She analyses African women's struggle to find their rightful place in society. Her stories raise issues of choice and conflict, teasing about the issues with disarming frankness. How do people behave in cross-cultural relationships? In the modern world, where a plastic label identifies us, what is our identity? Will African women be in the driving seat in the twenty-first century? With the zest and humour, Aidoo raises these questions and provides some challenging answers.In this collection of short stories, Aidoo elevates the mundane in women's lives to an intellectual level in an attempt at challenging patriarchal structures and dominance in African society. Written from a child's perspective, Aidoo subverts the traditional beliefs and assumptions about the child's voice. Her inimitable sense of style and eloquence, explores love, marriage and relationships with all the issues they throw up for the contemporary African woman. In doing so, she manages to capture the very essence of womanhood.

    A renowned surgeon and failed husband, he succumbs suddenly at dawn outside his home in suburban Accra. The news of Kweku’s death sends a ripple around the world, bringing together the family he abandoned years before. Ghana Must Go is their story. Electric, exhilarating, beautifully crafted, Ghana Must Go is a testament to the transformative power of unconditional love, from a debut novelist of extraordinary talent.  Moving with great elegance through time and place, Ghana Must Go charts the Sais’ circuitous journey to one another. In the wake of Kweku’s death, his children gather in Ghana at their enigmatic mother’s new home. The eldest son and his wife; the mysterious, beautiful twins; the baby sister, now a young woman: each carries secrets of his own. What is revealed in their coming together is the story of how they came apart: the hearts broken, the lies told, the crimes committed in the name of love. Splintered, alone, each navigates his pain, believing that what has been lost can never be recovered—until, in Ghana, a new way forward, a new family, begins to emerge.Ghana Must Go is at once a portrait of a modern family, and an exploration of the importance of where we come from to who we are. In a sweeping narrative that takes us from Accra to Lagos to London to New York, Ghana Must Go teaches that the truths we speak can heal the wounds we hide.

    Settler wagons in their hundreds left the safety of the Cape Colony; generations on, their descendents are still fighting to keep a land they love...... "For that smallest of moments the two men stared at each other. Between them flew a hundred years, a thousand reasons. Ancient prophecies, the creak of wagons over rough ground and a woman's yearning for infinite horizons, the strengthening of one man's belief and the imminent death of another."From Rhodesia's final years, the clock turns back to the windswept, dusty streets of Kimberley’s infamous diamond fields. For Catherine Goddard and her son, Mathew, their decision to cross the Limpopo as part of a settler wagon train is one borne of desperation and a boy's need to be reunited with his father. For three months their ox-drawn trek wagon stands as their only defence against the African wilderness and the bloodlust of Lobengula Khumalo’s warring impis.Throughout the passage of a hundred years, three racially divided families are fatefully drawn together. Dynasties are shaped and smashed by kings, warrior chiefs and the indomitable lust for power and wealth by men like Cecil Rhodes and the perpetrators of Zimbabwe’s chaotic new order.From the latter part of the nineteenth century, Sons of Africa runs inexorably to the demise of Rhodesia’s white minority rule and the emergence of the new Zimbabwe.

    Dingz -- a bright, articulate student -- and his circle of friends like to sit around drinking and discussing AIDS, racism, history and South African politics.They also have some hair-raising adventures; like being kidnapped by taxi-drivers, contracting gonorrhea and trying to fake a death certificate. The novel's constant backdrop is the subtle but institutionalized racism at Dingz's university; which threatens to deny him financial aid. Dingz is an intelligent and likable character -- but he is certainly no saint. His anger at the racism around him is sometimes over-the-top but certainly not hard to understand, and his self-aware, cynical usage of the 'race card' is at times incredibly amusing. This is an authentic, witty, slice-of-life piece of fiction set at the time of the first South African democratic elections.

