With a timeline that moves from seven years before to a decade after 1984, the book strives to answer critical questions that continue to linger till today.The narrative moves from Punjab to Canada, the US, Europe and Delhi, looking to sift the truth from the political obfuscation and opportunism, examining the role that the ruling party allegedly played, and the heart-rending violence that devoured thousands of innocent lives in its aftermath.

    Of this, the Baghdadi Sephardic community is very small in number but has produced one of India???s greatest contemporary soldiers, Lt Gen. Jack Jacob. This is his fascinating story. As a small boy, Jacob, who was from a business family, was sent to a residential public school in Darjeeling along with his two brothers. When the Second World War broke out, Jacob without informing his family joined the army in 1941 to fight against the Nazis! After Independence, Gen. Jacob became a gunnery instructor for some time and subsequently was trained in an advanced Artillery and Missile course at Fort Sill in the US. A quick learner, he commanded infantry and artillery brigades, headed the artillery school, and finally the Eastern Army. Rubbing shoulders with some of the stalwarts who strode the Indian political and military arena in those times, Gen. Jacob sometimes fell foul of his bosses and twice came close to resigning. But he stuck on and the pinnacle of his career came in 1971, when he planned and oversaw operations leading to the fall of Dacca and obtained an unconditional public surrender, the only one in history, of Gen. Niazi and his army of 93,000. Written lucidly, this autobiography comes to life as a historical document recapitulating some of the most important events of the 1960s to the 90s ??? from the defeat of the Naxalites in West Bengal, to the problems of Nagaland and Sikkim and the politics of Goa and Punjab. This is not only the story of the life of one great soldier, but provides glimpses of some of the most influential and colourful personalities who wrote the history of those tumultuous times.

    The saga is set on Cumberland Island during plantation-era Georgia and centers around a remarkable woman known as Elisabeth Bernardey. Zabette, as she is called, was born the illegitimate daughter of a planter and a slave and was raised as the planter's daughter, so she finds herself neither completely free nor totally in bondage. Plum Orchard chronicles her journey through the Antebellum South as she strives to live in two worlds while belonging totally to neither. This epic tale spans a large portion of the nineteenth century and is a narrative that explores both the darkness that was slavery and the light that lives within the human heart.

    Nobles at the court of Awadh, the chess-addicts Mir and Mirza, move to an undisclosed location to play undisturbed as their kingdom falls around them..Shorts stories were the inspiration for fourteen of master filmmaker Satyajit Ray's movies, every one of them a classic - Devi, Jalsaghar and Shatranj Ke Khiladi, among them. This book brings together all of those stories in one volume. These tales, by the likes of Rabindranath Tagore, Tarashankar Bandopadhyay, Prabhat Kumar Mukhopadhyay, Rajshekhar Basu and Premchand, are milestones in Indian literature quite apart from their cinematic glory. The anthology also contains two stories by Ray himself -Atithi and Pikoor Diary, that illustrate his own craft as a writer. From the dramatic to the starkly real, the humorous to the dark, the lyrical to the prosaic, Fourteen Stories... sparkles with narrative brilliance. Read together, these stories also provide us with the context for a new insight into the mind of one of India's most loved and revered filmmakers.

    The novel was serialised in 1864 in a short-lived magazine published from Calcutta, but it did not appear as a book in the author's lifetime. The book soon went into oblivion. A neglected but an interesting book, its plots and characters symbolically map the birth of modern India as well as the modern Indian woman through political, cultural and social contexts. Famously known as being the writer of Vande Mataram, the national song of India, Bankim Chandra Chatterjee was the first to break the dry monotony of Bengali prose and bring in a touch of informality and intimacy. The letter part of his career brought out best sellers like Kapalakundala and Krishnakanta's Will. He remains to be one of India's most celebrated writers.

