She’s angry at her father for leaving, angry at her mother for not being able to cope, and heartbroken by the loss of her younger brother, Truman. Rage and grief are destroying her. And she’s about to be expelled from Brooklyn Heights’ most prestigious private school when her father intervenes. Now Andi must accompany him to Paris for winter break.PARIS: Alexandrine Paradis lived over two centuries ago. She dreamed of making her mark on the Paris stage, but a fateful encounter with a doomed prince of France cast her in a tragic role she didn’t want—and couldn’t escape. Two girls, two centuries apart. One never knowing the other. But when Andi finds Alexandrine’s diary, she recognizes something in her words and is moved to the point of obsession. There’s comfort and distraction for Andi in the journal’s antique pages—until, on a midnight journey through the catacombs of Paris, Alexandrine’s words transcend paper and time, and the past becomes suddenly, terrifyingly present.

    But in the 1940s, the only opportunities open to a Polish-American girl from Chicago's poor Yards is a job in one of the meat packing plants. Through a chance meeting with a local tough, Ruby lands a job as a taxi dancer and soon becomes an expert in the art of "fishing": working her patrons for meals, cash, clothes, even jewelry. Drawn ever deeper into the world of dance halls, jazz, and the mob, Ruby gradually realizes that the only one who can save her is herself. A mesmerizing look into a little known world and era.

    Joan’s Academy, and school is a pressure cooker. College applications, the battle for valedictorian, deciphering boys’ texts: Through it all, Colleen Rowley and her friends are expected to keep it together. Until they can’t.   First it’s the school’s queen bee, Clara Rutherford, who suddenly falls into uncontrollable tics in the middle of class. Her mystery illness quickly spreads to her closest clique of friends, then more students and symptoms follow: seizures, hair loss, violent coughing fits. St. Joan’s buzzes with rumor; rumor blossoms into full-blown panic.   Soon the media descends on Danvers, Massachusetts, as everyone scrambles to find something, or someone, to blame. Pollution? Stress? Or are the girls faking? Only Colleen—who’s been reading The Crucible for extra credit—comes to realize what nobody else has. Inspired by true events—from seventeenth-century colonial life to the halls of a modern-day high school, this is the mystery that raises the question, what’s really happening to the girls at St. Joan’s?

    But that's hard to get when her best friend is feuding with her, her sister has disappeared, and her uncle is fighting an old war in his head. Her saintly younger brother is no help, and the cute boy across the street only complicates things. Worst of all, everyone is walking around just waiting for a bomb to fall. It's 1962, and it seems that the whole country is living in fear. When President Kennedy goes on television to say that Russia is sending nuclear missiles to Cuba, it only gets worse. Franny doesn't know how to deal with what's going on in the world -- no more than she knows how to deal with what's going on with her family and friends. But somehow she's got to make it through. Featuring a captivating story interspersed with footage from 1962, award-winning author Deborah Wiles has created a documentary novel that will put you right alongside Franny as she navigates a dangerous time in both her history and our history.

    If he went home at all, that is...In the summer of 1727, a group of men and boys are put ashore on a remote sea stac to harvest birds for food. No one returns to collect them. Why? Surely nothing but the end of the world can explain why they have been abandoned to endure storms, starvation and terror. And how can they survive, housed in stone and imprisoned on every side by the ocean?

    HANGED. ALIVE? (AND TRUE!)Anne can't move a muscle, can't open her eyes, can't scream. She lies immobile in the darkness, unsure if she'd dead, terrified she's buried alive, haunted by her final memory—of being hanged. A maidservant falsely accused of infanticide in 1650 England and sent to the scaffold, Anne Green is trapped with her racing thoughts, her burning need to revisit the events—and the man—that led her to the gallows. Meanwhile, a shy 18-year-old medical student attends his first dissection and notices something strange as the doctors prepare their tools . . . Did her eyelids just flutter? Could this corpse be alive? Beautifully written, impossible to put down, and meticulously researched, Newes from the Dead is based on the true story of the real Anne Green, a servant who survived a hanging to awaken on the dissection table. Newes from the Dead concludes with scans of the original 1651 document that recounts this chilling medical phenomenon.

    Young Arthur de Caldicot practises his tilting and archery, learns to be a dutiful page to his father, and waits impatiently to grow up and become a knight. One day his father's friend Merlin gives him a shining black stone. When Arthur starts to see stories in the stone, his life quickly becomes entwined with that of his namesake, the boy who pulls the sword from the stone.

