Pregnant at seventeen, married a few months later, by the age of eighteen she found herself living in a trailer with no plans beyond having more babies-until she found Jesus. It began innocently enough-a few minutes lingering on the televangelist stations, a cursory look at the Bible-and soon she had wholly given herself over to a radical, apocalyptic New Testament church. Her daily life was permeated with a sense of the divine-she spent hours a day in prayer and Bible study, wore modest clothing, even braced herself for the Rapture every time she heard trumpet music over the supermarket loudspeaker. It was only when her marriage began to unravel that Carolyn dared to question the religious dogma she had embraced for all of her adult life to date.Beautifully written and powerfully told, this memoir is a fascinating look at the nature of faith and the inspiring story of one woman's struggle to find her place in the world.

    By the time he was 19, his parents had achieved global fame as best-selling authors and speakers, l'Abri had become a mecca for spiritual seekers worldwide — from Barbara Bush to Timothy Leary — and Frank had joined his father on the evangelical circuit. By the age of 23, he had directed two multi-part religious documentaries and had helped instigate the marriage between the American evangelical community and the anti-abortion movement. But as he spoke before thousands in arenas around America, published his own evangelical bestseller, and worked with such figures as Pat Robertson, Jack Kemp, Jerry Falwell, and Dr. James Dobson, Schaeffer felt alienated, precipitating his own crisis of faith and eventually resulting in his departure. Schaeffer has since become a successful secular author. He was reduced to stealing pork chops from the grocery store in LA, rather than take on any more high-paying evangelical speaking gigs. With its up-close portraits of the leading figures of the American evangelical movement, Crazy for God is a uniquely revealing and powerful memoir, which tells its story with empathy, humor, and bite.

    A spirited, compelling read."-Azadeh Moaveni, author of Lipstick JihadIf the Oceans Were Ink is Carla Power's eye-opening story of how she and her longtime friend Sheikh Mohammad Akram Nadwi found a way to confront ugly stereotypes and persistent misperceptions that were cleaving their communities. Their friendship-between a secular American and a madrasa-trained sheikh-had always seemed unlikely, but now they were frustrated and bewildered by the battles being fought in their names. Both knew that a close look at the Quran would reveal a faith that preached peace and not mass murder; respect for women and not oppression. And so they embarked on a yearlong journey through the controversial text.A journalist who grew up in the Midwest and the Middle East, Power offers her unique vantage point on the Quran's most provocative verses as she debates with Akram at cafes, family gatherings, and packed lecture halls, conversations filled with both good humor and powerful insights. Their story takes them to madrasas in India and pilgrimage sites in Mecca, as they encounter politicians and jihadis, feminist activists and conservative scholars. Armed with a new understanding of each other's worldviews, Power and Akram offer eye-opening perspectives, destroy long-held myths, and reveal startling connections between worlds that have seemed hopelessly divided for far too long.

    I know hundreds of obscure nineteenth-century hymns by heart and have such razor sharp “modesty vision” that I can spot a miniskirt a mile away.Verily, verily I say unto thee, none of these highly specialized skills ever got me a job, but at least I’m all set for the end of the world. Selah. A story of mind control, the Apocalypse, and modest attire.Elizabeth Esther grew up in love with Jesus but in fear of daily spankings (to “break her will”). Trained in her family-run church to confess sins real and imagined, she knew her parents loved her and God probably hated her. Not until she was grown and married did she find the courage to attempt the unthinkable. To leave.In her memoir, readers will recognize questions every believer faces: When is spiritual zeal a gift, and when is it a trap? What happens when a pastor holds unchecked sway over his followers? And how can we leave behind the harm inflicted in the name of God without losing God in the process?By turns hilarious and heartbreaking, Girl at the End of the World is a story of the lingering effects of spiritual abuse and the growing hope that God can still be good when His people fail.Includes reading group discussion guide and interview with the author

    He saw the searing flames of hell, felt total isolation, smelled the putrid and rotting stench, heard deafening screams of agony, and experienced terrorizing demons. Finally the strong hand of God lifted him out of the pit. Now Wiese shares his insights on commonly asked questions such as:Is hell a literal burning place?Where is hell?Do you have a body in hell?Are there degrees of punishment in hell?Are there children in hell?Can demons torment people in hell?Can “good” people go to hell?

