For the first time, take a sneak peak into the life of the sister of the God who shaped Mahabharata to become the progenitor of the Kuru race after everything was reduced to nothing in the battle of Kurushetra.Krishna’s sister is a mythological fiction of the life and story of Princess Subhadra in the backdrop of the great Mahabharat war and the sacrifice and pain that she went through. It also explores the relationship she shared with her brother and mentor Lord Krishna as well as her husband Arjuna and co-wife Draupadi. Subhadra is also worshipped as a deity in the Jagannath Puri, one of the holiest shrines in India.About the AuthorCorporate Communication professional, an avid travel blogger, foodie and movie buff all rolled into one Priyanka Bhuyan has been doing freelancing since her college days. Her debut book-Kaleidoscope of Love, a collection of short stories is on the varied emotions of love was published in the year 2019 and was adjudged among the top 100 debut authors by Literature Light. She hails from the beautiful green state of Assam and Guwahati is where she calls her home. Currently in a workaholic phase, she has her parents, brother and her dog as her family. For more info you can follow her blog girlsliketotravel.comConnect with Priyanka onInstagram: AuthorpriyankaTwitter:Priyankabhuya16Facebook:Priyanka Bhuyan

    She extracted a promise from him that he would forgive Shishupala a hundred offences. As he grew up Shishupala had enough reasons to be angry with Krishna. Especially after he was jilted by Princess Rukmini, in favour of the merry-eyed cowherd. He provoked Krishna repeatedly and was forgiven a hundred times. And then one day Shishupala committed his hundred and first offence.

    As she stares death in the face, her memories travel back to the beginning of her story, to life's unfairness at every point: A fiercely intelligent princess who wilfully blindfolded herself for the sake of her peevish, visually-impaired husband; who underwent a horrible pregnancy to mother one hundred sons, each as unworthy as the other; whose stern tapasya never earned her a place in people's hearts, nor commanded the respect that Draupadi and Kunti attained; who even today is perceived either as an ingratiatingly self-sacrificing wife or a bad mother who was unable to control her sons and was, therefore, partly responsible for the great war of the Mahabharata.In this insightful and sensitive portrayal, Aditi Banerjee rescues Gandhari from being reduced to a mere symbol of her blindfold. She builds her up, as Ved Vyasa did, as an unconventional heroine of great strength and iron will - who, when crossed, embarked upon a complex relationship with Lord Krishna, and became the queen who cursed a God.

    These unique temples are not just places of worship, but living museums of architectural wonders, mind-boggling sculptures, graceful dances, colourful crafts and many other cultural activities. More than anything, they are treasure troves of lore and legend, teeming with tales of gods and goddesses, demons and devotees, plants and beasts, the magical and the mysterious – all just waiting to be discovered by you. Join Sudha G. Tilak as she takes you on an unusual journey to the country’s most sacred places, where the lines between fact and faith are blurred and stories come alive!

    the only hurdle in its path is Guru Dronacharya’s son, the mighty but accursed warrior Ashwatthama, who lost all his powers following Lord Krishna’s curse and who unwittingly finds himself drawn into the quest of the lost bow of Lord Rama, the Kodanda. As ghosts of the distant past return to haunt him and the line between friends and enemies blurs, Ashwatthama must fight his inner demons to emerge victorious. He undertakes a perilous journey—across the vast plains of the Ganges, to the snow-capped peaks of the Himavant where the price of failure is a fate worse than death and death is a privilege not granted to Ashwatthama. Is this all part of Lord Krishna’s great plan? Will Ashwatthama be able to regain his lost glory?

    What is not so well known, however, is that the gentle, lovelorn Shakuntala immortalized by Kalidasa is very different from the original Shakuntala of the Mahabharata—a strong, fiery woman who stood up for her rights when she was spurned by her beloved.In this thoughtful retelling of the story of Shakuntala, Utkarsh Patel brings to the fore the original heroine, the bold and beautiful daughter of Menaka and Vishwamitra who fights to get herself and her son the recognition they deserve. She does not surrender to anyone, not even the king of Hastinapur. Retold to suit the modern-day context, Shakuntala: The Woman Wronged is a must-read to understand one of the most powerful yet underrated female characters of the Mahabharata.

