Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

    From a powerful new voice in international fiction, this prize-winning collection of stories crosses the world—from Africa, London, the West Indies, and Australia—and expresses the global experience.Maxine Beneba Clarke gives voice to the disenfranchised, the lost, and the mistreated in this stunning collection of provocative and gorgeously wrought stories that will challenge you, move you, and change the way you view this complex world we inhabit.Within these pages, a desperate asylum seeker is pacing the hallways of Sydney’s notorious Villawood detention centre; a seven-year-old Sudanese boy has found solace in a patchwork bike; an enraged black militant is on the war-path through the rebel squats of 1960s Brixton; a Mississippi housewife decides to make the ultimate sacrifice to save her son from small-town ignorance; a young woman leaves rural Jamaica in search of her destiny; and an Australian schoolgirl loses her way.In the bestselling tradition of novelists such as Chimamanda Ngozi Adichie and Marlon James, this urgent, poetic, and essential work is the perfect introduction to a fresh and talented voice in international fiction.

    After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.

    Heartbroken, Ash suddenly finds herself living a double life - one week with her children, the next cohabiting with her happily single sister-in-law. Her friends think the modern custody solution is an exciting opportunity for her to spread her wings, but all Ash wants is her family back together.An offer to renovate a seaside cottage seems like the perfect distraction for Ash while waiting for Adrian to come to his senses. She's determined to fix her marriage as well as the cottage, but life gets even more complicated when she meets local fisherman Dan Emerson.Soon, each home-stay becomes more dysfunctional, while for the other week Ash enjoys the peaceful life of the beachside community. The more time Ash spends in Ragged Point, the more she questions what she really wants. Is a sea-change the fresh start she needs to move on?When tragedy calls Ash back to the city, she's torn between the needs of her family and her future. Can her family life fit in with a permanent move to the beach or could Ash's new-found independence attract Adrian back to the nest?

    "A girl comes of age against the knife." So begins the story of Betty Carpenter. Born in a bathtub in 1954 to a Cherokee father and white mother, Betty is the sixth of eight siblings. The world they inhabit is one of poverty and violence--both from outside the family, and also, devastatingly, from within. The lush landscape, rich with birdsong, wild fruit, and blazing stars, becomes a kind of refuge for Betty, but when her family's darkest secrets are brought to light, she has no choice but to reckon with the brutal history hiding in the hills, as well as the heart-wrenching cruelties and incredible characters she encounters in her rural town of Breathed, Ohio. But despite the hardship she faces, Betty is resilient. Her curiosity about the natural world, her fierce love for her sisters, and her father's brilliant stories are kindling for the fire of her own imagination, and in the face of all she bears witness to, Betty discovers an escape: she begins to write. She recounts the horrors of her family's past and present with pen and paper and buries them deep in the dirt--moments that has stung her so deeply, she could not tell them, until now. Inspired by the life of her own mother, Tiffany McDaniel sets out to free the past by telling this heartbreaking yet magical story--a remarkable novel that establishes her as one of the freshest and most important voices in American fiction.

    Despite her anger and grief, she sets about running the house, taking care of her younger sister, and helping her father clear their wild acreage to carve out a farm. But gradually they realise that while they may own the land, they cannot tame it – nor can they escape their past.Anchor Point is an eloquent and arresting Australian novel no reader will easily forget.

    Faulkner's novel is enlivened by a strong gift for metaphor and the wisdom to use it sparingly.'When Roberta 'Bertie' Lightfoot is struck down with polio, her world collapses. But Mama doesn't tolerate self-pity, and Bertie is nobody if not her mother's daughter - until she sets her heart on becoming an artist. Through drawing, the gifted and perceptive Bertie gives form and voice to the reality of the people and the world around her. While her father is happy enough to indulge Bertie's driving passion, her mother will not let art get in the way of the future she wishes for her only daughter.In 1955 the family moves to post-colonial Port Moresby, a sometimes violent frontier town, where Bertie, determined to be the master of her own life canvas, rebels against her mother's strict control. In this tropical landscape, Bertie thrives amid the lush pallette of colours and abundance, secretly learning the techniques of drawing and painting under the tutelage of her mother's arch rival.But Roberta is not the only one deceiving her family. As secrets come to light, the domestic varnish starts to crack, and jealousy and passion threaten to forever mar the relationship between mother and daughter.Tender and witty, The Beloved is a moving debut novel which paints a vivid portrait of both the beauty and the burden of unconditional love.WINNER OF THE NITA B KIBBLE LITERARY AWARD 2013SHORTLISTED FOR THE MILES FRANKLIN AWARD 2013WINNER OF THE QUEENSLAND PREMIER'S LITERARY AWARD FOR AN EMERGING QUEENSLAND AUTHOR 2011COMMENDED FOR THE FAW CHRISTINA STEAD AWARD 2012

    He takes the child on the road with him to spite his wife, but months pass and still no word comes to ask for the little girl back. Strangers to each other at first, father and daughter drift aimlessly through the dusty towns of Australia, sleeping rough and relying on odd jobs for food and money. Buster's resilience and trust slowly erode Macauley's resentment, and when he's finally able to get rid of her, he realises he can't let his shiralee go. In evocative prose that vividly conjures images of rural Australia, The Shiralee reveal an understanding of the paradoxical nature of the burdens we carry, creates a moving portrait of fatherhood, told with gruff humour and a gentle pathos.

