A classic romcom with a Regency-era twist, for fans of Mean Girls and/or Jane Austen.Abandoned by her parents, middle-class Georgiana Ellers has moved to a new town to live with her dreary aunt and uncle. At a particularly dull party, she meets the enigmatic Frances Campbell, a wealthy member of the in-crowd who lives a life Georgiana couldn't have imagined in her wildest dreams.Lonely and vulnerable, Georgiana falls in with Frances and her unfathomably rich, deeply improper friends. Georgiana is introduced to a new world: drunken debauchery, mysterious young men with strangely arresting hands, and the upper echelons of Regency society.But the price of entry to high society might just be higher than Georgiana is willing to pay ...

    In the classroom, she is poised, smart, and kind, well-liked by her students and colleagues. But in her personal life, Lauren is troubled and isolated, still grappling with the sudden death of her parents ten years earlier. She seems to exist at a remove from everyone around her until a new student joins her class: charming, magnetic Siri, who appears to be everything Lauren wishes she could be. They fall headlong into an all-consuming friendship that feels to Lauren like she is reclaiming her lost adolescence.When Siri invites her along on a trip home to Sweden for the summer, Lauren impulsively accepts, intrigued by how Siri describes it: “Everything will be green, fresh, new, just thawing out.” But once there, Lauren finds herself drawn to Siri’s enigmatic, brooding brother Magnus. Siri is resentful, and Lauren starts to see a new side of her friend: selfish, reckless, self-destructive, even cruel. On the last night of her trip, Lauren accompanies Siri and her friends on a seaside camping trip to celebrate Midsommar’s Eve, a night when no one sleeps, boundaries blur, and under the light of the unsetting sun, things take a dark turn.Ultimately Lauren must acknowledge the truth of what happened with Siri and come to terms with her own tragic past in this gorgeously written, deeply felt debut about the relationships that come to us when things feel darkest–and the transformative power of female friendship.

    Yet few can see past the thick hair that covers her: she is both the fascinating toast of a Governor's ball and the shunned, revolting, unnatural beast, to be hidden from children and pregnant women. But what is her wonderful and terrible link to Rose, collector of lost treasures in an attic room in modern-day south London? In this haunting tale of identity, love and independence, these two lives will connect in unforgettable ways.

    Clara Stowe isn’t in Jake’s line of work and didn’t go to college with him. They have nearly nothing in common apart from a deep and shared certainty that they’ve met before. Despite their best efforts over a probing conversation, both struggle to figure out what circumstances could possibly have brought them together. Then, in a revelation that sends Jake reeling, Clara admits she’s traveling to the Colorado mountains to kill herself, and disappears into the crowded airport immediately after landing.The Dead Girl in 2A is the story of what happens to Jake and Clara after they get off that plane, and the manipulative figure who has brought them together decades after they first met.

    . .Seventeen-year-old Ivy’s summer break kicks off with an accident, a punishment, and a mystery: a stranger whose appearance in the middle of the road, in the middle of the night, heralds a string of increasingly unsettling events. As the days pass, Ivy grapples with eerie offerings, corroded memories, and a secret she’s always known—that there’s more to her mother than meets the eye.THE CITY, BACK THEN . . .Dana has always been perceptive. And the summer she turns sixteen, with the help of her best friend and an ambitious older girl, her gifts bloom into a heady fling with the supernatural, set in a city of magical possibilities and secret mystics. As the trio’s aspirations darken, they find themselves speeding toward a violent breaking point.Years after it began, Ivy and Dana’s shared story will come down to a reckoning among a daughter, a mother, and the dark forces they never should’ve messed with.

    In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness.In these twelve stories, Murata mixes an unusual cocktail of humor and horror to portray both the loners and outcasts as well as turning the norms and traditions of society on their head to better question them. Whether the stories take place in modern-day Japan, the future, or an alternate reality is left to the reader’s interpretation, as the characters often seem strange in their normality in a frighteningly abnormal world. In “A First-Rate Material”, Nana and Naoki are happily engaged, but Naoki can’t stand the conventional use of deceased people’s bodies for clothing, accessories, and furniture, and a disagreement around this threatens to derail their perfect wedding day. “Lovers on the Breeze” is told from the perspective of a curtain in a child’s bedroom that jealously watches the young girl Naoko as she has her first kiss with a boy from her class and does its best to stop her. “Eating the City” explores the strange norms around food and foraging, while “Hatchling” closes the collection with an extraordinary depiction of the fractured personality of someone who tries too hard to fit in.In these strange and wonderful stories of family and friendship, sex and intimacy, belonging and individuality, Murata asks above all what it means to be a human in our world and offers answers that surprise and linger.

