Sharper story telling, different points of view, same old Foster High.Kyle Stilleno is the invisible student even in his nothing high school in the middle of Nowhere, Texas. Brad Graymark is the baseball star of Foster High. When they bond over their mutual damage during a night of history tutoring, Kyle thinks maybe his life has changed for good. But when you’re gay and falling for the most popular boy in school, the promise of love is a fairy tale, not a reality. Isn’t it? A coming-of-age story, Tales from Foster High shows an unflinching vision of the ups and downs of teenage love and what it is like to grow up gay.

    Both are in every obvious respect what is generally termed masculine. There is no suggestion of the effeminate – nothing that could evoke the characterization of gay. Their backgrounds and personalities are thoroughly American, and they live and work in a completely normal man's social and professional world. Other men respect and admire their courage and ability and even their physical prowess. Women are very much attracted to both of them.Tim, the older the two, has already recognized and resolved the problem of his sexual deviation. Phillip has not. A product of rural American mores and attitudes, he has a fierce contempt for "queers" and at the same time a deep and secret dread that the germ of homosexuality maybe buried somewhere within himself. One or two incidences in his life have shaken him profoundly and have made him determined ruthlessly to crush any tendencies in himself as well as to avoid any close relations with other men. He is engaged to be married as soon as he is discharged from the Navy, and he intends to rear a big family, to take over the operations of his family's bank and other interests, and to become a responsible and civic-minded leader in his community.As the story opens, he has almost reached the refuge and security he has carefully planned. But then he meets Danelaw. From that moment the struggle begins – a tense and shattering emotional upheaval composed of aversion, self-contempt, admiration and – finally – love. There are other well-drawn characters in this drama – Phillip's exceptional family; his fiancée and her mother; Tim's fascinating wife; Lt. Bruner, the blackmailer; Stuff, the hard-boiled sailor who worshipped Philip. QUATREFOIL is a deeply moral novel. Two men of integrity and intellect are confronted with the knowledge that they are deviants from the normal pattern of our society – that most people in that society would abhor and persecute them if they openly avowed their difference. Both men avidly desire to live within the social conventions and to attain the ends that motivate all men – a home, a family, respecting in their community, an opportunity to do honest and satisfying work, to realize their ambitions.This is their problem and QUATREFOIL is their story. It will evoke some disturbing thoughts.

    "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.

    He's had crushes before, sure, but as time goes on, this is starting to look a whole lot more serious. Still, Jackson doesn’t return Taylor’s feelings.Taylor has his own admirers, though. Kevin Richards is used to getting what he wants, and what he wants right now is Taylor, so when Taylor rejects him, Kevin retaliates. At first Taylor’s entourage rallies around him, but then Kevin takes his deception one step further and Taylor sees his support dwindle, teaching him the valuable lesson about who he can truly consider a friend.

    In the darkest days of the Great Depression, New York Times reporter Whit Stoddard has lost the heart to do his job and lives a lonely hand-to-mouth existence with little hope of recovery, until he meets Peter, a man in even greater need of new hope.

    Here, he confronts memories of his time at public school and relives the intense, passionate affair he shared with fellow student Stephen Walker. This forces him to come to terms with himself at last.

    However, Burns's early death at the age of 36 led to the subsequent neglect of this searching book, which captures the shock the war dealt to the preconceptions and ideals of the victorious Americans.Set in occupied Naples in 1944, The Gallery takes its name from the Galleria Umberto, a bombed-out arcade where everybody in town comes together in pursuit of food, drink, sex, money, and oblivion. A daring and enduring novel—one of the first to look directly at gay life in the military—'The Gallery' poignantly conveys the mixed feelings of the men and women who fought the war that made America a superpower."The first book of real magnitude to come out of the last war." —John Dos Passos

    A sparkling short story from the bestselling author of The Oyster Catcher, available exclusively in ebook.

    Join the O'Reilly family once again as they meet around the Jack O'Lantern on Halloween night and share ghost stories that will make you shiver and have you looking over your shoulder to see if there is "a little something extra" wandering through your home tonight.

