He becomes a puppeteer in the Warsaw ghetto, but when his talent is discovered, Mika is forced to entertain the occupying German troops instead of his countrymen.It is also the story of Max, a German soldier stationed in Warsaw, whose experiences in Poland and later in Siberia's Gulag show a different side to the Second World War. As one of Mika's puppets is passed to the soldier, a war-torn legacy is handed from one generation to another.

    Franco's bloody insurrection taught this Englishman all about hell. Arriving in his mother's country, the now Nazi Germany, Conrad is sick at heart. Even Berlin - infamous haven of decadence and vice - salutes fascism. Himmler's black-shirted troops rule the city, and every German arm bears a Swastika. But does every German heart belong to Hitler? When Conrad is arrested by the Gestapo on suspicion of spying, he is rescued by Theo, an old friend from university, now a lieutenant of the Wehrmacht. Together they are drawn into a world of danger and deceit, of plots, paranoia and intrigue where the brave few are united by a single ambition: to free the fatherland from the Führer.

    Published in book form a year later and banned in Nazi Germany, it garnered high praise in the United States and much of Europe. A series of fictional letters between a Jewish art dealer living in San Francisco and his former business partner, who has returned to Germany, Address Unknown is a haunting tale of enormous and enduring impact.

    He doesn’t know who they are or where they came from, but one of them gives him a mysterious gold-and-diamond emblem before disembarking. Decades later, the captain’s son receives a substantial offer for it and is told an astounding story behind the object: it holds the key to Paul Reiner’s lifelong quest. . . . Munich, 1919. After his family falls into disgrace, fifteen-year-old Paul dreams of the heroic father he never knew. But one night, seconds before committing suicide, Paul’s cousin reveals a terrible secret about his father’s death. This discovery turns Paul’s world upside down and leads him on a hunt in Nazi Germany to uncover the mystery surrounding his father’s death. The Traitor’s Emblem is an epic novel spanning decades of family betrayal, impossible love, and the high price of vengeance. Set against the menacing streets of Depression-era Munich and the cruel rise of Nazism, Gómez-Jurado’s spellbinding thriller proves again that he is a master of narration.

    He writes human-interest pieces for British and American papers, avoiding the investigative journalism that could get him deported. But as war approaches, he faces the prospect of having to leave his son and his longtime girlfriend. Then, an acquaintance from his communist days approaches him to do some work for the Soviets. Russell is reluctant but ultimately unable to resist. He becomes involved in other dangerous activities, helping a Jewish family and an idealistic American reporter. When the British and the Nazis notice his involvement with the Soviets, Russell is dragged into the world of warring intelligence services.

    They have been charged by their commanders to track down and bring back for execution 'one of them' - a Jew. Having flushed out the young man hiding in the woods, they decide to rest in an abandoned house before continuing their journey back to the camp. As they prepare food, they are joined by a passing Pole whose outspoken anti-Semitism adds tension to an already charged atmosphere. Before long, the group's sympathies have splintered as they consider the moral implications of their murderous mission and confront their own consciences to ask themselves: should the Jew be offered food? And, having shared their meal, should he be taken back, or set free?

    They don’t know where or when, but the Germans know it'll be soon, and for Felicity “Flick” Clairet, the stakes have never been higher. A senior agent in the ranks of the Special Operations Executive (SOE) responsible for sabotage, Flick has survived to become one of Britain’s most effective operatives in Northern France. She knows that the Germans’ ability to thwart the Allied attack depends upon their lines of communications, and in the days before the invasion no target is of greater strategic importance than the largest telephone exchange in Europe.But when Flick and her Resistance-leader husband try a direct, head-on assault that goes horribly wrong, her world turns upside down. Her group destroyed, her husband missing, her superiors unsure of her, her own confidence badly shaken, she has one last chance at the target, but the challenge, once daunting, is now near impossible. The new plan requires an all-woman team, none of them professionals, to be assembled and trained within days. Code-named the Jackdaws, they will attempt to infiltrate the exchange under the noses of the Germans—but the Germans are waiting for them now and have plans of their own. There are secrets Flick does not know—secrets within the German ranks, secrets among her hastily recruited team, secrets among those she trusts the most. And as the hours tick down to the point of no return, most daunting of all, there are secrets within herself. . . .

    for the best mystery of 1999, this complex literary thriller may be one of the most satisfying suspense novels to come along in some time. Robert Wilson has written several political thrillers, most of which are set in West Africa, but they are, alas, largely unavailable in the U.S.In A Small Death in Lisbon, the narrative switches back and forth between 1941 and 1999, and Wilson's wide knowledge of history and keen sense of place make the eras equally vibrant. In 1941 Germany, Klaus Felsen, an industrialist, is approached by the SS high command in a none-too-friendly manner and is "persuaded" to go to Lisbon and oversee the sale--or smuggling--of wolfram (also known as tungsten, used in the manufacture of tanks and airplanes). World War II Portugal is neutral where business is concerned, and too much of the precious metal is being sold to Britain when Germany needs it to insure that Hitler's blitzkrieg is successful.Cut to 1999 Lisbon, where the daughter of a prominent lawyer has been found dead on a beach. Ze Coelho, a liberal police inspector who is a widower with a daughter of his own, must sift through the life of Catarina Oliveira and discover why she was so brutally murdered. Her father is enigmatic, her mother suicidal; her friends were rock musicians and drug addicts.The reader is treated to a wonderful portrait of Lisbon in the aftermath of the 1974 revolution that ousted Salazar from power, and the scars from that conflict are still close to the surface for the citizens of Lisbon, including Coehlo and his colleagues. We also see World War II in a slightly different manner from that to which we are accustomed--through the eyes of the Germans and the Portuguese. The pace of the book is leisurely but compelling as the events of 1941 and those in 1999 merge in an extraordinary climax

