Can a daring new girl in her life really change anything?Angie is broken — by her can’t-be-bothered mother, by her high-school tormenters, and by being the only one who thinks her varsity-athlete-turned-war-hero sister is still alive. Hiding under a mountain of junk food hasn’t kept the pain (or the shouts of "crazy mad cow!") away. Having failed to kill herself — in front of a gym full of kids — she’s back at high school just trying to make it through each day. That is, until the arrival of KC Romance, the kind of girl who doesn’t exist in Dryfalls, Ohio. A girl who is one hundred and ninety-nine percent wow! A girl who never sees her as Fat Angie, and who knows too well that the package doesn’t always match what’s inside. With an offbeat sensibility, mean girls to rival a horror classic, and characters both outrageous and touching, this darkly comic anti-romantic romance will appeal to anyone who likes entertaining and meaningful fiction.It has been awarded the Stonewall Book Award-Mike Morgan and Larry Romans Children's & Young Adult Literature Award for 2014.

    So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.

    Bullies harass him, the principal is dogging him, and the girl he likes prefers his best friend. Oh, and Vlad has a secret: his mother was human, but his father was a vampire. With no idea of the extent of his powers, Vlad struggles daily with his blood cravings and his enlarged fangs. When a substitute teacher begins to question him a little too closely, Vlad worries that his cover is about to be blown. But then he faces a much bigger problem: he's being hunted by a vampire killer.Watch a QuickTime trailer for this book.

    T.J.’s gone, but Matt can’t shake the feeling that if only he could get his hands on his brother’s stuff from Iraq, he’d be able to make sense of his death. But as Matt searches for answers about T.J.’s death, he faces a shocking revelation about T.J.’s life that suggests he may not have known T.J. as well as he thought. What he learns challenges him to stand up to his father, honor his brother’s memory, and take charge of his own life. With compassion, humor, and a compelling narrative voice, E. M. Kokie explores grief, social mores, and self-discovery in a provocative first novel.

    Virtually overnight, almost against their will, the two befriended the lonely old man; it wasn't long before they were more comfortable in his house than their own. But now Mr. Pignati is dead. And for John and Lorraine, the only way to find peace is to write down their friend's story - the story of the Pigman.

    But after Alfred unwittingly delivers the sword into the hands of a man with enormously evil intentions, he sets off on an unlikely quest to try to right his wrong and save the world from imminent destruction. This gripping, fast-paced, hilarious novel is both a thrilling adventure story and an engaging account of one boy's coming of age.

    What he wants most of all is to be just like his older brother, the Motorcycle Boy. He wants to stay calm and laughing when things get dangerous, to be the toughest street fighter and the most respected guy on their side of the river. Rusty-James isn't book-smart, and he knows it. He relies on his fists instead of his brains. Until now he's gotten along all right, because whenever he gets into trouble, the Motorcycle Boy bails him out. But Rusty-James' drive to be like his brother eats away at his world--until it all comes apart in an explosive chain of events. And this time the Motorcycle Boy isn't around to pick up the pieces.

    Proud, stubborn, bound to marry for the good of their kingdoms, this prince and princess will steal your heart, but will they fall in love?

    As he fills his drawers with letters to the people in his world -- letters he never intends to send -- he spills the truth: he’s trying hard, but he just isn’t into Theresa. It’s a boy who lingers in his thoughts.He feels trapped by his parents, his teammates, and the lies they've helped him tell, and he has no idea how to escape. Is he destined to live a life of fiction?

    Noah has landed a marine biology internship, and Lo wants to draw and paint, perhaps even to vanquish her struggles with bulimia. But then things take a dramatic turn for them both when Noah mistakenly tries to save a mysterious girl from drowning. This dreamlike, suspenseful story—deftly told from multiple points of view—dives deeply into selkie folklore while examining the fluid nature of love and family.

    Snarky. Rebellious. And gender fluid. Some days Riley identifies as a boy, and others as a girl. The thing is…Riley isn’t exactly out yet. And between starting a new school and having a congressman father running for reelection in uber-conservative Orange County, the pressure—media and otherwise—is building up in Riley’s so-called “normal” life.On the advice of a therapist, Riley starts an anonymous blog to vent those pent-up feelings and tell the truth of what it’s REALLY like to be a gender fluid teenager. But just as Riley’s starting to settle in at school—even developing feelings for a mysterious outcast—the blog goes viral, and an unnamed commenter discovers Riley’s real identity, threatening exposure. Riley must make a choice: walk away from what the blog has created—a lifeline, new friends, a cause to believe in—or stand up, come out, and risk everything.

    The problem is, Steven's not thinking girls when he's thinking sex. Could he be -- don't say it -- gay? Steven sets out to get in touch with his inner he-man with Healthy Heterosexual Strategies such as "Start Hanging Out with the Guys," and "Begin Intensive Dating." But are Steven's tactics going to straighten him out, or leave him all twisted up?Absolutely hilarious. Positively sidesplitting. But absolutely, positively NOT GAY!

    Easton when he was four permanently set Cole's status to freak. At seventeen, his exit plan is simple: make it through the last few weeks of high school with his grades up and his head down. When he pushes through the front door of the school and finds himself eighty kilometers away holding the door of a museum he was just thinking about, Cole faces facts: he's either more deluded than old Ms. Easton, or he just teleported. Now every door is an accident waiting to happen―especially when Cole thinks about Malik, who, it turns out, has a glass door on his shower. When he starts seeing the same creepy people over his shoulder, no matter how far he's gone, crushes become the least of his worries. They want him to stop, and they'll go to any length to make it happen. Cole is running out of luck, excuses, and places to hide. Time for a new exit plan.

    It's true that no one can guess his hidden thoughts, which are hilarious, razor-sharp observations about lust, love, tubas, algebra, everything. And then there's his home: his father ran off years ago, so he's being raised by his mother, who works long hours, and by her boyfriend, whom John calls "the man who is not and never will be my father." This man is his enemy, an abusive disciplinarian who seems to want to kill John and, in a horrible final confrontation, nearly succeeds. Moving, wholly involving, original, and emotionally true, You Don't Know Me is a multilayered novel that presents a winning portrait of an understandably angst-ridden adolescent.

    When they were children, his weight and her scars made them both outcasts. Now Sarah Byrnes—the smartest, toughest person Eric has ever known—sits silent in a hospital. Eric must uncover the terrible secret she’s hiding before its dark current pulls them both under. Will appeal to fans of Marieke Nijkamp, Andrew Smith, and John Corey Whaley.