Veronica “Ronnie” Reid find themselves caught up in a passion that neither of them expected—one that neither of them can control. Ronnie is unsure if she can trust this man who keeps dangerous secrets. Arran knows that his insatiable desire is the worst thing that could have happened and yet he cannot turn away from her, not when he could be so close to the answers he needs. And now danger is hot on their heels after Ronnie discovers something that would have been better left buried. Arran finds that he must protect her, not only from the rising threat, but perhaps from himself as well, especially when she uncovers his true identity.

    Though Marley's iconic life was cut short before his time, his legacy lives on as vibrantly as it did when he walked among us. This is not only true because of his timeless music, but because of the musical genius of the extraordinary children he left behind.Born in Falmouth, Jamaica in 1976 as the tenth son of legendary reggae icon Bob Marley, Ky-Mani Marley discovered his musical talents late in life, rising to become an international music artist and film actor. Ky-Mani has not only written and performed songs of redemption around the world, like his famous father, but has lived and survived to recant his own personally redemptive story in the face of some very stark urban realities unbefitting any human, let alone a 'Marley.'Dear Dad, is an arresting narrative of a son locked out of his iconic father's shelter for the first half of his life and forced to survive the poverty-stricken, predator-infested streets of one of Miami's most violent ghettos, Liberty City. Initially estranged from his siblings and cut off from any financial benefit of the Marley Estate, young Ky-Mani's gritty ascent from a bullet-riddled life to the world stages he now commands as a Grammy-nominated recording artist are chronicled in this gripping biography.Today a dedicated father and family man traveling to all corners of the world, performing no less than 100 shows per year, Marley knew he�d reached a plateau of transformation in his life when he was named 'Philanthropist of the Year' by the Prince Albert II of Monaco Foundation, Better World Awards.His life is truly a 'redemption song.'

    From Mexico to Tierra del Fuego, and from Cuba to Trinidad and Tobago, Americas examines the historical, demographic, political, social, cultural, religious, and economic trends in the region. For this new edition Peter Winn has provided a new preface and made revisions throughout to include the most up-to-date information on changes and developments in Latin America since the last revised edition of 1999.

    His first book shockingly ended with his fiancé Stephanie plummeting off the side of an overpass in Seattle, after having a seizure while driving. He now chronicles this painful episode in his life, with flashbacks to their tenuous romantic relationship, and how her accident and subsequent coma ultimately causes him to unravel emotionally. This pivotal moment, which began with an alarming call in the middle of the night, parallels another gut-wrenching experience from the past when his youngest brother’s life hangs in the balance.            Martinez once again brilliantly examines the complicated connections between family, friends, and loved ones. Feeling estranged from his family in Texas over the years, isolated and alone in Seattle, he turns to writing as a therapeutic tool. The underlying themes of addiction and recovery and their powerful impact on family dynamics also emerge within the narrative, as he struggles with his inner demons. These two traumatic life events actually bring Martinez closer to the family that he has in many ways spend years trying to deny, strengthening their bonds and healing old wounds. When Martinez falls apart completely, he finds his family, his redemption, and a new beginning with the love of his life, who encourages him to write his way out of the pain in order to save his own life.

    Under the yoke of Spanish oppression, the Caribbean island is forced to prepare to wage war with the United States. Up in the mountainous coffee region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their small farm from the creditors. When the Spanish-American War and the great San Ciriaco Hurricane of 1899 bring devastating upheaval, the young couple is lured, along with thousands of other puertorriqueños, to the sugar plantations of Hawaii—another US territory—where they are confronted by the hollowness of America’s promises of prosperity. Writing in the tradition of great Latin American storytelling, Marisel Vera’s The Taste of Sugar is an unforgettable novel of love and endurance, and a timeless portrait of the reasons we leave home.

    When her father is exiled from his kingdom, Hothal disguises herself as a man and fights alongside the valient Odha, who she eventually falls deeply in love with.

    . . when her mother wasn't struggling to undo the damage he caused . . . when a short temper didn't lead to physical violence. But Gabi cannot live in the past, not when one more outburst could jeopardize her family's future. So she trades the life of a normal Miami teenager for a career of carefully managing her father's delusions and guarding her mother's secrets. As Gabi navigates her family's twisting path of lies and revelations, relationships and loss, she finds moments of happiness in unexpected places. Ultimately Gabi must discover the strength she needs to choose what's right for her: serving her parents or a future of her own.