    Their encounter will go on to alter all of their lives.Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in the present-day U.S., until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only surviving copy of Williams's final play.What keeps two people together and what breaks them apart? Can we save someone else if we can't save ourselves? Like The Master and The Hours, Leading Men seamlessly weaves fact and fiction to navigate the tensions between public figures and their private lives. In an ultimately heartbreaking story about the burdens of fame and the complex negotiations of life in the shadows of greatness, Castellani creates an unforgettable leading lady in Anja Bloom and reveals the hidden machinery of one of the great literary love stories of the twentieth-century.

    While young gay men often come out more readily, even those from the most progressive of backgrounds still struggle with the legacy of early-life stigma and a deficit of self-acceptance, which can fuel doubt, regret, and, at worst, self-loathing. And this is to say nothing of the ongoing trauma wrought by AIDS, which is all too often relegated to history. Drawing on his work as a clinical psychologist during and in the aftermath of the epidemic, Walt Odets reflects on what it means to survive and figure out a way to live in a new, uncompromising future, both for the men who endured the upheaval of those years and for the younger men who have come of age since then, at a time when an HIV epidemic is still ravaging the gay community, especially among the most marginalized.Through moving stories—of friends and patients, and his own—Odets considers how experiences early in life launch men on trajectories aimed at futures that are not authentically theirs. He writes to help reconstruct how we think about gay life by considering everything from the misleading idea of “the homosexual,” to the diversity and richness of gay relationships, to the historical role of stigma and shame and the significance of youth and of aging. Crawling out from under the trauma of destructive early-life experience and the two epidemics, and into a century of shifting social values, provides an opportunity to explore possibilities rather than live with limitations imposed by others. Though it is drawn from decades of private practice, activism, and life in the gay community, Odets’s work achieves remarkable universality. At its core, Out of the Shadows is driven by his belief that it is time that we act based on who we are and not who others are or who they would want us to be. We—particularly the young—must construct our own paths through life. Out of the Shadows is a necessary, impassioned argument for how and why we must all take hold of our futures.

    Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard.Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is.How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.

    Magically blending ancient headlines and modern myth, Merlis creates a fabulous new world where legendary heroes declare their endowments in personal ads and any panhandler may be a divinity in disguise. Comical, moving, startling in its audacity and range, An Arrow's Flight is a profound meditation on gay identity, straight power, and human liberation.

    What if they had succeeded? It is February 1976, and the naked corpse of a shockingly underage rent boy is fished out of a pond on Hampstead Heath. Since the police don’t seem to care, 20-year-old Tommy Wildeblood—himself a former ‘Dilly boy’ prostitute—finds himself investigating. Dodging murderous Soho hoodlums and the agents of a more sinister power, Tommy uncovers another, even more shocking crime: the Liberal leader and likely next Home Secretary, Jeremy Thorpe, has had his former male lover executed on Exmoor and got clean away with it. Now the trail of guilt seems to lead higher still, and a ruthless Establishment will stop at nothing to cover its tracks. In a gripping thriller whose cast of real-life characters includes Prime Minister Harold Wilson, his senior adviser Lady Falkender, gay Labour peer Tom Driberg and the investigative journalist Paul Foot, Adam Macqueen plays "what if" with Seventies UK political history—with a sting in the tail that reminds us that the truth can be just as chilling as fiction.

    These dark, often disturbing tales expand the boundaries of the horror genre; the sexuality of the protagonists is a point of reference for the "horror" of otherness that defines and, at times, divides us.Cover painting: Detail from The Ambassador of Obloquy by James HuctwithContains the following stories:"The Nightguard" C. Mark Umland"Piercing Men" Douglas Clegg"The Siege" Michael Marano"Bear Shirt" Gemma Files"Little Holocausts" Brian Hodge"The Sound of Weeping" Thomas S. Roche"Hey Fairy" Edo Van Belkom"The Spark" William J. Mann"Spindleshanks (New Orleans, 1956)" Caitlin R. Kiernan"The Perpetual" David Quinn"Genius Loci" Becky N. Southwell"Goodbye" Michael Thomas Ford"Tabula Rasa" Robert Boyczuk"You Can't Always Get What You Want" T.L. Bryers"The Bird Feeders" David Nickle"No Silent Scream" Nancy Kilpatrick"Second Shadow" Joseph O'Brien