Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.

    Now, in 1137, the ambitious head of Shrewsbury Abbey has decided to acquire the sacred remains for his Benedictine order. Native Welshman Brother Cadfael is sent on the expedition to translate and finds the rustic villagers of Gwytherin passionately divided by the Benedictine's offer for the saint's relics. Canny, wise, and all too wordly, he isn't surprised when this taste for bones leads to bloody murder.The leading opponent to moving the grave has been shot dead with a mysterious arrow, and some say Winifred herself held the bow. Brother Cadfael knows a carnal hand did the killing. But he doesn't know that his plan to unearth a murderer may dig up a case of love and justice...where the wages of sin may be scandal or Cadfael's own ruin.

    Center-stage is the beautiful, malicious Yseut, a mediocre actress with a stellar talent for destroying men. Rounding out the cast are more than a few of her past and present conquests, and the women who love them. And watching from the wings is Professor Gervase Fen-scholar, wit, and fop extraordinaire-who would rather solve crimes than expound on English literature. When Yseut is murdered, Fen finally gets his wish. Gilded Fly, originally published in 1944, was both Fen's first outing and the debut of the pseudonymous Crispin (in reality, composer Bruce Montgomery).

    Morse is sure the other hitchhiker can tell him much of what he needs to know. But his confidence is shaken by the cool inscrutability of the girl he's certain was Sylvia's companion on that ill-fated September evening. Shrewd as Morse is, he's also distracted by the complex scenarios that the murder set in motion among Sylvia's girlfriends and their Oxford playmates. To grasp the painful truth, and act upon it, requires from Morse the last atom of his professional discipline.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    Three hundred years ago, as legend goes, the frightened Yorkshire villagers smothered a crying babe in Keldale Abbey, where they'd hidden to escape the ravages of Cromwell's raiders.Now into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an axe in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry."Yet as Lynley and Havers wind their way through Keldale's dark labyrinth of secret scandals and appalling crimes, they uncover a shattering series of revelations that will reverberate through this tranquil English valley—and in their own lives as well.

    Once John Rebus served in Britain's elite SAS. Now he's an Edinburgh cop who hides from his memories, misses promotions and ignores a series of crank letters. But as the ghoulish killings mount and the tabloid headlines scream, Rebus cannot stop the feverish shrieks from within his own mind. Because he isn't just one cop trying to catch a killer, he's the man who's got all the pieces to the puzzle... Knots and Crosses introduces a gifted mystery novelist, a fascinating locale and the most compellingly complex detective hero at work today.

    They served together in the war as part of a shadowy unit called the Magic Men.Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Changing times mean that variety is not what it once was, yet Max is reluctant to leave this world to help Edgar investigate. But when the dead girl turns out to be known to him, Max changes his mind.Another death, another magic trick: Edgar and Max become convinced that the answer to the murders lies in their army days. When Edgar receives a letter warning of another ‘trick’, the Wolf Trap, he knows that they are all in danger…

    On a freezing day in December, another child goes missing: 13-year-old Alison Carter vanishes from the isolated Derbyshire hamlet of Scardale. For the young George Bennett it is the beginning of his most difficult and harrowing case: a murder with no body, an investigation with more dead ends and closed faces than he'd have found in the inner city; an outcome that reverberates down the years.Decades later he tells his story to journalist Catherine Heathcote, but just when her book is poised for publication, Bennett tries to pull the plug. He has new information that he will not divulge, and that threatens the very foundation of his existence. Catherine is forced to reinvestigate the past, with results that turn the world upside down.A taut psychological thriller that explores, exposes and explodes the border between reality and illusion in a multilayered narrative that turns expectations on their head and reminds us that what we know is what we do not know...

    Scandal abounds when it becomes clear that the only people with any motive to murder him are the only people who had the opportunity - because the President's Lodging opens off Orchard Ground, which is locked at night, and only the Fellows of the College have keys

    Left empty for years, and even their deceased uncle chose to live in a different house, far away from this particular property. But the ramshackle old house, with its rambling charm is the perfect setting for a much-needed holiday for siblings Peter, Celia and Margaret, who have inherited it from their uncle. It wasn't the lack of modern conveniences that made a summer spent at the ancient priory mansion such an unsettling experience. It was the supposed ghost... or whatever was groaning in the cellars and roaming the countryside around Framley Village after dark.But when a murder victim is discovered in the drafty Priory halls, the once unconcerned trio begins to fear that the ghostly rumors are true and they are not alone after all! But traditionally ghosts don't commit murder. And in this case, the things which go bump in the night are deadly. With a killer on the loose, will they find themselves the next victims or will they uncover the true in time? Does the key to the crime lie in the realm of the supernaturalr? Or is the explanation much more down to earth with a more corporeal culpritl of flesh and blood?

    Razor-sharp dialogue. Plots that catch and hold like a noose. These are the hallmarks of crime legend Ruth Rendell. From Doon with Death, now in a striking new paperback edition, is her classic debut novel -- and the book that introduced one of the most popular sleuths of the twentieth century.There is nothing extraordinary about Margaret Parsons, a timid housewife in the quiet town of Kingsmarkham, a woman devoted to her garden, her kitchen, her husband. Except that Margaret Parsons is dead, brutally strangled, her body abandoned in the nearby woods. Who would kill someone with nothing to hide? Inspector Wexford, the formidable chief of police, feels baffled -- until he discovers Margaret's dark secret: a trove of rare books, each volume breathlessly inscribed by a passionate lover identified only as Doon. As Wexford delves deeper into both Mrs. Parsons’ past and the wary community circling round her memory like wolves, the case builds with relentless momentum to a surprise finale as clever as it is blindsiding. In From Doon with Death, Ruth Rendell instantly mastered the form that would become synonymous with her name. Chilling, richly characterized, and ingeniously constructed, this is psychological suspense at its very finest.

    This sudden solitude compels Joan to assess her life for the first time ever and face up to many of the truths about herself. Looking back over the years, Joan painfully re-examines her attitudes, relationships and actions and becomes increasingly uneasy about the person who is revealed to her.

    But when the spinster dies suddenly, her best friend kicks up an unseemly fuss, loud enough to attract the attention of Detective Chief Inspector Tom Barnaby. And when Barnaby and his eager-beaver deputy start poking around, they uncover a swamp of ugly scandals and long-suppressed resentments seething below the picture-postcard prettiness.

    Coolly brilliant policeman Adam Dalgliesh of Scotland Yard must find her killer among a houseful of suspects, most of whom had very good reason to wish her ill. Cover Her Face is P. D. James's electric debut novel, an ingeniously plotted mystery that immediately placed her among the masters of suspense.