Not after my first love… Not after the heartbreak and the loss and the trying to pick myself back up again… Then I met Matthew, and I know that he has my heart forever: my perfect, gorgeous, adoring Matthew. And then I wake up. And I remember that he's not perfect. He's so far from perfect that my heart could surely collapse from the pain that instantly engulfs me…To say Laura is unlucky in love is an understatement. Her first boyfriend died in a horrific accident, and now she's just discovered that her husband of six months has been hiding a terrible secret. Devastated and unwilling to face reality, she escapes on a girls' holiday to Key West with her best friend Marty. But a deep and instant attraction to a sexy Cuban scuba diver takes her completely by surprise. When her two weeks in the sun come to an end, Laura doesn't want to go home again. But she can't run from real life forever. Can she?

    Contents: 1 • In a Season of Calm Weather • (1957) • short story by Ray Bradbury 7 • A Medicine for Melancholy • (1959) • short story by Ray Bradbury 16 • The Wonderful Ice Cream Suit • non-genre • (1958) • short story by Ray Bradbury 39 • Fever Dream • (1948) • short story by Ray Bradbury 46 • The Marriage Mender • (1954) • short story by Ray Bradbury 51 • The Town Where No One Got Off • (1958) • short story by Ray Bradbury 59 • A Scent of Sarsaparilla • (1953) • short story by Ray Bradbury 66 • The Headpiece • (1958) • short story by Ray Bradbury 74 • The First Night of Lent • [The Irish Stories] • (1956) • short story by Ray Bradbury 81 • The Time of Going Away • (1956) • short story by Ray Bradbury 88 • All Summer in a Day • (1954) • short story by Ray Bradbury 94 • The Gift • (1952) • short story by Ray Bradbury 97 • The Great Collision of Monday Last • [The Irish Stories] • (1958) • short story by Ray Bradbury 104 • The Little Mice • (1955) • short story by Ray Bradbury 109 • The Shore Line at Sunset • (1959) • short story by Ray Bradbury (variant of The Shoreline at Sunset) 118 • The Day It Rained Forever • (1957) • short story by Ray Bradbury 129 • Chrysalis • (1946) • short story by Ray Bradbury 150 • Pillar of Fire • (1948) • novelette by Ray Bradbury 188 • Zero Hour • (1947) • short story by Ray Bradbury 198 • The Man • (1949) • short story by Ray Bradbury 210 • Time in Thy Flight • (1953) • short story by Ray Bradbury 215 • The Pedestrian • (1951) • short story by Ray Bradbury 220 • Hail and Farewell • (1953) • short story by Ray Bradbury 228 • Invisible Boy • (1945) • short story by Ray Bradbury 237 • Come Into My Cellar • (1962) • short story by Ray Bradbury (variant of Boys! Raise Giant Mushrooms in Your Cellar!) 254 • The Million-Year Picnic • [The Martian Chronicles] • (1946) • short story by Ray Bradbury (variant of The Million Year Picnic) 264 • The Screaming Woman • [Green Town] • (1951) • short story by Ray Bradbury 278 • The Smile • (1952) • short story by Ray Bradbury 284 • Dark They Were, and Golden-Eyed • (1949) • short story by Ray Bradbury 299 • The Trolley • [Dandelion Wine] • (1955) • short story by Ray Bradbury 303 • Icarus Montgolfier Wright • (1956) • short story by Ray Bradbury

    To her, a mirror feels like a film of honey. She can reach through it, grab things…even step inside.On the other side she lives every teenager’s fantasy: a universe all her own, zero consequences. She can kiss the hot guy, break into La Jolla mansions, steal things…even kill. When finished, she just steps back into reality and smashes the mirror—and in an instant erases every stupid thing she did. Gone. It never happened.But breaking symmetry is also dangerous. First there’s the drug-like rush she gets when passing through the glass, like a shot of adrenaline. She suspects it’s degrading her body, making a new copy of her each time. A reflection of a reflection, each one a little hazier. Then, of course, there’s the risk of getting cut off from reality.When she narrowly escapes a military quarantine zone with the San Diego Police Department hot on her heels only to discover her escape mirror littering the floor in shards, her worst fear is realized. Now, trapped in a broken reflection, she must flee through a mind-bending maze of mirrors, going deeper into the nightmare as she struggles to grasp a betrayal, uncover the chilling truth about her ability, and somehow find a way out of a dead-end universe that “never happened.”Somehow, she must find a way home.

    It was one of the author's favourite works.The story is set in an unnamed city in northern Argentina, near the border with Paraguay which can be assumed to be the city of Corrientes.

    David Lodge, portraying two American and British professors who replace one another at their respective institutions, gives greed, pettiness, and pretense full rein.

    A brilliant but tormented street artist and an ex-track star whose career was cut short by a heart condition. Aimee DeLuca had a promising athletic career before her heart gave out during a high school track and field contest. Aimee struggles to find her way after spending time with a deceased grandmother during a near death experience. Reizo Rush is a street artist whose torment fuels his desire to add color to the gray walls of the city. But Reizo's tagging and the two voices only he hears land him in perpetual trouble with both his teachers and the law. 