    Uncle is welcoming, but in a country steeped in tradition, the three women must abide by his decisions. Asha knows this is temporary—just until Baba sends for them. But with scant savings and time passing, the tension builds: Ma, prone to spells of sadness, finds it hard to submit to her mother- and sister-in-law; Reet’s beauty attracts unwanted marriage proposals; and Asha's promise to take care of Ma and Reet leads to impulsive behavior. What follows is a firestorm of rebuke—and secrets revealed! Asha’s only solace is her rooftop hideaway, where she pours her heart out in her diary, and where she begins a clandestine friendship with Jay Sen, the boy next door. Asha can hardly believe that she, and not Reet, is the object of Jay’s attention. Then news arrives about Baba . . . and Asha must make a choice that will change their lives forever.

    A decision he never regretted. Recognizing her abilities, Malharrao trained the young girl in the art of statesmanship and trusted her enough to leave the administration in her hands when he went on military expeditions. Then, in a series of misfortunes, Ahilya lost her husband, father-in-law and son. The brave queen took charge and turned Malwa into a contented and prosperous kingdom. So much so that even the British, whom she opposed steadfastly, praised her as a truly great ruler.

    Dan Callahan doesn’t know why he landed this coveted assignment or what to expect from 112-year-old Owen Trimbel, currently living with his daughter on a rural Minnesota farm even now beyond the reach of pervasive tech. But he sensed that it might be one of those rare opportunities to capture something singular: living memories from the last of a resilient, resourceful, and determined generation, a veteran from a war and a time encased in sepia tones in the minds of a distracted public. He finds his subject waning but still humored by life and surprisingly keen of mind. Dan spends the next three days riveted to Owen’s adventures as a young gunner with a night-flying crew, transported with him from New Guinea to the Mariana Islands on harrowing rescue missions to remote river outposts, and long flights over endless black seas broken only by sightings of enemy ships far below. And finally, the sweet homecoming, complicated by the challenges Owen faces while navigating a new life of unfamiliar circumstances and some very old secrets. Although fictionalized, The Last Word is an amalgam of stories and characters shaped and informed by filmed interviews with ten, real-life squadron members who served in the Pacific during World War II and who graced the author with their time, narratives, and importantly, their wisdom and good friendship.

    On board, he meets the spirited and mercurial Robert Clive, determined – at whatever cost – to make a fortune in a land of opportunity.Over the years that follow, their friendship sees many twists and turns as Clive’s restless hunger for wealth and power takes him from being a clerk to a commander in the Company’s forces, masterminding plans to snuff out rival French interests in Hindustan and eventually leading the company forces to victory at Plassey, the prelude to nearly two centuries of foreign rule in Hindustan.Brilliantly crafted, and bringing to life the momentous events that shook India in the mid-eighteenth century, Fortune’s Soldier is an epic tale of a fascinating era by a master storyteller.

    This is the impact of the words of Mukul Deva ... the country's first military thriller writer' - The HinduA warlord in the rugged Tribal Areas of Pakistan pushes his way to the crest of the jihadi wave, seeking to forge an alliance of terror groups to take on the American surge. One of his allies appears to be Pakistan's ISI. But are they using him to attain their own goals? Or is he using them? And for what?Facing the brunt of this deadly double game is the spirited Force 22 represented by Iqbal and Tanaz, just back from Pakistan after their search-and-destroy mission to eliminate Salim, who are catapulted into action as lethal intelligence operations begin to unfold. The third in the action thriller series from India's 'literary storm trooper', Blowback will keep you riveted with its tight plotting and heart-stopping pace.'For a land so strife-torn and terrorism plagued, Mukul Deva's books become topical, close to the hearts of millions of Indians, and offer hope and redemption.' - Eika Chaturvedi Banerjee'Gripping, well narrated action – I read the book in one go.' - Ananth Doraswamy'His in-depth knowledge of affairs military coupled with a lucid style of storytelling makes the reader crave for more.' - Brigadier Sanjeev Kanal'Mukul Deva is an extraordinary writer – his imagination and attention to detail make his characters come alive and one is almost sorry to reach the end.' - Neena Singh

