicate everything. Not the tale of a damsel in distress, this is the story of a tenacious, young woman who solved a mystery so great that not even the enchanted man who spun straw into gold could figure it out. Not until Aoife came along.

    The dark twists on classic tales range from exploring whether Jack truly fell or if Jill pushed him instead to why Humpty Dumpty, fragile and alone, sat atop so high of a wall. The authors include Nina Berry, Sarwat Chadda, Leigh Fallon, Gretchen McNeil, and Suzanne Young.

    Despite a few variations from telling to telling, the story remains the same—the Queen was jealous of the girl’s beauty, and this jealousy culminated in the Queen’s attempt on the sweet, naive girl’s life. Another tale far less often spoken of is the one that explains what caused the Queen to become so contemptuously vile. Still, some have attempted to guess at the reason. Perhaps the Queen’s true nature was that of a wicked hag and her beautiful, regal appearance a disguise used to fool the King. Others claim that the Queen might have hated the girl for her resemblance to the King’s first wife. Mostly, the Queen is painted as a morally abhorrent woman who never loved another being during the course of her miserable life.In fact, the theories about exactly what cause the Queen’s obsessive vanity and jealous rage are too numerous to catalog. This book recounts a version of the story that has remained untold until now. It is a tragic tale of love and loss, and it contains a bit of magic. It is a tale of the Wicked Queen…