    The most one can do is make some sort of start and then work toward some kind of ending.One might as well start with Séraphin: playlist-maker, nerd-jock hybrid, self-appointed merchant of cool, Rwandan, stifled and living in Windhoek, Namibia. Soon he will leave the confines of his family life for the cosmopolitan city of Cape Town, in South Africa, where loyal friends, hormone-saturated parties, adventurous conquests, and race controversies await. More than that, his long-awaited final year in law school promises to deliver a crucial puzzle piece of the Great Plan immigrant: a degree from a prestigious university.But a year is more than the sum of its parts, and en route to the future, the present must be lived through and even the past must be survived.

    Smith.Greta James's meteoric rise to indie stardom was hard-won. Before she graced magazine covers and sold out venues, she spent her girlhood strumming her guitar in the family garage. Her first fan was her mother, Helen, whose face shone bright in the dusty downtown bars where she got her start--but not everyone encouraged Greta to follow her dreams. While many daydream about a crowd chanting their name, her father, Conrad, saw only a precarious life ahead for his daughter. Greta has spent her life trying to prove him wrong, but three months after Helen's sudden death, and weeks before the launch of her high-stakes sophomore album, Greta has an onstage meltdown that goes viral. Attempting to outrun the humiliation and heartbreak, she reluctantly agrees to accompany her father on a week-long Alaskan cruise, the very one that her parents had booked to celebrate their fortieth anniversary. This could be the James family's last chance to heal old wounds and will prove to be a voyage of discovery for them, as well as for Ben Wilder, a historian also struggling with a major upheaval in his life. Ben is on board to lecture about Jack London's The Call of the Wild, the adventure story Greta's mother adored, and he captures Greta's attention after her streak of dating hanger-ons. As Greta works to build up her confidence and heal, and Ben confronts his uncertain future, they must rely on one another to make sense of life’s difficult choices. In the end, Greta must make the most challenging decision of all: to listen to the song within her or make peace with those who love her.

    Colleen and Rich Gundersen are raising their young son, Chub, on the rugged California coast. It’s 1977, and life in this Pacific Northwest logging town isn’t what it used to be. For generations, the community has lived and breathed timber; now that way of life is threatened. Colleen is an amateur midwife. Rich is a tree-topper. It’s a dangerous job that requires him to scale trees hundreds of feet tall—a job that both his father and grandfather died doing. Colleen and Rich want a better life for their son—and they take steps to assure their future. Rich secretly spends their savings on a swath of ancient Redwoods. Colleen, desperate to have a second baby, challenges the logging company’s use of herbicides that she believes are responsible for the many miscarriages in the community—including her own. Colleen and Rich find themselves on opposite sides of a budding conflict that threatens the very thing they are trying to protect: their family. Told in prose as clear as a spring-fed creek, Damnation Spring is an intimate, compassionate portrait of a family whose bonds are tested and a community clinging to a vanishing way of life. An extraordinary story of the transcendent, enduring power of love—between husband and wife, mother and child, and longtime neighbors. An essential novel for our times.

    Fourteen-year-old Cindy and her two older brothers live in rural Pennsylvania, in a house with occasional electricity, two fierce dogs, one book, and a mother who comes and goes for months at a time. Deprived of adult supervision, the siblings rely on one another for nourishment of all kinds. As Cindy's brothers take on new responsibilities for her care, the shadow of danger looms larger and the status quo no longer seems tolerable. So when a glamorous teen from a more affluent, cultured home goes missing, Cindy escapes her own family's poverty and slips into the missing teen's life. As Jude Vanderjohn, Cindy is suddenly surrounded by books and art, by new foods and traditions, and most important, by a startling sense of possibility. In her borrowed life she also finds herself accepting the confused love of a mother who is constitutionally incapable of grasping what has happened to her real daughter. As Cindy experiences overwhelming maternal love for the first time, she must reckon with her own deceits and, in the process, learn what it means to be a daughter, a sister, and a neighbor. Marilou Is Everywhere is a powerful, propulsive portrait of an overlooked girl who finds for the first time that her choices matter.

