His marriage to the poet Sylvia Plath marked his whole life, and he never entirely recovered from her suicide in 1963. Many people have held his adultery responsible for Plath's death; in this insightful book, Elaine Feinstein explores an altogether more complex situation, and throws a sad new light on his relationship with his lover Assia Wevill, who also killed herself along with their young daughter.Drawing on extensive archival material and interviews with childhood friends, fellow undergraduates, poets, and critics, Feinstein gives a portrait of a large-spirited, magnetic personality intrigued by the forms of magical experience that preoccupied Shakespeare and Yeats, but who was nevertheless a down-to-earth Yorkshire man, whose poetic vision encompassed not only his love of the natural world but also all the evidence of human brutality in the past century.

    Selina Hastings, who was granted unrestricted access to his personal papers by Waugh's family, has uncovered a wealth of new material in her eight years of research for this volume. Letters, diaries, and family photographs shed new light on Waugh's childhood, his affairs at Oxford, his ill-fated first marriage and subsequent romantic adventures, his World War II military service, and his enduring but thorny friendships with such notable figures as Diana Cooper, Ann Fleming, and Nancy Mitford. Perceptive, fascinating, by turns hilarious and tragic, Hastings's portrait gives us Waugh's glittering social life at Oxford, where he was a friend of Harold Acton, Cyril Connolly, Anthony Powell, and Alastair Graham, the inspiration for Sebastian Flyte in Brideshead Revisited. Waugh then followed a diverse career as schoolmaster, world traveler, war co

    "A superb biography of an exceptional novelist" (New Yorker). Named a Notable Book of the Year by the New York Times. Index; photographs.

    She is the mermaid of whom poet Robert Lowell writes in The Dolphin (and he was clutching her portrait when he died). She was Lady Caroline Blackwood, legendarily witty and alluring but also a legendary drunk. Raised an heiress to the Guinness fortune, Blackwood (1931-1996) moved easily among the aristocracy, the bohemians of postwar England and the liberal intelligentsia of 1960s New York. She has been called a muse to genius-though her marriages to Lucian Freud, the composer Israel Citkowitz, and Robert Lowell were as troubled as they were inspiring-and she was an author herself, short-listed for the Booker Prize in 1977. In this first biography of Blackwood, Nancy Schoenberger deftly paints a complex woman who was captivating to her dying day.

    This selection of letters does full justice to these splendid attribute's " Phillip Toynbee.

    He is famous for two masterpieces, Miss Lonelyhearts (1933) and The Day of the Locust (1939). Seventy years later, The Day of the Locust remains the most penetrating novel ever written about Hollywood. EILEEN MCKENNEY—accidental muse, literary heroine—was the inspiration for her sister Ruth’s humorous stories, My Sister Eileen, which led to stage, film, and television adaptations, including Leonard Bernstein’s 1953 musical Wonderful Town.  She grew up in Cleveland and moved to Manhattan at 21 in search of romance and adventure. She and her sister lived in a basement apartment in the Village with a street-level window into which men frequently peered.  Husband and wife were intimate with F. Scott Fitzgerald, Dorothy Parker, Katharine White, S.J. Perelman, Bennett Cerf, and many of the literary, theatrical, and movie notables of their era.  With Lonelyhearts, biographer Marion Meade, whose Bobbed Hair and Bathtub Gin earned accolades from the Washington Post Book World ("Wonderful") to the San Francisco Chronicle ("Like looking at a photo album while listening to a witty insider reminisce about the images"), restores West and McKenney to their rightful places in the rich cultural tapestry of interwar America.

