The survivors’ fractured world is suffocatingly circumscribed by neighbors and the Church. Focusing on troubled bank clerk Remouald Tremblay and desperately unrequited Clémentine Clément, Gaétan Soucy’s acclaimed fourth novel explores the same ominously enchanted terrain as his award-winning Vaudeville! Soucy brilliantly illuminates the dark corners where ordinary people fear to look and reminds that for every moment of justice, there are numerous crimes that will remain forever secret.

    Their complicated family dynamic—as dramatic as Puccini’s legendary opera, Tosca—will propel their rise, and fall, and take them around the world . . . until they finally confront the secrets of their complicated pasts.Born on Christmas, Louis Lamontagne, the family’s patriarch, is a larger-than-life lothario and raconteur who inherits his mother’s teal eyes and his father’s brutish good looks and whose charms travel beyond Quebec, across the state of New York where he wins at county fairs as a larger-than-life strongman, and even in Europe, where he is deployed for the US Army during World War II. We meet his daughter, Madeleine, who opens a successful chain of diners using the recipes from her grandmother, the original American Fiancée, and vows never to return to her hometown. And we end with her son Gabriel, another ladies’ man in the family, who falls in love with a woman he follows to Berlin and discovers unexpected connections there to the Lamontagne family that re-frame the entire course of the events in the book.An unholy marriage of John Irving and Gary Shteyngart with the irresistible whimsy of Elizabeth McCracken, The American Fiancée is a big, bold, wildly ambitious novel that introduces a dynamic new voice to contemporary literature.Published in Canada as Songs for the Cold of Heart by QC Fiction.

    Three young people leave their far-flung birthplaces to follow their own songs of migration. Each ends up in Montreal, each on a voyage of self-discovery, dealing with the mishaps of heartbreak and the twisted branches of their shared family tree.Filled with humor, charm, and good storytelling, this novel shows the surprising links between cartography, garbage-obsessed archeologists, pirates past and present, a mysterious book with no cover, and a broken compass whose needle obstinately points to the Aleutian village of Nikolski (a minuscule village inhabited by thirty-six people, five thousand sheep, and an indeterminate number of dogs).

    One is a young photographer documenting a a series of catastrophic forest fires that swept Northern Ontario early in the century; she’s on the trail of the recently deceased Ted Boychuck, a survivor of the blaze. And then the elderly aunt of the one of the pot growers appears, fleeing one of the psychiatric institutions that have been her home since she was sixteen. She joins the men in the woods and begins a new life as Marie-Desneige. With the photographer’s help, they find Ted’s series of paintings about the fire, and begin to decipher the dead man’s history.A haunting meditation on aging and self-determination, And the Birds Rained Down, originally published in French as Il pleuvait des oiseaux, was the winner of the Prix des Cinq Continents de la Francophonie, the first Canadian title to win this honour. It was winner of the Prix des lecteurs Radio-Canada, the Prix des collégiens du Québec, the Prix Ringuet 2012 and a finalist for the Grand Prix de la ville de Montréal.

    A woman learns that she absorbed her twin sister's body in the womb and that she has two sets of DNA; a girl in the deep South pushes her sister out of the way of a speeding train, losing her legs; and a political couple learn that they are non-identical twins separated at birth. The Party Wall establishes Leroux as one of North America's most intelligent and innovative young authors.

    Diane takes the charge to heart and undertakes an often ribald, highly entertaining journey to restoring trust in herself and others that is at the same time an astute commentary on women and girls, gender differences, and the curious institution of marriage in the twenty-first century. All the details are up for scrutiny in this tender, brisk story of the path to recovery. Autopsy of a Boring Wife is a wonderfully fresh and engaging novel of the pitfalls and missteps of an apparently “boring” life that could be any of ours.

    Seventeen-year-old Sylvia (Harper) Kostak is caught between her mother’s regrets and the strictures of small-town life in the interior of British Columbia. When Harper meets Gabe, an intense and enigmatic young man living on the ’60s-style arts commune outside of town, she is transfixed. Gradually we learn Gabe’s story and what led him to join his estranged mother on the commune, where, in a bid for freedom, Harper eventually finds herself, setting in motion a series of events leading to tragedy. Resonant with longing and a sense of isolation, the novel brings alive the agonies and ecstasies of growing up, sexual discovery, and how the need to belong can shape both decisions and destinies.Author Biography: Laisha Rosnau was born in Pointe Claire, Quebec, and grew up in Vernon, British Columbia. She has worked as a child-care worker, a landscaper, a waitress, a fruit picker, an interpretive guide, a journalist, and an editor. She received a Master of Fine Arts in Creative Writing from the University of British Columbia, where she was the Executive Editor of PRISM international. Her poetry and short fiction have been published in literary journals and anthologies in Canada, the United States, and Australia. The Sudden Weight of Snow is her first novel. Laisha Rosnau lives in Vancouver, where she is at work on a collection of poetry and on her second novel.

