Twenty-four hours later, Lauren awakes in the hospital to find that her husband has vanished without a trace. The only one who has any chance of finding him is his brother, Nick, a high-powered investigator with a private intelligence firm.Nick Heller is tough, smart, and stubborn. Trained in the Special Forces, he specializes in digging up secrets that powerful people would rather keep hidden. He and his brother have been estranged ever since the imprisonment of their notorious billionaire father. But Nick will do anything to protect Lauren and her son. He never backs down. Even if it means taking on the most lethal enemies he’s ever had to face.Plunged headlong into a desperate chase, Nick begins making shocking discoveries about his brother's life — and about the giant defense contractor he works for. Now, in order to keep Lauren and her teenage son alive, Nick must take on a powerful and deadly conspiracy that will stop at nothing to protect its secrets.With breathtaking suspense and pulse-pounding action, right down to its final, astonishing twist, here is "the finest of the contemporary thriller novelists" (Pittsburgh Post-Gazette) at the top of his game.

    All of the first-class carriages except the one carrying Dickens are smashed to bits in the valley below. When Dickens descends into that valley to confront the dead and dying, his life will be changed forever. And at the core of that ensuing five-year nightmare is…Drood… the name that Dickens whispers to his friend Wilkie Collins. A laudanum addict and lesser novelist, Collins flouts Victorian sensibilities by living with one mistress while having a child with another, but he may be the only man on Earth with whom Dickens can share the secret of…Drood. Increasingly obsessed with crypts, cemeteries, and the precise length of time it would take for a corpse to dissolve in a lime pit, Dickens ceases writing for four years and wanders the worst slums and catacombs of London at night while staging public readings during the day, gruesome readings that leave his audiences horrified. Finally he begins writing what would have been the world’s first great mystery masterpiece, The Mystery of Edwin Drood, only to be interrupted forever by…Drood.Based on actual biographical events, Drood explores the still-unresolved mysteries of one of our greatest writer’s dark final days in a profoundly original tale that confirms Lincoln Child’s assessment of New York Times bestselling author Dan Simmons as “a giant among novelists.”

    The United States teeters on the edge of war. The roundup of allegedly treasonous Japanese Americans is about to begin. And in L.A., a Japanese family is found dead. Murder or ritual suicide? The investigation will draw four people into a totally Ellroy-ian tangle: a brilliant Japanese American forensic chemist; an unsatisfiably adventurous young woman; one police officer based in fact (William H. "Whiskey Bill" Parker, later to become the groundbreaking chief of the LAPD), the other the product of Ellroy's inimitable imagination (Dudley Smith, arch villain of The Big Nowhere, L.A. Confidential, White Jazz). As their lives intertwine, we are given a story of war and of consuming romance, a searing exposé of the Japanese internment, and an astonishingly detailed homicide investigation. In Perfidia, Ellroy delves more deeply than ever before into his characters' intellectual and emotional lives. But it has the full-strength, unbridled story-telling audacity that has marked all the acclaimed work of the Demon Dog of American Crime Fiction.

    It’s the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse—and concealing the cause of death. It turns out the body belonged to a young woman named Christine Falls. And as Quirke reluctantly presses on toward the true facts behind her death, he comes up against some insidious—and very well-guarded—secrets of Dublin’s high Catholic society, among them members of his own family. Set in Dublin and Boston in the 1950s, the first novel in the Quirke series brings all the vividness and psychological insight of Booker Prize winner John Banville’s fiction to a thrilling, atmospheric crime story. Quirke is a fascinating and subtly drawn hero, Christine Falls is a classic tale of suspense, and Benjamin Black’s debut marks him as a true master of the form.

    But whoever this nameless woman was, and whatever befell her, is knowledge lost to another time. . . . Boston, 1830: In order to pay for his education, Norris Marshall, a talented but penniless student at Boston Medical College, has joined the ranks of local “resurrectionists”–those who plunder graveyards and harvest the dead for sale on the black market. Yet even this ghoulish commerce pales beside the shocking murder of a nurse found mutilated on the university hospital grounds. And when a distinguished doctor meets the same grisly fate, Norris finds that trafficking in the illicit cadaver trade has made him a prime suspect. To prove his innocence, Norris must track down the only witness to have glimpsed the killer: Rose Connolly, a beautiful seamstress from the Boston slums who fears she may be the next victim. Joined by a sardonic, keenly intelligent young man named Oliver Wendell Holmes, Norris and Rose comb the city–from its grim cemeteries and autopsy suites to its glittering mansions and centers of Brahmin power–on the trail of a maniacal fiend who lurks where least expected . . . and who waits for his next lethal opportunity.

    There is a reward for his capture. A hired killer is stalking him. He is alone and anonymous in the huge, pitiless modern city. Adam has nowhere to go but down - underground. He decides to join that vast army of the disappeared and the missing that throng the lowest level of London's population as he tries to figure out what to do with his life and struggles to understand the forces that have made it unravel so spectacularly. His quest will take him all along the River Thames, from affluent Chelsea to the sink estates of the East End, and on the way he encounters all manner of London's denizens - aristocrats, prostitutes, priests and policewomen amongst them - and version after new version of himself.William Boyd's electric follow-up to Costa Novel of the Year Restless is a heart-in-mouth conspiracy novel about the fragility of social identity, the scandal of big business, and the secrets that lie hidden in the filthy underbelly of every city.