During a chance encounter, the two quickly find out they have much more in common than love. When they stumble upon a century-old storm cellar hidden underground on Aimee’s uncle’s ranch, they unearth a cellar full of artifacts and a hundred-year-old Will. Once the news of the discovery leaks out, a drug-dealing teen and a mysterious soul named General are determined to bury the truth along with anyone who gets in their way.

    The struggle of the self to remain intact has moved in her work from civil war, into the family, into the couple, into the individual, and finally into the theatre of phychosis: the mind itself. This play was written in 1999 shortly before the playwright took her own life at age 28. On the page, the piece looks like a poem. No characters are named, and even their number is unspecified. It could be a journey through one person's mind, or an interview between a doctor and his patient.

    In his second collection of poetry, The Dark Between Stars, he turns his attention to the dualities of our lived experiences—the inescapable connections between our highest highs and lowest lows. He captures the infectious energy of starting a relationship, the tumultuous realities of commitment, and the agonizing nostalgia of being alone again. While grappling with the question of how to live with purpose and find meaning in the journey, these poems offer both honest explorations of loneliness and our search for connection, as well as light-hearted, humorous observations. As Atticus writes poignantly about dancing, Paris, jazz clubs, sunsets, sharing a bottle of wine on the river, rainy days, creating, and destroying, he illustrates that we need moments of both beauty and pain—the darkness and the stars—to fully appreciate all that life and love have to offer.

    Set in the mid-19th century on New York City's Wall Street, it was also, perhaps, Herman Melville's most prescient story: what if a young man caught up in the rat race of commerce finally just said, "I would prefer not to"?The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine—to, sadly, critical disdain.

    Drawing upon everyday incidents, common situations and rural imagery, Frost fashioned poetry of great lyrical beauty and potent symbolism. Originally published in 1916 under the title Mountain Interval.

    L. Kennedy's first collection of stories, are small people - the kind who inhabit the silence in libraries, who never appear on screen and who never make the headlines. Often alone and sometimes lonely, her characters ponder the mysteries of sex and death-and the ability of public transport to affect our lives.

    This Penguin Classics edition includes an introduction and notes by Paul Goring.When Yorick, the roving narrator of Sterne's innovative final novel, sets off for France on a whim, he produces no ordinary travelogue. Jolting along in his coach from Calais, through Paris, and on towards the Italian border, the amiable parson is blithely unconcerned by famous views or monuments, but he engages us with tales of his encounters with all manner of people, from counts and noblewomen to beggars and chambermaids. And as drama piles upon drama, anecdote, flirtation and digression, Yorick's destination takes second place to an exhilarating voyage of emotional and erotic exploration. Interweaving sharp wit with warm humour and irony with genuine feeling, A Sentimental Journey paints a captivating picture of an Englishman's adventures abroad.In his introduction, Paul Goring discusses Sterne's literary career and his semi-autobiographical depiction of Yorick, and sets the novel within the context of eighteenth-century travel writing and the vogue of sentimental fiction. This edition also includes a chronology, updated further reading and notes.Laurence Sterne (1713-1768) graduated from Cambridge in 1737 and took holy orders, becoming a prebend in York Cathedral. His masterpiece, The Life and Opinions of Tristram Shandy, Gentleman made him a celebrity but ill-health necessitated recuperative travel and A Sentimental Journey grew out of a seven-month trip through France and Italy. He died the year it was published, 1768.If you enjoyed A Sentimental Journey, you might like Sterne's The Life and Opinions of Tristram Shandy, Gentleman, also available in Penguin Classics.

    . . Lisa Dale shuts her eyes and counts to one hundred during a game of hide-and-seek. When she opens them, her four-year-old daughter Ella is gone. Disappeared without a trace. The police, the media and Lisa's family all think they know who snatched Ella. But what if the person who took her isn't a stranger? What if they are convinced they are doing the right thing? And what if Lisa's little girl is in danger of disappearing forever?

    From Stingaling the scorpion to Crocky-Wock the crocodile, Dahl's animals are nothing short of ridiculous. A clever pig with an unmentionable plan to save his own bacon and an anteater with an unusually large appetite are among the characters created by Dahl in these timeless rhymes. This new, larger edition is perfect for reading aloud and makes Quentin Blake's celebrated illustrations even more enjoyable. "Will elicit a loud 'Yuck.' In other words, children will love them." (Children's Book Review Service)

    He explains how the mafia began, how it responds to threats and challenges, and introduces us to the real-life characters that inspired the American imagination for generations, making the mafia an international, larger than life cultural phenomenon. Dickie's dazzling cast of characters includes Antonio Giammona, the first "boss of bosses''; New York cop Joe Petrosino, who underestimated the Sicilian mafia and paid for it with his life; and Bernard "the Tractor" Provenzano, the current boss of bosses who has been hiding in Sicily since 1963.