Thirteen darkly comic stories, Dangerous Laughter is a mesmerizing journey that stretches the boundaries of the ordinary world.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    Ten tales of murder, mayhem, madness, and dark magic from a #1 bestselling author. A man finds that fast cars and fast women don't mix. An artist uses very special tools to convey his passion. A rebellious teen will make any sacrifice for rock stardom. A mother finds a new role in a post-apocalyptic world. Gateway Drug. It leads to more dangerous things.Features "Hounds of Love, "Sung Li," and other tales from the pages of Cemetery Dance, The Book of All Flesh, and more, along with the afterword "One Sick Puppy." Bonus contributions from British horror master Tim Lebbon and multi-award-winning Australian dark fantasy writer Shane Jiraiya Cummings.

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    Their closest neighbors are more than two miles in either direction along a rutted dirt road.One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what’s going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world."

    CLARKE'S FAVORITE STORIESTHE NINE BILLION NAMES OF GOD -- A short-term course for computer the way to God.TROUBLE WITH TIME -- Martian time proves that crimes doesn't pay!NO MORNING AFTER -- Drink, drink and be merry, for tomorrow there will be no morning after...THE POSSESSED -- Or, why the lemmings drowned.ENCOUNTER AT DAWN -- The day the gods came to Earth.THE SENTINEL -- The story which inspired 2001: A SPACE ODYSSEY; when man sets off the galactic burglar alarm, who will answer the call?

    In "Stone Animals," a house's haunting takes the unusual form of hordes of rabbits that camp out nightly on the front lawn. This proves just one of several benign but inexplicable phenomena that begin to pull apart the family newly moved into the house as surely as a more sinister supernatural influence might. The title story beautifully captures the unpredictable potential of teenage lives through its account of a group of adolescent schoolfriends whose experiences subtly parallel events in a surreal TV fantasy series. Zombies serve as the focus for a young man's anxieties about his future in "Some Zombie Contingency Plans" and offer suggestive counterpoint to the lives of two convenience store clerks who serve them in "The Hortlak." Not only does Link find fresh perspectives from which to explore familiar premises, she also forges ingenious connections between disparate images and narrative approaches to suggest a convincing alternate logic that shapes the worlds of her highly original fantasies.Contents:The Faery Handbag (2004)The Hortlak (2003)The Cannon (2003)Stone Animals (2004)Catskin (2003)Some Zombie Contingency Plans (2005)The Great Divorce (2005)Magic for Beginners (2005)Lull (2002)

    They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.

    As a dark serial killer – The Axeman – stalks the city, three individuals set out to unmask him…Though every citizen of the ‘Big Easy’ thinks they know who could be behind the terrifying murders, Detective Lieutenant Michael Talbot, heading up the official investigation, is struggling to find leads. But Michael has a grave secret – and if he doesn’t find himself on the right track fast – it could be exposed…Former detective Luca d’Andrea has spent the last six years in Angola state penitentiary, after Michael, his protégée, blew the whistle on his corrupt behaviour. Now a newly freed man, Luca finds himself working with the mafia, whose need to solve the mystery of the Axeman is every bit as urgent as the authorities’.Meanwhile, Ida is a secretary at the Pinkerton Detective Agency.Obsessed with Sherlock Holmes and dreaming of a better life, Ida stumbles across a clue which lures her and her trumpet-playing friend, Lewis ‘Louis’ Armstrong, to the case and into terrible danger…As Michael, Luca and Ida each draw closer to discovering the killer’s identity, the Axeman himself will issue a challenge to the people of New Orleans: play jazz or risk becoming the next victim. And as the case builds to its crescendo, the sky will darken and a great storm will loom over the city…

    Her apocalyptic vision of life is expressed through grotesque, often comic situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy. Stories include:"A Good Man Is Hard to Find""The River""The Life You Save May Be Your Own""A Stroke of Good Fortune""A Temple of the Holy Ghost""The Artificial Nigger""A Circle in the Fire""A Late Encounter with the Enemy""Good Country People""The Displaced Person"©1955 Flannery O'Connor; 1954, 1953, 1948 by Flannery O'Connor; renewed 1983, 1981 by Regina O'Connor; renewed 1976 by Mrs. Edward F. O'Connor; (P)2010 Blackstone Audio, Inc.