    With Life Studies, his third book, he found the intense, highly personal voice that made him the foremost American poet of his generation. He held strong, complex and very public political views. His private life was turbulent, marred by manic depression and troubled marriages. But in this superb biography (first published in 1982) the poet Ian Hamilton illuminates both the life and the work of Lowell with sympathetic understanding and consummate narrative skill.'Our one consolation for Ian Hamilton's early death is that his work seems to have lived on with undiminished force... The critical prose, in particular, still sets a standard that nobody else comes near.' Clive James

    At the time few details of his crimes were made known. By his own confession he was a Soviet spy and rumours later circulated that his actions had endangered British agents, but the reasons for such a severe punishment were never revealed. To the public, Blake was simply the greatest traitor of the Cold War. Yet, as Roger Hermiston reveals in this thrilling new biography, his story touches not only the depths of treachery, but also the heights of heroism. In WWII the teenage Blake performed sterling deeds for the Dutch resistance, before making a dramatic bid for freedom across Nazi-occupied Europe. Later recruited by British Intelligence, he quickly earned an exemplary reputation and was entrusted with building up the Service's networks behind the Iron Curtain. And, following a posting to Seoul, he also suffered for his adopted country, when captured by North Korean soldiers at the height of their brutal war with the South. By the time of his release in 1953, Blake was a hero, one of the Service's brightest and best officers. But unbeknownst to SIS they were harbouring a mole. Week after week, year after year, Blake was assiduously gathering all the important documents he could lay his hands on and passing them to the KGB. Drawing on hitherto unpublished records from his trial, new revelations about his dramatic jailbreak from Wormwood Scrubs, and original interviews with former spies, friends and the man himself, 'The Greatest Traitor' sheds new light on this most complex of characters and presents a fascinating shadow history of the Cold War.

    Written by a noted magazine writer who knew and interviewed Bolaño.How to know the man behind works of fiction so prone to extravagance? In the first biography of Chilean novelist and poet Roberto Bolaño, journalist Mónica Maristain tracks Bolaño from his childhood in Chile to his youth in Mexico and his early infatuation with literature, to his beginnings as a poet, and to the stardom that came with the publication of the novels The Savage Detectives and 2666.Bolaño: A Biography in Conversations is assembled from a series of rich interviews with the people who knew Bolaño best: we meet Bolaño’s first publisher, who printed 225 copies of his first book of poetry; glimpse the young author through interviews with his parents and an array of childhood friends, who watched a precocious young man turn into an obsessive writer who barely left the house; and witness the birth of Bolaño’s famed Infrarealist literary movement. The book also sheds new light on aspects of Bolaño’s life that have long been shrouded in mystery: for the first time, we learn the details of Bolaño’s fatal illness and the drama of his final days.Throughout the book, Maristain present an image far removed from the stereotypes that have been created over the years to introduce a writer whose works grabbed readers worldwide. Maristain writes as a journalist and admirer, impressed with the power of Bolaño’s prose and the cool irony with which he faced the literary world.

    The first of the literary Waughs was Arthur, who, when he won the Newdigate Prize for poetry at Oxford in 1888, broke with the family tradition of medicine. He went on to become a distinguished publisher and an immensely influential book columnist. He fathered two sons, Alec and Evelyn, both of whom were to become novelists of note (and whom Arthur, somewhat uneasily, would himself publish); both of whom were to rebel in their own ways against his bedrock Victorianism; and one of whom, Evelyn, was to write a series of immortal novels that will be prized as long as elegance and lethal wit are admired. Evelyn begat, among seven others, Auberon Waugh, who would carry on in the family tradition of literary skill and eccentricity, becoming one of England’s most incorrigibly cantankerous and provocative newspaper columnists, loved and loathed in equal measure. And Auberon begat Alexander, yet another writer in the family, to whom it has fallen to tell this extraordinary tale of four generations of scribbling male Waughs.The result of his labors is Fathers and Sons, one of the most unusual works of biographical memoir ever written. In this remarkable history of father-son relationships in his family, Alexander Waugh exposes the fraught dynamics of love and strife that has produced a succession of successful authors. Based on the recollections of his father and on a mine of hitherto unseen documents relating to his grandfather, Evelyn, the book skillfully traces the threads that have linked father to son across a century of war, conflict, turmoil and change. It is at once very, very funny, fearlessly candid and exceptionally moving—a supremely entertaining book that will speak to all fathers and sons, as well as the women who love them.