    Only the great Lord Vishnu could make things right again. He got both devas and asuras to churn up life-giving nectar from the ocean of milk and then ensured that the asuras were kept away from this gift of immortality.

    It’s Asura Hayagriva who’s gotten away with the sacred scriptures.Lord Vishnu offers to go to the creator’s rescue and takes the guise of Matsya, the fish. King Satyavrath lands up with a tiny gold fish when he’s offering prayers to the Sun God one morning. Is the fish all that it appears to be?How can Satyavrath help the fish?Read more to find out the reason for Lord Vishnu taking the avatar on earth as Matsya. *This is a straightforward story of the first avatar of Mahavishnu, retold in simple English just the way it’s written over the ages. The target audience is the youngsters, children, who don’t know all that much about Indian mythology. It’s also for those parents who are keen to read aloud stories to their children and are looking for suitable books on mythology.

    His quest was for the image of the blue-colored Krishna or Nilamadhav. The king came very close to achieving his goal but his pride and arrogance snatched it away from him leaving him groping once more in the dark. Contained in this Amar Chitra Katha is the legend behind the temple of Jagannathapuri in Orissa and the images enshrined in it.

    In the Mahabharata battle, Jayadratha had shamelessly hidden himself away, for Arjuna had taken a terrible vow to put an end to his own life if he failed to kill the villain before sunset that day. With the wise Krishna by his side, would the mighty Arjuna fail to find his mark?

    Shoba Narayan travels across some of the most prominent places of worship in India and presents to her readers the mythologies, histories and contemporary relevance of these sites.

    She is the power that protects and destroys. She represents the fertile, bountiful earth, and is the protector of all life form. All goddesses are considered to be a manifestation of her. The worship of the goddess has evolved over time. Local village goddesses of the forest, field, river and lake became versions of the one great female principle. Lakshmi, Saraswati and Parvati are also considered to be forms of Adi Shakti. The Devi Mahatmayam or the ‘Glory of the Goddess’, describes her as the fierce and beautiful goddess who fights asuras and wards off evil. She shields the gods against evil and stands up for the worthy.Amar Chitra Katha brings together stories of seven goddesses from the Puranas, folklore and the Devi Bhagavata. Endowed with strength, grace and courage, these goddesses show us the power of being a woman.

    Hated and feared by many, he schemed to win the love of the beautiful goddess Parvati . . . but learned an important lesson when he invited her elephant-headed son Ganesha over for lunch one day . . . So goes one of the many delightful tales in this decidedly grown-up book of traditional Indian stories, retold for the modern reader. Author Kamla Kapur is well known in her native India as a poet and playwright, and her connection to these age-old stories is the reverent yet individualistic one we might expect from someone whose introduction tells of her hometown, where naked, dreadlocked holy men speed about on motorbikes. To collect these stories, Kapur relied on ancient sacred texts, modern scholarship, and chance encounters with interesting people who just happened to know a really good one about this time that Vishnu sank into the ocean, was incarnated as a pig, and had a really wonderful time. Like myths around the world, these are teaching stories that offer both a window into a fascinating culture that has endured for thousands of years, and a code for living that can be applied to the modern world.

    ‘One of these newborns will ravage the world and erase the name of Krishna from the face of the earth.’As the world trembles on the threshold of Kali Yuga—4,32,000 years of unprecedented evil—it waits for a saviour to rise. Meanwhile, in the dark netherland of the asuras, the meek Vama shudders as he learns that he is actually Pradyumna,the son of Krishna. And that his journey has just begun.From the asura kingdom to Dwaraka and then Kurukshetra, destiny forces him to battle monsters, angrygods and blazing weapons, and overpower his own weaknesses. Will he be able to rise to the challenge in time to savethe world? Or is he the destroyer prophesied by Narada?Pradyumna is the gripping saga of the rise of this mighty, swashbuckling hero whom all of humanity awaits.