Her arrival coincides with an explosion of activity in the art world—artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro’s family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow. The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is Kushner’s brilliantly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination.

    In this critically-acclaimed debut, Min Jin Lee tells not only Casey's story, but also those of her sheltered mother, scarred father, and friends both Korean and Caucasian, exposing the astonishing layers of a community clinging to its old ways and a city packed with struggling haves and have-nots.

    Five years prior, her parents--hardworking greengrocers who forfeited personal happiness for their children's gain--were brutally murdered in an apparent robbery of their store. But the glint of a new lead entices Suzy into the dangerous Korean underworld, and ultimately reveals the mystery of her parents' homicide.

    We observe the sisters over four decades, watching them grow into two very different women. Sarah is stable and stalwart, settling into an unhappy marriage. Emily is precocious and independent, struggling with one unsatisfactory love affair after another. Richard Yates's classic novel is about how both women struggle to overcome their tarnished family's past, and how both finally reach for some semblance of renewal.

    She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor—social and erotic—but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and Jean Genet, Amina Cain's Indelicacy is at once a ghost story without a ghost, a fable without a moral, and a down-to-earth investigation of the barriers faced by women in both life and literature. It is a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one’s true calling."Indelicacy isn't merely a book, it's a world; a world I wanted to live in, forever . . . Arch, yet warm; aspiring and impervious; confiding and enigmatic; reposing and intrepid; Cain has conjured a protagonist who purged my mind and filled my heart." —Claire-Louise Bennett, author of Pond A ghostly feminist fable, Amina Cain’s Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams.

    Michael is a rising OB/GYN at a prominent private practice in Albany, New York; he also moonlights at a local women’s health clinic. But Annie, his wife, has become tired of her workaholic husband’s absences, and the soccer-mom lifestyle has worn thin. She begins a passionate love affair with bad-boy, fading celebrity painter Simon Haas—an affair that quickly goes awry when Simon’s wife Lydia, who is also the model upon whom he built his career, discovers the truth.  Abortion, local evangelism, marital disenchantment, and the rifts of social class:  Brundage takes on the fault lines of our era with a deft hand.

    Described by The New York Times as "the voice that has for three decades provided a lyrical narrative of the changing position of women in American society", Alix Kates Shulman takes a wry look in this sardonic, funny novel at a world of experience long considered taboo or trivial. As relevant and delicious as ever, this frank story of one woman's intellectual and sexual awakening is so superbly written and devastatingly -- sometimes frighteningly -- on target that readers will treasure this beauty for many years to come.

    He's a perennial couch-surfer, an aspiring writer searching for himself in spite of himself, and he's just trying to survive. But life has other things in store for the fuck-up. From being dumped by his girlfriend to getting fired for asking for a raise, from falling into a robbery to posing as a gay man to keep his job at a porno theater, the fuck-up's tragi-comedy is perfectly realized by Arthur Nersesian, who manages to create humor and suspense out of urban desperation. "Read it and howl," says Bruce Benderson (author of User), "and be glad it didn't happen to you."

    A moving depiction of the transformative power of first love, Hamann’s first novel follows Eveline Auerbach from her high school years in East Hampton, New York, in the 1970s through her early adulthood in the moneyed, high-pressured Manhattan of the 1980s. Centering on Evie’s fragile relationship with her family and her thwarted love affair with Harrison Rourke, a professional boxer, the novel is both a love story and an exploration of the difficulty of finding one’s place in the world. As Evie surrenders to the dazzling emotional highs of love and the crippling loneliness of heartbreak, she strives to reconcile her identity with the constraints that all relationships—whether those familial or romantic, uplifting to the spirit or quietly detrimental—inherently place on us. Though she stumbles and strains against social conventions, Evie remains a strong yet sensitive observer of the world around her, often finding beauty and meaning in unexpected places. Newly edited and revised since its original publication, Anthropology of an American Girl is an extraordinary piece of writing, original in its vision and thrilling in its execution.

    By the time the last diary shuts, there have been great changes in the Mortmain household, not the least of which is that Cassandra is deeply, hopelessly, in love.

    . . Or so it appears to beautiful, brilliant Charlotte Simmons, a sheltered freshman from North Carolina. But Charlotte soon learns, to her mounting dismay, that for the upper-crust coeds of Dupont, sex, cool, and kegs trump academic achievement every time.As Charlotte encounters the paragons of Dupont's privileged elite--her roommate, Beverly, a Groton-educated Brahmin in lusty pursuit of lacrosse players; Jojo Johanssen, the only white starting player on Dupont's godlike basketball team, whose position is threatened by a hotshot black freshman from the projects; the Young Turk of Saint Ray fraternity, Hoyt Thorpe, whose heady sense of entitlement and social domination is clinched by his accidental brawl with a bodyguard for the governor of California; and Adam Geller, one of the Millennial Mutants who run the university's "independent" newspaper and who consider themselves the last bastion of intellectual endeavor on the sex-crazed, jock-obsessed campus--she is seduced by the heady glamour of acceptance, betraying both her values and upbringing before she grasps the power of being different--and the exotic allure of her own innocence.With his trademark satirical wit and famously sharp eye for telling detail, Wolfe's I Am Charlotte Simmons draws on extensive observations at campuses across the country to immortalize the early-21st-century college-going experience.

    Everywhere hailed as a novel of rare beauty and power, White Oleander tells the unforgettable story of Ingrid, a brilliant poet imprisoned for murder, and her daughter, Astrid, whose odyssey through a series of Los Angeles foster homes--each its own universe, with its own laws, its own dangers, its own hard lessons to be learned--becomes a redeeming and surprising journey of self-discovery.

               When we first meet Pearl—young in years but advanced in her drinking—she’s on the lam, sitting at a hotel bar in Florida, throwing back gin and tonics with her infant son cradled in the crook of her arm. But her escape is brief, and the relief she feels at having fled her abusive husband, and the Northeastern island his family calls home, doesn’t last for long. Soon she’s being shepherded back. The island, for Pearl, is a place of madness and pain, and her round-the-clock drinking spurs on the former even if it dulls the latter. And through this lens—Pearl’s fragile consciousness—readers encounter the horror and triumph of both childhood and motherhood in a new light.            With language that flits between exuberance and elegy, the plainspoken and the poetic, Joy Williams has blended, as Rick Moody writes, “the arresting improbabilities of magic realism, with the surrealism of the folkloric revival . . . and with the modernist foreboding of Under the Volcano,” and created something entirely original and entirely consuming.

    I was fourteen when I was murdered on December 6, 1973."So begins the story of Susie Salmon, who is adjusting to her new home in heaven, a place that is not at all what she expected, even as she is watching life on earth continue without her -- her friends trading rumors about her disappearance, her killer trying to cover his tracks, her grief-stricken family unraveling. Out of unspeakable tragedy and loss, The Lovely Bones succeeds, miraculously, in building a tale filled with hope, humor, suspense, even joy.

    It is a unique and triumphant work of fiction - at once romantic, erotic, suspenseful - and completely unforgettable.