    Why wouldn't he? She went to his house three times a week, sat in his living room, listened to his stories, loudly and lustily sang songs to him. So, one Sunday morning, she walked to the front of her fundamentalist Christian church to profess her love for Jesus and be baptized. But from the moment her robe floated to the surface of the baptistry water, she began to question her fundamentalist faith. If baptism requires complete immersion underwater, what does it mean, if a piece of fabric attached to a would-be Christian floats to the top? Does the baptism still count? In Dating Jesus,, Campbell takes us into the world of fundamentalism-a world where details really, really matter-while wrestling with questions that would thwart any young woman intent on adhering to a literalist religion. If dancing isn't permitted, what do you do when you're voted part of the homecoming court? If instrumental music is prohibited inside the church, can a piano be played during your wedding? For a while, Campbell diligently plays by the gender-restrictive rules. She knocks on doors for Jesus rather than preach from the pulpit; diligently guards her chastity, refusing even to date; and memorizes long fragments from the Bible. But her questions continue to surface, and when dogmatic answers from her Bible teachers, family, and congregational fellows confirm that women will never be allowed a seat at the throne, her faith begins to erode. After Campbell flees her church, she remains thirsty for an unwavering and compassionate faith she knows is out there, somewhere. To find it, she returns to the historical roots of religious movements, studies the works of early feminist thinkers and contemporary theologians, and rereads the Bible with the same fervor of her youth. Dating Jesus is a lovingly told tale of how one born-and-bred fundamentalist matured into a feminist while holding onto her sanity and sense of humor.

    We lose love, lose jobs, lose our sense of self. For Nora McInerny, it was losing her husband, her father, and her unborn second child in one catastrophic year.But in the wake of loss, we get to assemble something new from whatever is left behind. Some circles call finding happiness after loss “Chapter 2”—the continuation of something else. Today, Nora is remarried and mothers four children aged 16 months to 16 years. While her new circumstances bring her extraordinary joy, they are also tinged with sadness over the loved ones she’s lost.Life has made Nora a reluctant expert in hard conversations. On her wildly popular podcast, she talks about painful experiences we inevitably face, and exposes the absurdity of the question “how are you?” that people often ask when we’re coping with the aftermath of emotional catastrophe. She knows intimately that when your life falls apart, there’s a mad rush to be okay—to find a silver lining, to get to the happy ending. In this, her second memoir, Nora offers a tragicomic exploration of the tension between finding happiness and holding space for the unhappy experiences that have shaped us.No Happy Endings is a book for people living life after life has fallen apart. It’s a book for people who know that they’re moving forward, not moving on. It’s a book for people who know life isn’t always happy, but it isn’t the end: there will be unimaginable joy and incomprehensible tragedy. As Nora reminds us, there will be no happy endings—but there will be new beginnings.

    Little did she know that as she followed him, he was plying his trade: conning people. Her family drove stolen cars, lived in stolen houses, and shopped with stolen credit cards. Drug use was regular, as were visits from strange people who were trying to track her father down. Though she eventually cut ties with her father, Candice could not ignore the scars that were left from her childhood.This is her story, one steeped in secrets but one that, ultimately, led her to a place of forgiveness and freedom. As she struggles to understand her criminal father, as well as her own imperfect life, Candice comes to realize that we are not defined by our circumstances but rather by how we react to those circumstances. She's found peace in the knowledge that God doesn't love us because we're perfect--but because he is.

    It's all here: the Bakker family's public disgrace, the fall of the PTL (Praise The Lord) media empire, and Bakker's subsequent plunge into a morass of anxiety and selfdestruction. But Son of a Preacher Man is more than a tell-all -- it is a story that dramatizes the human toll of this tragedy on the Bakker family, with insight into the seismic shifts that nearly destroyed his father and wrecked his parents' longtime marriage. It is the story of a prodigal son's return to the true meaning of God's love and acceptance. It is the story of a boy who was lost, but on the journey back from ruin finds a better way to understand and live life. It is the story of discovering God's grace and of becoming a man.Despite years of disillusionment, alcoholism, and heartbreak, Bakker managed to continue on his spiritual quest. First he worked to redeem his father...then his faith. Bakker began his service with Revolution, a ministry for skateboarders, punk rockers, and hippiesthe street kids he knew best. He shared the message that saved his life -- the message of Jesus that God's love is infinitely generous. Now Bakker has a large and growing ministry among the tattooed and pierced of downtown Atlanta who feel rejected by the traditional Church yet flock to hear his message of grace and love.Ultimately, Son of a Preacher Man is a story about resurrection -- of one lost young man, of his disgraced and imprisoned father, and of the hope that can't be destroyed by the machinations of power-hungry preachers, The long, lonely road that Bakker traveled taught him that you can't earn or make yourself worthy of the love of God, but if you are willing to let go and open up, that infinite love is waiting to welcome you home with open arms.