    He also begins to suspect that a foul plan may be brewing within the Dauntless leadership and discovers a truth about his past that could greatly affect his future.

    Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.

    It’s easy money, and a chance to return to his hometown for his first visit in years. The app itself seems like a retread of old ideas—relaxing white noise and guided meditations. But then there are the “Sleep Songs.” A woman’s hauntingly beautiful voice sings a ballad that is anything but soothing—it’s disturbing, really, more of a warning than a relaxation—but it works. Deep, refreshing sleep follows. So do nightmares. Vivid and chilling, they feature a dead woman who calls Nick by name and whispers guidance—or are they threats? And soon her voice follows him long after the song is done. As the effects of the nightmares begin to permeate his waking life, Nick makes a terrifying discovery: no one involved with Clarity has any interest in his article. Their interest is in him. Because while he might not have any memory of it, he’s one of twenty people who have heard this sinister song before and the only one who is still alive.

    Roger McPherson, head of the prestigious Neuropsychiatric Research Unit at University Hospital in Los Angeles, is convinced he can cure Benson through a procedure called Stage Three. During this highly specialized experimental surgery, electrodes will be place in the patient's brain, sending monitored, soothing pulses to its pleasure canyons.Though the operation is a success, there is an unforseen development. Benson learns how to control the pulses and is increasing their frequency. He escapes -- a homicidal maniac loose in the city -- and nothing will stop his murderous rampages or impede his deadly agenda. . .

    Winner of six Emmys (he was nominated nine times), two Sylvania Awards, on Peabody Award, and one Christopher Award for his teleplays, Serling came as close as anyone to dominating an era that abounded with talented men. His plays "Requiem for a Heavyweight" and "Patterns" are usually the first items on the lips of television aficionados reminiscing about the good old days. Yet as television changed, Rod Serling kept pace. He became producer and chief writer for the famous "Twilight Zone" series. These bizarre and fantastic adventures into the occult and demonic were without doubt one of the most creative, imaginative and successful enterprises in the history of television.Now Rod Serling has applied his prodigious writing talents to a new medium: one in which he is perhaps destined to make his greatest mark. The three novellas that compromise THE SEASON TO BE WARY betray the skillful hand of a master storyteller and prose stylist. Fired with a savage yet disciplined irony, paced with deliberate cadence that rises to a starting denouement, each story explores the theme of a terrible vengeance delivered for terrible deeds performed.In "The Escape Route," ex-Gruppenfuehrer Joseph Strobe - ex-deputy assistant commander of Auschwitz, ex-confidant of Heinrich Himmler - putters about his little rathole in Buenos Aires chewing over the good times he had breaking Jews. Yet his snug little world is turned upside down b the capture of Adolf Eichmann, and Strobe soon finds himself on the wrong end of a terrifying hunt."Color Scheme" recounts the life and times of the great King Connacher, racist and rabble-rouser, who makes his living on the stump, preaching the lynching gospel, only to find himself one summer evening the victim of an extraordinary case of mistaken identity.In "Eyes," Miss Claudia Menlo, who in her fifty lifeless years has been denied nothing that she wanted - except her sight - manipulates people with the same purposeful indifference with which she fondles the expensive bric-a-brac in her lavishly cluttered dwelling. Yet her insistant will is brutally thwarted by the one set of circumstances she cannot control.Serling has infused these simple, forceful tales with an extraordinary richness of character and detail. There is, for example, the Prussian officer Gruber, who cannot stomach the pigs like Strobe he helped create and with whom he is forced to share his guilt. And there is Indian Charlie Hatcher, the most memorable portrait of a burned-out prizefighter since Serling's own justly famous Mountain Rivera.The power, the drive, the complexity and subtlety of these novellas mark Rod Serling as one of the most important and graceful fiction writers. Mr. Serling is a graduate of Antioch College and lives in Southern California with his wife and two children.