The FBI and city police call her the Yarn Woman. She's their textile forensics expert.In her first recorded case, 'Ghosts of the Albert Townsend, ' Ruth has only a blood-soaked nineteenth century shawl to unravel the link between the resurfacing of a ghostly schooner just offshore and the severe wounds on young Hauper Brown's body. A nearby fatal animal mauling only adds to her worry. In her second case in this first Yarn Woman mysteries book, 'The Fisherman's Wife, ' Ruth must decipher the meaning behind a dead man's hand-knit sweater while racing against time to save his otherworldly widow. Finally, Ruth helps identify the body of a playwright by the handwork in his shirt, and finds not only a young friend in Gabriel, a curly-haired boy with unusual abilities, she unearths a network of beggar-masters and their slaves deep in San Francisco's seamy underside.This first book, a trilogy of dramatic novellas, introduces a cast of characters who will recur as the Yarn Woman mystery series continues in 'Wailing Wood' and 'The Rusalka Wheel, ' with more cases on the horiz

    In novels such as The Small Backs of Children and The Book of Joan, she has captivated readers with stories of visceral power. Now, in Verge, she offers a shard-sharp mosaic portrait of human resilience on the margins.

    Duperre, author of The Fall: The Rift Book I. Also contributing to this collection are the talented Mercedes M. Yardley, David Dalglish, David McAfee, and Daniel Pyle.

    Clete and I developed a plan for me . . . a plan that would work all that summer and beyond. Even after I left the mountain, it stuck.Robert Boswell's extraordinary range is on full display in this crackling new collection. Set mainly in small, gritty American cities no farther east than Chicago and as far west as El Paso, each of these stories is a world unto itself.Two marriages end, one by death, the other by divorce, and the two wives, lifelong friends, become strangers to each other. A young man's obsession with visiting a fortune-teller leaves him nearly homeless. And in the unforgettable title story, a man dubbed Keen recounts the summer he spent on a mountain with his best friend, Clete, and a loose band of slackers, living in a borrowed house, abstaining from all drugs (other than mushrooms and beer)—and ultimately asking just what kind of harm we can do to one another.

    They delight in small rebellions against the Saudi cultural police—secret Western clothing, forbidden music, flirtations. But Leena wants college, independence—she wants a different life. Though her story is specific to her world (a world where it's illegal for women to drive, where a ten-year-old boy is the natural choice as guardian of a fatherless woman), ultimately it's a story about friendship, family, and freedom that transcends cultural differences.Author's Note: When I wrote this book, I was reflecting on the Saudi Arabia that I had lived in and left several years ago. It is also a work of fiction, and so much of it rests on my imperfect memory, anecdotes of others and research. Some plot events, such as the ones described at KAUST, are inventions and not historically accurate. I am really glad to say that Saudi Arabia is not what it was ten or even five years ago, and this book does not accurately reflect the experiences of women there today.