    Ike's plan is fueled by desperation. Despite a degree in economics from a major American college, his strong accent has barred him from the corporate world. Forced to eke out a living as a cab driver, he is unable to manage the emotional and material needs of a temperamental African American bride and a widowed mother demanding financial support. When he turns to gambling, his mounting losses compound his woes.And so he travels back to Nigeria to steal the statue, where he has to deal with old friends, family, and a mounting conflict between those in the village who worship the deity, and those who practice Christianity. A meditation on the dreams, promises and frustrations of the immigrant life in America; the nature and impact of religious conflicts; an examination of the ways in which modern culture creates or heightens infatuation with the "exotic," including the desire to own strange objects and hanker after ineffable illusions; and an exploration of the shifting nature of memory, Foreign Gods is a brilliant work of fiction that illuminates our globally interconnected world like no other.

    Being the opara of the family, Kingsley Ibe is entitled to certain privileges--a piece of meat in his egusi soup, a party to celebrate his graduation from university. As first son, he has responsibilities, too. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola. Dear, sweet Ola, the sugar in Kingsley's tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price. It hasn't always been like this. For much of his young life, Kingsley believed that education was everything, that through wisdom, all things were possible. Now he worries that without a "long-leg"--someone who knows someone who can help him--his degrees will do nothing but adorn the walls of his parents' low-rent house. And when a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in Nigeria, but it's money that does the talking. Unconditional family support may be the way in Nigeria, but when Kingsley turns to his Uncle Boniface for help, he learns that charity may come with strings attached. Boniface--aka Cash Daddy--is an exuberant character who suffers from elephantiasis of the pocket. He's also rumored to run a successful empire of email scams. But he can help. With Cash Daddy's intervention, Kingsley and his family can be as safe as a tortoise in its shell. It's up to Kingsley now to reconcile his passion for knowledge with his hunger for money, and to fully assume his role of first son. But can he do it without being drawn into this outlandish mileu?

    The move was for the girl’s own good, in her mother’s mind, but for the daughter, the reality of being the new girl, the foreigner-among-your-own-people, was even worse than the idea. During her time at school, she would learn that Ghana was much more complicated than her fellow ex-pats had ever told her, including how much a London-raised child takes something like water for granted. In Ghana, water “became a symbol of who had and who didn’t, who believed in God and who didn’t. If you didn’t have water to bathe, you were poor because no one had sent you some.”After six years in Ghana, her mother summons her home to London to meet the new man in her mother’s life—and his daughter. The reunion is bittersweet and short-lived as her parents decide it’s time that she get to know her father. So once again, she’s sent off, this time to live with her father, his new wife, and their young children in New York—but not before a family trip to Disney World.

    Here, the men and women speak the language of the forest, drink aphrodisiacs with their palm wine and walk alongside the spirits of their ancestors. The discovery of sinister remains; possibly human, definitely 'evil'; in a vanished man's hut brings the modern world into the village in the form of Kayo; a young forensic pathologist convinced that scientific logic can shatter even the most inexplicable of mysteries.But as events in the village become more and more incomprehensible, Kayo and his sidekick, Constable Garba, find that Western logic and political bureaucracy are no longer equal to the task in hand. Strange boys wandering in the forest, ghostly music in the night and a flock of birds that come from far away to fill the desolate hut with discarded feathers take the newcomers into a world where, in the unknown, they discover a higher truth that leaves scientific explanations far behind.Tail of the Bluebird is a story of the mystical heart of Africa, of the clash and clasp between old and new worlds. Lyrically beautiful, at once uncanny and heart-warmingly human, this is a story that tells us that at the heart of modern man there remains the capacity to know the unknowable.

    As leaders of their church, The Kingdom of God, Pastor Abraham and his wife Phumla are guiding the community of Bulawayo in faith, while trying to keep the different branches of their family intact.Independent and feisty Xoliswa returns home, after a hiatus abroad, hoping for a fresh start and a chance to steer the family business; rebellious Yandisa has met the love of her life and is finally getting her act together; while dutiful newlywed Zandile is slowly becoming disillusioned with her happily ever after.The Mafus always present a united front, but as their personal lives unravel, devastating secrets are revealed that threaten to tear the family apart. For how long will they be able to hide behind the façade of a picture-perfect family?

