Now using a wheelchair, Barbara must adapt to a new normal, but she cannot shake the feeling that something is dangerously amiss. Within these walls, strange sounds escape at night; patients go missing; and Barbara begins to put together pieces of what she believes to be a larger puzzle.But is this suspicion simply a result of her trauma? Fellow patients try to connect with Barbara, but she pushes them away, and she'd rather spend time with ghost stories than participate in her daily exercises. Even Barbara's own judgment is in question.In The Oracle Code, universal truths cannot be escaped, and Barbara Gordon must battle the phantoms of her past before they swarm her future.

    Her father is a known criminal who once used Ashley to help him elude justice, and in his attempt to escape, a life was taken. He now sits in federal prison, but still casts a shadow over Ashley's life. In the meantime, Ashley has bounced from foster home to foster home and represents a real challenge to the social workers who try to help her--not because she's inherently bad, but because trouble always seems to find her.Ashley's latest set of presumably short-term foster parents are Kitch and Yuka Nolan. Like Ashley, Kitch happens to be an artist. Yuka, on the other hand, is a geneticist working for a very high-level tech company, one that's contracted out to work for the government and the military. And it's Yuka's latest top secret project that has her very concerned. Developed for the military, it's a set of body paints that, when applied to the wearer, grant them a wide range of special powers. Fearful that this invention will be misused, Yuka sneaks the set of paints home, substituting a dummy suitcase with an ordinary set of paints in their place.From here, signals get crossed. Ashley comes home from school one day with her new friend Luke and, thinking that the Nolans have purchased a surprise gift for her upcoming birthday, finds the set of paints. Being an artist, Ashley naturally assumes these are for her. It isn't long before she realizes that she's stumbled upon something much bigger and a lot more dangerous. Although she uses her newly discovered powers for good, it's not long before the military becomes wise to what happened to their secret weapon. And this spells big trouble not only for Ashley, but for her newfound family and friends as well.

    In his award-winning work on Y THE LAST MAN and EX MACHINA (one of Entertainment Weekly’s 2005 Ten Best Fiction titles), writer Brian K. Vaughan has displayed an understanding of both the cost of survival and the political nuances of the modern world. Now, in this provocative graphic novel, Vaughan examines life on the streets of war-torn Iraq. In the spring of 2003, a pride of lions escaped from the Baghdad zoo during an American bombing raid. Lost and confused, hungry but finally free, the four lions roamed the decimated streets of Baghdad in a desperate struggle for their lives. In documenting the plight of the lions, PRIDE OF BAGHDAD raises questions about the true meaning of liberation – can it be given or is it earned only through self-determination and sacrifice? And in the end, is it truly better to die free than to live life in captivity? Based on a true story, VAUGHAN and artist NIKO HENRICHON (Barnum!) have created a unique and heartbreaking window into the nature of life during wartime, illuminating this struggle as only the graphic novel can.

    She can fly. She crash-landed on Earth in a rocket ship. But for Kara Danvers, winning the next track meet, celebrating her 16th birthday and surviving her latest mega-zit are her top concerns. And with the help of her best friends and her kinda-infuriating-but-totally-loving adoptive parents, she just might be able to put her troubling dreams--shattered glimpses of another world--behind her.Until an earthquake shatters her small town of Midvale...and uncovers secrets about her past she thought would always stay buried.Now Kara's incredible powers are kicking into high gear, and people she trusted are revealing creepy ulterior motives. The time has come for her to choose between the world where she was born and the only world she's ever known. Will she find a way to save her town and be super, or will she crash and burn?Caldecott Honor and Eisner Award-winning writer Mariko Tamaki (This One Summer) and Eisner Award-nominated artist Joëlle Jones (Lady Killer) combine forces for this incredible coming-of-age tale! This is the Girl of Steel as you've never seen her before.Collects the limited series Supergirl: Being Super #1-4.

    Isabel watched the destruction safely from her window, sheltered within her high-society world.Isabel isn't the kind of girl who goes on adventures. But that all changes when she stumbles through the invisible barrier that separates the human world from the fairy world. She quickly finds herself caught up in an age-old war and fighting on the side of the Seelie — the good fairies.

    As a girl, she wore black, obsessed over Willow in Buffy the Vampire Slayer, and found dating boys much more confusing than many of her friends did. As she grew older, so did her fears and a deep sense of unbelonging. From her first communion to her first girlfriend via a swathe of self-denial, awkward encounters, and everyday courage, Ellie tells her story through gorgeous illustrations—a fresh and funny self-portrait of a young woman becoming herself. The Times I Knew I Was Gay reminds us that people sometimes come out not just once but again and again; that identity is not necessarily about falling in love with others, but about coming to terms with oneself. Full of vitality and humor, it will ring true for anyone who has taken the time to discover who they truly are.