    But Scott's dad is the only one in the neighborhood who actually prepares for the worst. As the neighbors scoff, he builds a bomb shelter to hold his family and stocks it with just enough supplies to keep the four of them alive for two critical weeks. In the middle of the night in late October, when the unthinkable happens, those same neighbors force their way into the shelter before Scott's dad can shut the door. With not enough room, not enough food, and not enough air, life inside the shelter is filthy, physically draining, and emotionally fraught. But even worse is the question of what will—and won't—remain when the door is opened again. Internationally best-selling author Todd Strasser has written his most impressive and personal novel to date, ruthlessly yet sensitively exploring the terrifying what-ifs of one of the most explosive moments in human history.

    But Joe Spooner brought more back with him than just good war stories. When movie-star handsome Peter Coleridge, a young ex-GI who served in Joe's company in postwar Austria, shows up, Evie is suddenly caught in a complicated web of lies that she only slowly recognizes. She finds herself falling for Peter, ignoring the secrets that surround him . . . until a tragedy occurs that shatters her family and breaks her life in two.

    Agreeing to spend the summer in Scotland, Hope discovers that her mother was more than a brilliant academic, but also a member of a secret society of time travelers. Trapped in the twelfth century in the age of Eleanor of Aquitaine, Hope has seventy-two hours to rescue her mother and get back to their own time. Along the way, her path collides with that of a mysterious boy who could be vital to her mission . . . or the key to Hope’s undoing.

    Then, a month before her birthday, a friend of her father's enters the kingdom and proclaims her parents' will left a second choice. If Rosemarie can marry before the eve of her eighteenth year, she will be exempt from the ancient vow. Before long, Rosemarie is presented with the three most handsome and brave knights in the land. But when the competition for her heart seemingly results in a knight playing foul, she begins to wonder if the cloister is the best place after all. If only one of the knights the one who appears the most guilty had not already captured her heart.

    He’s completely alone — or so he thinks until he finds the ghost girl. She has no toes, wears strange lacy trousers like the grandfather bird, and gives him a stick that can make fire.Daphne, sole survivor of the wreck of the Sweet Judy, almost immediately regrets trying to shoot the native boy. Thank goodness the powder was wet and the gun only produced a spark. She’s certain her father, distant cousin of the Royal family, will come and rescue her but it seems, for now, that all she has for company is the boy and the foul-mouthed ship’s parrot, until other survivors arrive to take refuge on the island. Together, Mau and Daphne discover some remarkable things (including how to milk a pig, and why spitting in beer is a good thing), and start to forge a new nation.Encompassing themes of death and nationhood, Terry Pratchett’s new novel is, as can be expected, extremely funny, witty and wise. Mau’s ancestors have something to teach us all. Mau just wishes they would shut up about it and let him get on with saving everyone’s lives!

    . . .When seventeen-year-old Sophia Petheram’s beloved father dies, she receives an unexpected letter. An invitation—on fine ivory paper, in bold black handwriting—from the mysterious Monsieur Bernard de Cressac, her godfather. With no money and fewer options, Sophie accepts, leaving her humble childhood home for the astonishingly lavish Wyndriven Abbey, in the heart of Mississippi.Sophie has always longed for a comfortable life, and she finds herself both attracted to and shocked by the charm and easy manners of her overgenerous guardian. But as she begins to piece together the mystery of his past, it’s as if, thread by thread, a silken net is tightening around her. And as she gathers stories and catches whispers of his former wives—all with hair as red as her own—in the forgotten corners of the abbey, Sophie knows she’s trapped in the passion and danger of de Cressac’s intoxicating world.Glowing strands of romance, mystery, and suspense are woven into this breathtaking debut—a thrilling retelling of the “Bluebeard” fairy tale.

    A fictionalized account, told in verse, of the Salem witch trials, told from the perspective of three young women living in Salem in 1692-- Mercy Lewis, Margaret Walcott, and Ann Putnam, Jr.

    He said he would always find Portia, that she could never leave. Free at last, Portia begins a new life on the bally, seeking answers about her father’s disappearance. Will she find him before Mister finds her? It’s a story for the ages, and like everyone who enters the Wonder Show, Portia will never be the same.