    When he first arrives in Aayakudi to investigate a curious tip about a ghost, the place seems like an ordinary, traditional farming village. Soon, though, Rajendran finds himself entangled in a head-spinning mystery involving ancient treasure, spirit possession, and a series of grisly killings. There's also the beautiful, troubled daughter of the village panchayat president... and the notorious evil sorcerer who wants her dead. Indra Soundar Rajan, one of the stalwarts of the Tamil pulp fiction scene, has been writing his unique brand of supernatural mystery thrillers for over 30 years. He's also known for his television screenplays, such as the long-running superhit serial Marmadesam (Land of Mystery). He lives in Madurai.

    This novel is a unique and innovative take on the world of a Bihari youth who breaks many stereotypes. This novel revolves around the character of Rahul (a Bihari) who is living in Mumbai. The narration is filled with crisp humor and a distinctive comic tone which it a pleasant read, whilst delivering a strong social message. The book is authored by Shashikant Mishra and is published by Radhakrishna Prakashan in 2015.Rahul is a common Bihari youth who has been dreaming of living in Mumbai (the city of dreams) ever since his tender years. Hailing from an affluent family, he reaches Mumbai without much hassle. But its not all sunshine and rainbows as he settles down in the film capital of the country!He receives a significant culture shock and it takes ample time for Rahul to get adjusted to the fast paced life of the city. Rahul wants to become a civil servant and hence is preparing for the UPSC exams. He is duly focused on his goal and exam preparation until he gets a girl in his life, Shalu. Now Rahul is faced with the dilemma of choosing one - Shalu or the UPSC exam. What choice is Rahul going to make? Will he go with the love of his life? Or will he sacrifice his life for the sanctity of his professional career? Could there be an option where he can choose both? This is a gripping novel which answers all these questions and more.

    On one level the theme is a clash between the old and the new, between traditional medicine and the Western system of allopathy. The traditional system of Ayurveda, Iiterally the Veda concerning life, is based on the Hindu concept of rebirth and the dignity of death, with the belief that death is only a part of the continuous process of renewal which goes on in life. But no modern doctor would be willing to accept death as a means of the graceful exit. He would consider it morally wrong to let a patient meet his end without a fight.But it is not just a clash of values that the novel is concerned with. On a deeper level the theme is man's confrontation with death and his attempt to come to grips with it. The author looks at the human weakness with tenderness and sympathy. Also, there is an effort to overcome the fear of death, and all this makes this novel a great work of art. In a novelist of the range and depth of Tarashankar Bandyopadhyay, the local gradually merges into the universal. What stands out is the essential human experience which moves the reader anywhere.

    Neither of those works, however, undertakes to give a detailed account of the great Anarchy that marked the conclusion of the eighteenth century, the dark time that came before the dawn of British power in the land of the Moghul.

    Prominent among its many characters are Rabindranath Tagore or Robi, the young, dreamy poet, torn between his art and the love for his beautiful, ethereal sister-in-law, Kadambari Devi, and the handsome, dynamic Naren Datta, later to become Swami Vivekananda, who abandons his Brahmo Samaj leanings and surrenders himself completely to his Guru, Sri Ramakrishna. The story also touches upon the lives of the men and women rising to the call of nationalism; the doctors and scientists determined to pull their land out of the morass of superstition and blind beliefs, and the growing theatre movement of Bengal, with its brilliant actors and actresses who leave behind the squalor of their lives every night to deliver lines breathtaking in their beauty. Through all this runs the story of Bharat and Bhumisuta - one an illegitimate prince, the other a slave who rises to become the finest actress of her age - who cling to their self-respect and love in a society which has little time for people like them. Grand in its scale and crackling with the energy of its prose, First Light is a rich and comprehensive portrait of Bengal, from its sleepy, slow-changing villages to the bustling city of Calcutta where the genteel and the grotesque live together. Equally, it is a chronicle of a whole nation waking up to a new, modern sensibility.