    He can’t have been much of a husband to Trudy, either, judging by her sudden departure. It’s only when she returns, pregnant to someone else, that he discovers his surprising talent as a father. So when Trudy finds Jesus and takes little Peter away with her to join the holy rollers, Tom’s heart breaks all over again.Enter Hannah Babel, quixotic smalltown bookseller: the second Jew—and the most vivid person—Tom has ever met. He dares to believe they could make each other happy. But it is 1968: twenty-four years since Hannah and her own little boy arrived at Auschwitz. Tom Hope is taking on a batttle with heartbreak he can barely even begin to imagine.

    The town midwife, Gertrude Foote, is roused from her bed when the woman is brought to her door. Try as she might, Gertrude is unable to save her, but the baby lives. Gertrude's daughter Amber who has recently lost a son in childbirth and her husband Norman take the child in.

    Their romances are futher complicated by the tension of war, with American troops in occupation and where anything could be obtained for a price.

    Cold dark secrets . . .In the cold, wet summer of 1960, 11-year-old Joy Henderson lives in constant fear of her father. She tries to make him happy but, as he keeps reminding her, she is nothing but a filthy sinner destined for Hell . . .Yet, decades later, she returns to the family’s farm to nurse him on his death bed. To her surprise, her ‘perfect’ sister Ruth is also there, whispering dark words, urging revenge.Then the day after their father finally confesses to a despicable crime, Joy finds him dead - with a belt pulled tight around his neck . . .For Senior Constable Alex Shepherd, investigating George’s murder revives memories of an unsolved case still haunting him since that strange summer of 1960: the disappearance of nine-year-old Wendy Boscombe.As seemingly impossible facts surface about the Hendersons – from the past and the present – Shepherd suspects that Joy is pulling him into an intricate web of lies and that Wendy’s disappearance is the key to the bizarre truth.

    Tabitha Bird has gifted us this wonder’ Cass MoriartyMeet Willa Waters, aged 8 . . . 33 . . . and 93.On one impossible day in 1965, eight-year-old Willa receives a mysterious box containing a jar of water and the instruction: ‘One ocean: plant in the backyard.’ So she does - and somehow creates an extraordinary time slip that allows her to visit her future selves.On one impossible day in 1990, Willa is 33 and a mother-of-two when her childhood self magically appears in her backyard. But she’s also a woman haunted by memories of her dark past – and is on the brink of a decision that will have tragic repercussions . . .On one impossible day in 2050, Willa is a silver-haired, gumboot-loving 93-year-old whose memory is fading fast. Yet she knows there’s something she has to remember, a warning she must give her past selves about a terrible event in 1990. If only she could recall what it was.Can the three Willas come together, to heal their past and save their future, before it’s too late?'A courageous and magical debut novel that reminds us that while we can’t change events from our past, we do have the power to change the story we tell ourselves about them.' Sally Piper

    In secret, Hiromi Sato hires Mai as a 'rental sister', to write letters to Hikaru and encourage him to leave his room.Mai has recently married J, a devoted salaryman with conservative ideas about the kind of wife Mai will be. The renewed contact with her old school friend Hikaru stirs Mai's feelings of invisibility within her marriage. She is frustrated with her life and knows she will never fulfill J's obsession with the perfect wife and mother.What else is there for Mai to do but to disappear herself?

    Henry Lawson’s story of the Drover’s Wife pits the stoic silhouette of a woman against the unforgiving Australian landscape, staring down a serpent – it’s our frontier myth captured in a few pages. In Leah’s new play the old story gets a very fresh rewrite. Once again the Drover’s Wife is confronted by a threat in her yard in Australia’s high country, but now it’s a man. He’s bleeding, he’s got secrets, and he’s black. She knows there’s a fugitive wanted for killing whites, and the district is thick with troopers, but something’s holding the Drover’s Wife back from turning this fella in a taut thriller of our pioneering past, this play is full of fury, power and has a black sting to the tail, reaching from our nation’s infancy into our complicated present. (7 male, 1 female).