    Collection of the following titles: A Bag of Gold Coin, Choice of Friends, How Friends are Parted, Tiger and the Woodpecker, Friends and Foes

    Inseparable since their days at Boston University almost ten years before, six friends form the Dirty Girls Social Club, a mutual support and (mostly) admiration society that no matter what happens to each of them (and a lot does), meets regularly to dish, dine and compare notes on the bumpy course of life and love.Las sucias are:--Lauren, the resident “caliente” columnist for the local paper, which advertises her work with the line “her casa is su casa, Boston”, but whose own home life has recently involved hiding in her boyfriend’s closet to catch him in the act--Sara, the perfect wife and mother who always knew exactly the life she wanted and got it, right down to the McMansion in the suburbs and two boisterious boys, but who is paying a hefty price--Amber, the most idealistic and artistic member of the club, who was raised a valley girl without a word of Spanish and whose increasing attachment to her Mexica roots coincides with a major record label’s interest in her rock ‘n’ roll--Elizabeth, the stunning black Latina whose high profile job as a morning television anchor conflicts with her intensely private personal life, which would explain why the dates the other dirty girls set her up on never work out--Rebecca, intense and highly controlled, who flawlessly runs Ella, the magazine she created for Latinas, but who can’t explain why she didn’t understand the man she married and now doesn’t even share a room with; and--Usnavys, irrepressible and larger than life, whose agenda to land the kind of man who can keep her in Manolo Blahniks and platanos almost prevents her seeing true love when it lands in her lap.There’s a lot of catching up to do.A vibrant, can’t-put-it-down novel of six friends—each one an unforgettable Latina woman in her late ‘20s—and the complications and triumphs in their lives.

    Rants, manifestos, newspaper cutups, street theater, anti-lectures, love poems, and riffs tell the story of what it's like to live outlaw and brown in the United States.Juan Felipe Herrera is a professor of creative writing at the University of California, Riverside. The author of twenty-one books, he is also a community arts leader and a dynamic performer and actor. He is the son of Mexican immigrants and grew up in the migrant fields of California.

    What the Twilight Says collects these pieces to form a volume of remarkable elegance, concision, and brilliance. It includes Walcott's moving and insightful examinations of the paradoxes of Caribbean culture, his Nobel lecture, and his reckoning of the work and significance of such poets as Robert Lowell, Joseph Brodsky, Robert Frost, Les Murray, and Ted Hughes, and of prose writers such as V. S. Naipaul and Patrick Chamoiseau. On every subject he takes up, Walcott the essayist brings to bear the lyric power and syncretic intelligence that have made him one of the major poetic voices of our time.

    "I play just like my father," he says. "Before my father died, he was a problem on the court. I'm a problem." Playing basketball for him fuses past and present, conjuring his father's memory into a force that opponents can feel in every bone-snapping drive to the basket. On the street every ballplayer has a story. Onaje X. O. Woodbine, a former streetball player who became an All-Star Ivy Leaguer, brings the sights and sounds, hopes and dreams of street basketball to life. Big games have a trickster figure and a master of black talk whose commentary interprets the game for audiences. The beats of hip-hop and reggae make up the soundtrack, and the ball players are half-men, half-heroes, defying the ghetto's limitations with their flights to the basket.Streetball is rhythm and flow, and during its peak moments, the three rings of the asphalt collapse into a singular band, every head and toe pressed against the sidelines, caught up in the spectacle. Basketball is popular among young black American men, but not because, as many claim, they are "pushed by poverty" or "pulled" by white institutions to play it. Black men choose to participate in basketball because of the transcendent experience of the game. Through interviews with and observations of urban basketball players, Onaje X. O. Woodbine composes a rare portrait of a passionate, committed, and resilient group of athletes who use the court to mine what urban life cannot corrupt. If people turn to religion to reimagine their place in the world, then black streetball players are indeed the adepts of the asphalt.

    The House on the Lagoon is the story of Isabel Monfort and her husband Quintin Mendizabal--the history of a family whose secrets, conflicts and private mythologies add up to the larger story of a nation: Puerto Rico.

    After capturing a hawk in order to join a secret club, Jim rejects club membership and arranges a new life for the hawk.

    Their average life expectancy is six weeks.But Rosie is brighter than most, well-aware of the consequences of a second’s carelessness, or bad luck, or treachery. Or a fellow agent crumbling under torture, naming names.Her brief is to set up a new network in Rouen, where the old one has been blown and an agent is suspected of betrayal. If she gets there, that is. Landing from a gunboat on the Brittany coast, she must to travel to Paris – carrying forged papers, a radio transceiver and more than a million francs in cash… Frighteningly realistic, unbearably exciting, the Rosie Ewing Spy Thrillers are perfect for fans of Philip Kerr, Ian Fleming and John Le Carré. ‘You don’t read a novel by Alexander Fullerton. You live it.’ South Wales Echo