    But what will happen when they encounter a group of humans?Humorous and entertaining, Jeffrey Brown’s signature comical touch enlivens the scientific and historical content, including a special paleontologist section that helps to dispel common Neanderthal myths.

    For one thing, kids as young as twelve get to apply for these prestigious summer jobs. And as for the applicant pool . . . well, these kids come from all over history.When Delia finds herself working at the Time Museum, the last thing she expects is to be sent on time-traveling adventures with an unlikely gang of kids from across the eons. From a cave-boy to a girl from the distant future, Delia's team represents nearly all of human history! They're going to need all their skills for the challenge they've got in store . . . defending the Time Museum itself!

    But this Mary Shelley, named after her great-great-great-great-great grandmother, doesn’t want anything to do with that legacy. Then a strangely pale (and really cute) boy named Adam shows up and asks her to heal a wound he got under mysterious circumstances, and Mary learns something new about her family: the first Mary Shelley had the power to heal monsters, and Mary has it, too. Now the monsters won’t stop showing up, Mary can’t get her mother Tawny to leave her alone about writing something (anything!), she can’t tell her best friend Rhonda any of this, and all Mary wants is to pass biology.

    Although she hasn’t heard from her parents in months, she loves the people at her school, adores capturing what she sees in pictures, and tries not to worry too much about Hitler’s war. But as France buckles under the Nazi regime, danger closes in, and Rachel must change her name and go into hiding.As Catherine Colin, Rachel Cohen is faced with leaving the Sèvres Home—and the friends she made there—behind. But with her beautiful camera, Catherine possesses an object with the power to remember. For the rest of the war, Catherine bears witness to her own journey, and to the countless heroes whose courage and generosity saved the lives of many, including her own.Based on the author’s mother’s own experiences as a hidden child in France during World War II.Includes a map and photographs of the real Catherine and her wartime experiences, as well as an interview with author Julia Billet.

    A practical thirteen year old in charge of the family laundry business, her daily routine features unforgiving customers, unbearable P.E. classes, and the fastidious Mr. Saubertuck who is committed to destroying everything she’s worked for.Wendell is a ghost. A boy who lost his life much too young, his daily routine features ineffective death therapy, a sheet-dependent identity, and a dangerous need to seek purpose in the forbidden human world.When their worlds collide, Marjorie is confronted by unexplainable disasters as Wendell transforms Glatt’s Laundry into his midnight playground, appearing as a mere sheet during the day. While Wendell attempts to create a new afterlife for himself, he unknowingly sabotages the life that Marjorie is struggling to maintain.

    Bonhoeffer was a German Lutheran pastor and theologian who was shocked to watch the German church embrace Hitler's agenda of hatred. He spoke out against the Nazi party and led a breakaway church that rebelled against racist and nationalist beliefs of the Third Reich. Struggling with how his faith interacted with his ethics, Bonhoeffer eventually became convinced that Hitler and the Nazi Party needed to be stopped--and he was willing to sacrifice anything and everything to do so.

    Ivory Academy, a historically white wizarding school, opens its doors to its first-ever black student, everyone believes that the wizarding community is finally taking its first crucial steps toward inclusivity. Or is it? When Tom Token, the beneficiary of the school's "Magical Minority Initiative," begins uncovering weird clues and receiving creepy texts on his phone, he and his friend, Lindsay, stumble into a conspiracy that dates all the way back to the American Civil War, and could cost Tom his very soul.

    But she’s about to discover that witches aren’t just the stuff of movies, books, and spooky stories. When some eighth-grade bullies try to ruin her Halloween, something really strange happens. It turns out that Founder’s Bluff, Massachusetts, has a centuries-old history of witch drama. And, surprise: Moth’s family is at the center of it all! When Moth’s new powers show up, things get totally out-of-control. She meets a talking cat, falls into an enchanted diary, and unlocks a hidden witch world. Secrets surface from generations past as Moth unravels the complicated legacy at the heart of her town, her family, and herself.

    . . and a young girl in present-day France becoming closer to her grandmother, who can finally, after all those years, tell her story. With words by Loïc Dauvillier and art by Marc Lizano and Greg Salsedo, this picture book-style comic for young readers is a touching read."Originally published in 2012 by Le Lombard under the title L'Enfant Cache"--Copyright page.