    They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters—as well as the upscale all-girls’ school they attend. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola vehemently disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the quiet community and threatens to expose unspoken truths.        Suspenseful and poignant, We Run the Tides is Vendela Vida’s masterful portrait of an inimitable place on the brink of radical transformation. Pre–tech boom San Francisco finds its mirror in the changing lives of the teenage girls at the center of this story of innocence lost, the pain of too much freedom, and the struggle to find one’s authentic self. Told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth, in all its beauty and confusion.

    The fact that they’re strictly friends seems to get lost on nearly everyone; after all, they’re as good as married in (almost) every way. For three decades, they’ve nurtured their baby, the Forsyth Trio—a chamber group they created as students with their Juilliard classmate Gavin Glantz. In the intervening years, Gavin has gone on to become one of the classical music world’s reigning stars, while Bridget and Will have learned to embrace the warm reviews and smaller venues that accompany modest success. Bridget has been dreaming of spending the summer at her well-worn Connecticut country home with her boyfriend Sterling. But her plans are upended when Sterling, dutifully following his ex-wife’s advice, breaks up with her over email and her twin twenty-somethings arrive unannounced, filling her empty nest with their big dogs, dirty laundry, and respective crises. Bridget has problems of her own: her elderly father announces he’s getting married, and the Forsyth Trio is once again missing its violinist. She concocts a plan to host her dad’s wedding on her ramshackle property, while putting the Forsyth Trio back into the spotlight. But to catch the attention of the music world, she and Will place their bets on luring back Gavin, whom they’ve both avoided ever since their stormy parting. With her trademark humor, pitch-perfect voice, and sly perspective on the human heart, Amy Poeppel crafts a love letter to modern family life with all of its discord and harmony. In the tradition of novels by Maria Semple and Stephen McCauley, Musical Chairs is an irresistibly romantic story of role reversals, reinvention, and sweet synchronicity.

    Living in San Francisco, recently separated, with two children and demanding jobs, they’ve started going to a marriage counselor. Unfolding over the course of ten months and taking place entirely in the marriage counselor’s office, John Jay Osborn’s Listen to the Marriage is the story of a fractured couple in a moment of crisis, and of the person who tries to get them to see each other again. A searing look at the obstacles we put in our own way, as well as the forces that drive us apart (and those that bring us together), Listen to the Marriage is a poignant exploration of marriage—heartbreaking and tender.

    This summer, the revival season doesn’t go as planned, and after one service in which Reverend Horton’s healing powers are tested like never before, Miriam witnesses a shocking act of violence that shakes her belief in her father—and in her faith.When the Hortons return home, Miriam’s confusion only grows as she discovers she might have the power to heal—even though her father and the church have always made it clear that such power is denied to women. Over the course of the next year, Miriam must decide between her faith, her family, and her newfound power that might be able to save others, but, if discovered by her father, could destroy Miriam.Celebrating both feminism and faith, Revival Season is a story of spiritual awakening and disillusionment in a Southern, black, Evangelical community. Monica West’s transporting coming-of-age novel explores complicated family and what it means to live among the community of the faithful.

    In Chicago, Ruth Tuttle, an Ivy-League educated Black engineer, is married to a kind and successful man. He’s eager to start a family, but Ruth is uncertain. She has never gotten over the baby she gave birth to—and was forced to leave behind—when she was a teenager. She had promised her family she’d never look back, but Ruth knows that to move forward, she must make peace with the past.Returning home, Ruth discovers the Indiana factory town of her youth is plagued by unemployment, racism, and despair. As she begins digging into the past, she unexpectedly befriends Midnight, a young white boy who is also adrift and looking for connection. Just as Ruth is about to uncover a burning secret her family desperately wants to keep hidden, a traumatic incident strains the town’s already searing racial tensions, sending Ruth and Midnight on a collision course that could upend both their lives.Powerful and revealing, The Kindest Lie captures the heartbreaking divide between Black and white communities and offers both an unflinching view of motherhood in contemporary America and the never-ending quest to achieve the American Dream.