    It is 1956, and Kenya is in the final days of the "Emergency," as the British seek to suppress violent anti-colonial revolts.But Paulina knows little about, about city life, or about marriage, and Martin’s clumsy attempts to control her soon lead to a relationship filled with silences, misunderstandings, and unfulfilled expectations. Soon Paulina’s inability to bear a child effectively banishes her from the confines of traditional women’s roles. As her country at last moves toward independence, Paulina manages to achieve a kind of independence as well: She accepts a job that will require her to live separately from her husband, and she has an affair that leads to the birth of her first child. But Paulina’s hard-won contentment will be shattered when Kenya’s turbulent history intrudes into her private life, bringing with it tragedy—and a new test of her quiet courage and determination.Paulina’s patient struggles for survival and identity are revealed through Marjorie Macgoye’s keen and sensitive vision—a vision which extends to embrace the whole of a nation and a people likewise struggling to find their way. As the Weekly Standard of Kenya notes, "Coming to Birth is a radical novel in firmly asserting our common humanity."

    His mind is full of soul music and girls and the lyric novel he is writing. But his roommate is brutally attacked by soldiers; his first love is forced to marry a wealthy old man; and his neighbors on Poverty Street are planning a demonstration that is bound to incite riot and arrests. Lomba can no longer bury his head in the sand.Helon Habila's vivid, exciting, and heart-wrenching debut opens a window onto a world in some ways familiar-with its sensuously depicted streets, student life, and vibrant local characters-yet ruled by one of the world's most corrupt and oppressive regimes, a scandal that ultimately drives Lomba to take a risk in the name of something greater than himself. Habila captures the energy, sensitivity, despair, and stubborn hope of a new African generation with a combination of gritty realism and poetic beauty. Winner of the Caine Prize for African Writing 2001. Reading group guide included.

    A deceptively simple tale, Petals of Blood is on the surface a suspenseful investigation of a spectacular triple murder in upcountry Kenya. Yet as the intertwined stories of the four suspects unfold, a devastating picture emerges of a modern third-world nation whose frustrated people feel their leaders have failed them time after time. First published in 1977, this novel was so explosive that its author was imprisoned without charges by the Kenyan government. His incarceration was so shocking that newspapers around the world called attention to the case, and protests were raised by human-rights groups, scholars, and writers, including James Baldwin, Toni Morrison, Donald Barthelme, Harold Pinter, and Margaret Drabble.First time in Penguin Classics

    In this ambitious tale of a clan and of a nation, Makumbi weaves together the stories of Kintu’s descendants as they seek to break from the burden of their shared past and reconcile the inheritance of tradition and the modern world that is their future.

    An adoring little sister, their traditional parents, and a host of aunties and cousins make Morayo's home their own. So there's nothing unusual about her charming but troubled cousin Bros T moving in with the family. At first Morayo and her sister are delighted, but in her innocence, nothing prepares Morayo for the shameful secret Bros T forces upon her. Thrust into a web of oppressive silence woven by the adults around her, Morayo must learn to fiercely protect herself and her sister from a legacy of silence many women in Morayo's family share. Only Aunty Morenike—once shielded by her own mother—provides Morayo with a safe home and a sense of female community that sustains her as she grows into a young woman in bustling, politically charged, often violent Nigeria.

    In the pressurized atmosphere of oppression and intimidation they are simply trying to live and love - and remain friends. But in a world where each day brings a new betrayal, hope is hard to cling on to. Anthills of the Savannah (1987), Achebe's candid vision of contemporary African politics, is a powerful fusion of angry voices. It continues the journey that Achebe began with his earlier novels, tracing the history of modern Africa through colonialism and beyond, and is a work ultimately filled with hope.