    S. Lewis's wife, the American-born poet Joy Davidman. In her introduction to this new edition, Madeleine L'Engle writes: "I am grateful to Lewis for having the courage to yell, to doubt, to kick at God in angry violence. This is a part of a healthy grief which is not often encouraged. It is helpful indeed that C. S. Lewis, who has been such a successful apologist for Christianity, should have the courage to admit doubt about what he has so superbly proclaimed. It gives us permission to admit our own doubts, our own angers and anguishes, and to know that they are part of the soul's growth."Written in longhand in notebooks that Lewis found in his home, A Grief Observed probes the "mad midnight moments" of Lewis's mourning and loss, moments in which he questioned what he had previously believed about life and death, marriage, and even God. Indecision and self-pity assailed Lewis. "We are under the harrow and can't escape," he writes. "I know that the thing I want is exactly the thing I can never get. The old life, the jokes, the drinks, the arguments, the lovemaking, the tiny, heartbreaking commonplace." Writing A Grief Observed as "a defense against total collapse, a safety valve," he came to recognize that "bereavement is a universal and integral part of our experience of love."Lewis writes his statement of faith with precision, humor, and grace. Yet neither is Lewis reluctant to confess his continuing doubts and his awareness of his own human frailty. This is precisely the quality which suggests that A Grief Observed may become "among the great devotional books of our age."

    . . and an East Texas honky-tonk . . . and, without a doubt, inside the heart of God. It unfolds at a Hollywood hacienda . . . an upscale New York gallery . . . a downtown dumpster . . . a Texas ranch.Gritty with betrayal, pain, and brutality, it also shines with an unexpected, life-changing love.Bonus material in this special movie edition includes:

    Like many women in their early thirties, she both was and was not the adult she wanted to be. At once smart, curious, and humane, Maeve in America is the story of how Maeve found herself, literally and figuratively, in New York City.Here are stories of not being able to afford a dress for the ball, of learning to live with yourself while you’re still figuring out how to love yourself, of the true significance of realizing what sort of shelter dog you would be. Self-aware and laugh-out-loud funny, this collection is also a fearless exploration of the awkward questions in life, such as: Is clapping too loudly at a gig a good enough reason to break up with somebody? Is it ever really possible to leave home?Together, the essays in Maeve in America create a startlingly funny and revealing portrait of a woman who aims for the stars but hits the ceiling, and the inimitable city that has helped shape who she is, even as she finds the words to make sense of it all.

    Her old encounters with overdrawn bank accounts and oversized ambitions in the big city have given way to a new set of challenges. The first essay, "Matricide," opens without flinching:People who weren't there like to say that my mother died at home surrounded by loving family. This is technically true, though it was just my brother and me and he was looking at Facebook and I was reading a profile of Hillary Clinton in the December 2009 issue of Vogue.Elsewhere, she carefully weighs the decision to have children—"I simply felt no calling to be a parent. As a role, as my role, it felt inauthentic and inorganic"—and finds a more fulfilling path as a court-appointed advocate for foster children. In other essays, she skewers the marriage-industrial complex and recounts a harrowing near-death experience following a sudden illness. Throughout, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of contemporary American experience and considers the unspeakable thoughts many of us harbor—that we might not love our parents enough, that "life's pleasures" sometimes feel more like chores, that life's ultimate lesson may be that we often learn nothing. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions, blind spots, and sentimentalities while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.

    Although Riess begins with great plans for success (“Really, how hard could that be?” she asks blithely at the start of her saint-making year), she finds to her growing humiliation that she is failing—not just at some of the practices, but at every single one. What emerges is a funny yet vulnerable story of the quest for spiritual perfection and the reality of spiritual failure, which turns out to be a valuable practice in and of itself.

    Lewis, always “Jack” to family and friends, never shied from intellectual debate, and through his written works encouraged others to wrestle with the difficult questions of faith. A master of visual illustration and allegory, Lewis wrote with the intuitive understanding that his readers wrestled with the same questions about the Christian story, about pain, suffering, and notions of Heaven and Hell, as he himself had wrestled. He also understood that others found reason and imagination to be incompatible aspects of an understanding of God and the universe.