    At the war’s end, Frankfurt was a smoldering ruin, severely damaged by the Allied bombings. But that was two decades ago. Now it is 1963, and the city’s streets, once cratered are smooth and paved. Shiny new stores replace scorched rubble. Eager for her wealthy suitor, Jürgen Schoormann, to propose, Eva dreams of starting a new life away from her parents and sister. But Eva’s plans are turned upside down when a fiery investigator, David Miller, hires her as a translator for a war crimes trial.As she becomes more deeply involved in the Frankfurt Trials, Eva begins to question her family’s silence on the war and her future. Why do her parents refuse to talk about what happened? What are they hiding? Does she really love Jürgen and will she be happy as a housewife? Though it means going against the wishes of her family and her lover, Eva, propelled by her own conscience , joins a team of fiery prosecutors determined to bring the Nazis to justice—a decision that will help change the present and the past of her nation.

    After two years at the Russian front, Ernst Graeber finally receives three weeks’ leave. But since leaves have been canceled before, he decides not to write his parents, fearing he would just raise their hopes. Then, when Graeber arrives home, he finds his house bombed to ruin and his parents nowhere in sight. Nobody knows if they are dead or alive. As his leave draws to a close, Graeber reaches out to Elisabeth, a childhood friend. Like him, she is imprisoned in a world she did not create. But in a time of war, love seems a world away. And sometimes, temporary comfort can lead to something unexpected and redeeming. “The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first rank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure.”—The New York Times Book Review

    Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

    It is a tale of horror, not only in its evocation of Hitler's gathering menace but also in its hero's desperate attempt to discover logic where none exists. A psychological fable as wry and haunting as Badenheim 1939, The Death of the Adversary is a lost classic of modern fiction.

    But his son—the narrator of this slim, harrowing novel—is curious about Walter’s experiences during World War II, and so makes him a present of a blank notebook in which to write down his memories. Walter dies, however, leaving nothing but the barest skeleton of a story on those pages, leading his son to fill in the gaps himself, rightly or wrongly, with what he can piece together of his father’s early life.This, then, is the story of Walter and his dangerously outspoken friend Friedrich Caroli, seventeen-year-old trainee milkers on a dairy farm in northern Germany who are tricked into volunteering for the army during the spring of 1945: the last, and in many ways the worst, months of the war. The men are driven to the point of madness by what they experience, and when Friedrich finally deserts his post, Walter is forced to do the unthinkable.

    Soldiers crouch in horrible holes in the ground, mingling with corpses. Tunneled beneath a radio mast, German soldiers await the order to blow themselves up. Russian tanks, struggling to break through enemy lines, bog down in a swamp, while a German runner, bearing messages from headquarters to the front, scrambles desperately from shelter to shelter as he tries to avoid getting caught up in the action. Through it all, Russian artillery—the crude but devastatingly effective multiple rocket launcher known to the Germans as the Stalin Organ and to the Russians as Katyusha—rains death upon the struggling troops.Comparable to such masterpieces of war literature as Ernst Jünger's Storm of Steel and Erich Remarque's All Quiet on the Western Front, The Stalin Front is a harrowing, almost photographic, description of violence and devastation, one that brings home the unforgiving reality of total war.

    London is in shock. The very look of daily life is a walking nightmare of German uniforms, artifacts, regulations. There are collaborators. There are profiteers. But there are others working in hope, in secret, and desperate danger, against the invader. And still others are living strangely ambiguous lives – none more so than Detective Superintendent Douglas Archer ("Archer of the yard" as the press like to call him), trying to maintain a peculiarly, almost sacredly, British institution under a Nazi chief. Archer has started work on what seems, at first, a routine murder case. But suddenly an SS Standartenführer from Himmler's personal staff flies in from Berlin to supervise the investigation, and Archer is plunged deep into an espionage battle for which he is completely unprepared, and where the stakes are incredibly high. "We’re dealing with something that could prove so deadly that not even the Black Death would compare with the consequences", the SS man tells him.Setting forth on a tight rope trail of violence, betrayal and danger, Archer moves into worlds within worlds of intrigue. The British resistance, wealthy collaborators, high-level scientists, German army and SS factions and vicious rivalry, a beautiful American reporter on assignment for the still-neutral papers back home – these are the players that Deighton's treacherously shifting drama, as it races toward its chattering climax that involves the fate of the King, and of England itself.SS–GB is fascinating in its premise, utterly authentic and convincing in its detail. It is the most gripping novel we have had from the author of The Ipcress File, Funeral in Berlin, and Bomber. Already, in England, it has become Len Deighton's greatest best seller.