    Throughout the summer of 1944—until one father forbids it—the subterranean space becomes their "secret garden," where the friends play games and tell stories.Six decades later, beneath a house on the same land, construction workers uncover a tin box containing two skeletal hands, one male and one female. As the discovery makes national news, the friends come together once again, to recall their days in the tunnel for the detective investigating the case. Is the truth buried among these aging friends and their memories? This impromptu reunion causes long-simmering feelings to bubble to the surface. Alan, stuck in a passionless marriage, begins flirting with Daphne, a glamorous widow. Michael considers contacting his estranged father, who sent Michael to live with an aunt after his mother vanished in 1944. Lewis begins remembering details about his Uncle James, an army private who once accompanied the children into the tunnels, and who later disappeared.In The Girl Next Door Rendell brilliantly shatters the assumptions about age, showing that the choices people make—and the emotions behind them—remain as potent in late life as they were in youth.

    He's forty-three, newly single, and still enduring the aftershocks of a surprise divorce. He has a younger brother, Forrest, who redefines the notion of a family's black sheep.And he has a father, a very sick old man who lives alone in the ancestral home in Clanton, Mississippi. He is known to all as Judge Atlee, a beloved and powerful official who has towered over local law and politics for forty years. No longer on the bench, the Judge has withdrawn to the Atlee mansion and become a recluse.With the end in sight, Judge Atlee issues a summons for both sons to return home to Clanton, to discuss the details of his estate. It is typed by the Judge himself, on his handsome old stationery, and gives the date and time for Ray and Forrest to appear in his study.Ray reluctantly heads south, to his hometown, to the place where he grew up, which he prefers now to avoid. But the family meeting does not take place. The Judge dies too soon, and in doing so leaves behind a shocking secret known only to Ray.And perhaps someone else.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Enemies are planning an attack of unprecedented scale on America. Uncertainty and fear grip Washington. There are whispers of cyberterror and espionage and a traitor in the cabinet. The President himself becomes a suspect, and then goes missing...Set in real time, over the course of three days, The President Is Missing is one of the most dramatic thrillers in decades. And it could all really happen. The President Is Missing is Bill Clinton and James Patterson's totally authentic and spellbinding thriller.

    Hotly pursued by the police, they crash into the suburban home of an accountant and take the family hostage. Soon the mafia are on the scene.

    Little has changed in the three centuries since white settlers drove the Montaukett Indians from the land. But for Conrad Labarde, a second-generation Basque immigrant recently returned from the Second World War, and his fellow fisherman Rollo Kemp, this stability is shattered when a beautiful New York socialite turns up dead in their nets.On the face of it, her death was accidental, but deputy police chief Tom Hollis - an incomer from New York - is convinced the truth lies in the intricate histories and family secrets of Amagansett's inhabitants. Meanwhile the enigmatic Labarde is pursuing his own investigation.

    In this masterful new novel, the killer may very well be the one you sympathize with the most... THE FIRST RULE IS NEVER BLAME THE VICTIM.They survived what no woman should ever have to endure. Now these three women have the means, the opportunity, and the perfect motive. Are they trying to get away with murder--or is someone trying to make sure that this time they don't get away at all? The Survivors Club... that's what Jillian Hayes, Carol Rosen, and Meg Pesaturo call it. They won't consider themselves victims. They are survivors. They faced the blazing headlines and helped lead the investigation that caught the man who changed their lives forever. And now that Eddie Como, the College Hill rapist, has been murdered, shot down outside a packed courthouse moments before his trial was about to begin, all three women are openly ecstatic that he's dead. They are also the prime suspects in his murder. Detective Sergeant Roan Griffin knows all too well what can drive even the best people to cross the line. But he has never seen a case quite like this one. No one doubts that the murder of Eddie Como was a professional job, especially when the gunman is killed only blocks away from the shooting.But questions taunt Griffin: Who ordered the deaths of Eddie Como and his killer? Could three ordinary women have been driven to do the unthinkable? Had someone in the Survivors Club become a killer? Griffin seeks the truth--and finds himself confronted with the leader of the Survivors Club. Jillian Hayes is beautiful, successful, cool as ice, and she harbors a pain that mirrors Griffin's own. Did the horror of what happened to her push her over the thin and desperate line that separates survival and revenge? And if it did, could he blame her--or anyone in the Survivors Club? Then another woman is brutally attacked.Suddenly, with the city on the ragged edge of panic, gripped in a media and political firestorm of controversy, cover-up, and conspiracy, the hunt is on for a ruthless and cunning killer. For Griffin, this may well be the case that shatters his career. For Jillian, the harrowing nightmare is beginning all over again. Someone is out there. Someone who wants to finish what was started. Someone who wants to make sure that no one survives the Survivors Club.

    A trophy wife with a past survives a narrow escape from a brazen attack. Mobsters and moguls with no shortage of reasons to kill trot out their alibis. And then, in the suffocating grip of a record heat wave, comes another shocking murder and a sharp turn in a tense journey into the dirty little secrets of the wealthy. Secrets that prove to be fatal. Secrets that lay hidden in the dark until one NYPB detective shines a light.Mystery sensation Richard Castle, blockbuster author of the wildly bestselling Derrick Storm novels, introduces his newest character, NYPD Homicide Detective Nikki Heat. Tough, sexy, professional, Nikki Heat carries a passion for justice as she leads one of New York City’s top homicide squads. She’s hit with an unexpected challenge when the commissioner assigns superstar journalist Jameson Rook to ride along with her to research an article on New York’s finest. Pulitzer- Prize-winning Rook is as much a handful as he is handsome. His wisecracking and meddling aren’t her only problems. as she works to unravel the secrets of the murdered real estate tycoon, she must also confront the spark between them. The one called Heat.

    Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.