    The story of a young Cree woman's search for her roots and identity, this is also the author's debut novel, originally published in 2007, and it will be her second book to be published in English. The novel has been described as a "texte de resistance", showing contemporary Indigenous life and the impact on the Cree of the building of the Eastmain dam in northern Quebec, posited as "virgin" territory, yet which has actually been part of the Cree traditional territory since time immemorial. In search of her roots, Victoria takes a trip to the country of her Cree ancestors with her companion, Daniel. It is a long journey to the north along the shores of James Bay. Colours, smells, and majestic landscapes arouse memories that soon devolve into strange and hauntings dreams at night. In bits and pieces, uncles, aunties, and cousins arrive to tell the story of Victoria's family and bring with them images of her childhood that are tinged both with joy and sadness. Guided by her totem, the Blue Bear, she returns home to make peace with her soul, as well as release the soul of her great-uncle, a hunter who has been missing in the forest for over twenty years.

    Araceli and Adrien are two journalists who meet while covering a fire. From that moment, she is unable to forget him. Adrien then falls in love with Pénélope, who, in turn, is torn between him and Gabriel. Gabriel reciprocates her love, but is too tormented by his past, and by the search for his lost father, to be much of a husband or father himself. These interlocking love stories that deftly reveal the devastating consequences of betrayal and commitment, of grief and hope.

    Keeping a watchful eye is Bernard Valcourt, a jaded foreign journalist, but his closest attention is devoted to Gentille, a hotel waitress with the slender, elegant build of a Tutsi. As they slip into an intense, improbable affair, the delicately balanced world around them–already devastated by AIDS–erupts in a Hutu-led genocide against the Tutsi people. Valcourt’s efforts to spirit Gentille to safety end in their separation. It will be months before he learns of his lover’s shocking fate.

    Rescued against his will, the narrator is obliged to attend sessions with a well-intentioned but naïve therapist. This sets the story in motion, leading us back to the narrator’s violent childhood in a war-torn country, forward into his current life in the smoky émigré cafés, and out into the frozen nighttime streets of Montreal. Bold, haunting, and emotionally trenchant, Cockroach is a powerful story of immigrant experience, indignation, and unrelenting fortitude.

    Ava Harris is a famous actress living the life of the rich and fabulous in L.A. when a family crisis calls her home. It’s been ten years since she’s set foot in Glace Bay, Cape Breton—back when she was plain old Libby MacKinnon. Why she ran away, no one knows. Returning home, she must face her family, her friends, and her first love, Seamus O’Reilly, whose heart broke the day she left. Ava is a good little actress, determined that no one will know what happened. She will keep the truth buried at all costs-even if she has to run again. But secrets have a way of surfacing, especially in a small town, and love has a way of blasting through the toughest barriers. While Ava can never go home again, perhaps Libby finally can.

    Now, in The Girl Who Was Saturday Night, she returns to the grubby, enchanted city with a light and profound tale of the vice of fame and the ties of family.Nineteen years old, free of prospects, and inescapably famous, the twins Nicholas and Nouschka Tremblay are trying to outrun the notoriety of their father, a French-Canadian Serge Gainsbourg with a genius for the absurd and for winding up in prison. “Back in the day, he could come home from a show with a paper bag filled with women’s underwear. Outside of Québec nobody had even heard of him, naturally. Québec needed stars badly.”Since the twins were little, Étienne has made them part of his unashamed seduction of the province, parading them on talk shows and then dumping them with their decrepit grandfather while he disappeared into some festive squalor. Now Étienne is washed up and the twins are making their own almost-grown-up messes, with every misstep landing on the front pages of the tabloid Allo Police. Nouschka not only needs to leave her childhood behind; she also has to leave her brother, whose increasingly erratic decisions might take her down with him.

    Before long, however, she realizes that her feelings for this charismatic, extremely guarded stranger are far from straightforward. In the meantime, her troubled teenage patient, Annie, runs away from home and soon will reinvent herself in New York as an aspiring and ruthless actress, as unencumbered as humanly possible by any personal attachments. And Mitch, Grace’s ex-husband, who is a therapist as well, leaves the woman he’s desperately in love with to attend to a struggling native community in the bleak Arctic. We follow these four compelling, complex characters from Montreal and New York to Hollywood and Rwanda, each of them with a consciousness that is utterly distinct and urgently convincing. With razor-sharp emotional intelligence, Inside poignantly explores the many dangers as well as the imperative of making ourselves available to—and responsible for—those dearest to us.

    Determined to find redemption in the midst of their derision and to find joy despite uncertainty, Moira faces impossible choices with consequences beyond anything she can imagine.Thrown into the purgatory of a bleak prairie landscape as unforgiving as her mother, twenty-year-old Newfoundlander Moira Burns is certain she will rise above the locals of Ibsen, Saskatchewan. Until the reasons for her flight west become clear. Until she is befriended by a prostitute and courted by a ‘half breed’. Until she becomes the “dolly-bird” of superstitious Irish Catholic homesteader, Dillan Flaherty.Scattered through with birth, death, and the violent potential of both man and the elements, Dollybird excavates the small mercies which come to mean more than they should on a prairie peopled with characters struggling under a huge sky that waits, not so quietly, for them to fail.