    The author, who draws on thousands of letters Sayers wrote, reveals her to be a complex woman. Sayers was a very private person who even hid the existence of an illegitimate child from her closest friends. She was also someone to whom faith was central and wrote many theological books as well as the famous detective novels. Her radio play on the life of Christ, "The Man Born to be King", caused a furore when it was first broadcast and went on to win acclaim. She was linked with the Inklings - the group of writers which included C.S. Lewis, Charles Williams, J.R.R. Tolkien and others.

    His philosophical questioning, spiritual depth, and brilliantly inventive use of language would be profound influences on poets as diverse as William Carlos Williams, Hart Crane, Elizabeth Bishop, and John Ashbery. The Whole Harmonium presents Stevens within the living context of his times, as well as the creator of a poetry which has had a profound and lasting impact on the modern imagination itself.Stevens established his career as an executive even as he wrote his poetry, becoming a vice president with an insurance company in Hartford, Connecticut. His first and most influential book, Harmonium, was not published until he was forty-four years old. In these poems, Stevens drew on his interest in and understanding of modernism. Over time he became acquainted with the most accomplished of his contemporaries, Robert Frost and William Carlos Williams among them, but his personal style remained unique. He endured an increasingly unhappy marriage, losing himself by writing poetry in his study. Yet he had a witty, comic, and Dionysian side to his personality, including long fishing (and drinking) trips to Florida with his pals and a fascination with the sun-drenched tropics.People generally know two things about Wallace Stevens: that he is a “difficult” poet and that he was an insurance executive for most of his life. Stevens may be challenging to understand, but he is also greatly rewarding to read. Now, sixty years after Stevens’s death, biographer and poet Paul Mariani shows how over the course of his life, Stevens sought out the ineffable and spiritual in human existence in his search for the sublime.

    But it is Anthony as a husband and lover that intrigues her most. She looks at the nature of his love for his wife, Rose and at his love for Kate Field. The author does say that some of it is imagined and she cannot prove what she says happened or is said, but she is "sure of it" herself.

    Now Frank's monumental, 2500-page work has been skillfully abridged and condensed in this single, highly readable volume with a new preface by the author. Carefully preserving the original work's acclaimed narrative style and combination of biography, intellectual history, and literary criticism, Dostoevsky: A Writer in His Time illuminates the writer's works--from his first novel Poor Folk to Crime and Punishment and The Brothers Karamazov--by setting them in their personal, historical, and above all ideological context. More than a biography in the usual sense, this is a cultural history of nineteenth-century Russia, providing both a rich picture of the world in which Dostoevsky lived and a major reinterpretation of his life and work.http://press.princeton.edu/titles/897...

    Eliot, gives a voice to the woman who, for seventeen years, had shared a unique literary partnership with Eliot but who was scapegoated for the failure of the marriage and all but obliterated from historical record. In so doing, Painted Shadow opens the way to a new understanding of Eliot’s poetry.Vivienne longed to tell her whole story; she wrote in her diary: “You who in later years will read these very words of mine will be able to trace a true history of this epoch.” She believed (as did Virginia Woolf) that she was Eliot’s muse, the woman through whom he transmuted life into art. Yet Vivienne knew the secrets of his separate and secret life — which contributed to her own deepening hysteria, drug addiction, and final abandonment: the tragedy of a marriage that paired a repressed yet sensual man with an extroverted woman who longed for a full sexual relationship with her husband.Out of this emotional turbulence came one of the most important English poems of the twentieth century: The Waste Land, which Carole Seymour-Jones convincingly shows cannot be fully understood without reference to the relationship of the poet and his first wife. Drawing on papers both privately owned and in university library archives and, most importantly, on Vivienne Eliot’s own journals left to the Bodleian Library, Oxford, Carole Seymour-Jones uses many hitherto unpublished sources and opens the way to a new understanding of Eliot’s poetry.