He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

    Now one of Sampson's friends may have arranged his kidnapping.Lew Archer follows the clues from the canyon sanctuaries of the mega-rich to jazz joints where you get beaten up between sets.Welcome to the first Lew Archer, private investigator - a roving conscience who walks the treacherous frontier between criminal guilt and human sin. You are sure to find that Ross Macdonald's "The Moving Target" blends sex, greed, and family hatred into an explosively readable crime novel.

    A quiet and seemingly submissive wife, Ellen can't even write a check without him. All she wants is to get him and her son back—no questions asked. The search for Ellen's errant husband leads Elvis into the seamier side of Hollywood. He soon learns that Mort Lang is a down-on-his-luck talent agent who associates with a schlocky movie producer, and the last place he was spotted was at a party thrown by a famous and very well-connected ex-Matador. But no one has seen him since—including his B-movie girlfriend.At the same time the police find Mort in his parked car with four gunshots in his chest —and no kid in sight—Ellen disappears. Now nothing is what it seems, and the heat is on. It's up to Elvis Cole and his partner Joe Pike to find the connection between sleazy Hollywood players and an ex-Matador.

    He is hardly surprised that his only clue is a radical student with four bullets in his chest.The cops are ready to throw the book at the pretty blond coed whose prints are all over the murder weapon but Spenser knows there are no easy answers. He tackles some very heavy homework and knows that if he doesn't finish his assignment soon, he could end up marked "D" -- for dead.

    A rich, attractive femme fatale. A missing husband. A rollicking ride to a dark and daring ending. Reed Ferguson’s first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed’s not too bright neighbors, and Cal, Reed’s computer geek friend, This Doesn’t Happen In The Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart. Great for fans who love a fast-paced, humorous read, without a lot of swearing or sex.

     Moving through streets where people line up at soup kitchens, Maggie draws information from sources others overlook: The waitress at the dime store lunch counter where she has breakfast; a ragged newsboy; the other career girls at her rooming house. Her digging gets her chloroformed and left in a ditch behind the wheel of her DeSoto. She makes her way to an upscale bordello and gets tea – and information – from the madam herself. A gunman puts a bullet through Maggie’s hat. Her shutterbug pal on the evening paper warns her off. A new cop whose presence unsettles her thinks she’s crooked. Before she finds all the answers she needs, she faces a half-crazed man with a gun, and a far more lethal point-blank killer. If you like Robert B. Parker's hard boiled Spencer series and strong women sleuths, don't miss this one-of-a-kind Ohio detective from a time in United States history when dames wore hats -- but seldom a Smith & Wesson.

    An auxiliary officer for Lauderdale Shores PD, she’s the go-to diver for evidence recovery. Then Sloan finds a fresh kill floating in a canal—a woman whose murky history collides with Sloan’s. Their troubling ties are making Sloan less a potential witness than a suspect. And her colleagues aren’t the only ones following every move she makes. So is the killer.Stalked by an assassin, pitted against a ruthless cartel searching for a lost fortune, and under watch within her ranks, Sloan has only one ally: the legendary DEA agent who put Sloan’s uncle behind bars. He knows just how deep corruption runs—and the kind of danger Sloan is in. To stay alive, Sloan must stay one step ahead of her enemies—both known and unknown—and a growing conspiracy designed to pull her under.

    A disgraced ex-cop turned private investigator is hired by the dead woman’s father and immediately becomes the target of a violent ex-convict. An enigmatic music star performs damage control on her links to the dead woman. And a professional killer who idolizes Keith Richards is brought into town by a mysterious employer. Dead Wood is what great mysteries are all about: love, hate, faith and vengeance, all wrapped up in an explosive story that simply refuses to let up.

    Add a sexy widow, a deadly drug, and a grave robbery to the stew, and you have the recipe for Miami's trial of the century."To Speak for the Dead" introduced the world to Jake Lassiter, the linebacker-turned-lawyer with a hard bark and a tender heart. An international bestseller, Paul Levine's debut novel was named by the Los Angeles Times as one of the best mysteries of the year.If you enjoy the suspense and thrills of John Grisham, Harlan Coben, Carl Hiaasen, and James Patterson, you'll love "To Speak for the Dead" from Paul Levine.

    His arrival in Deva (more commonly known as Chester, England) does little to improve his mood, and after a straight thirty six hour shift at the army hospital, he succumbs to a moment of weakness and rescues an injured slave girl, Tilla, from the hands of her abusive owner. Now he has a new problem: a slave who won't talk and can't cook, and drags trouble in her wake. Before he knows it, Ruso is caught in the middle of an investigation into the deaths of prostitutes working out of the local bar. A few years earlier, after he rescued Emperor Trajan from an earthquake in Antioch, Ruso seemed headed for glory: now he's living among heathens in a vermin-infested bachelor pad and must summon all his forensic knowledge to find a killer who may be after him next. Who are the true barbarians, the conquered or the conquerors? It's up to Ruso—certainly the most likeable sleuth to come out of the Roman Empire—to discover the truth. With a gift for comic timing and historic detail, Ruth Downie has conjured an ancient world as raucous and real as our own. Published in the UK as Medicus (Ruso) and the Disappearing Dancing Girls.

    A serial killer is out there, his frequency increasing, and they know there is only one agent good enough to crack this case: Special Agent Riley Paige. Riley is on paid leave herself, recovering from her encounter with her last serial killer, and, fragile as she is, the FBI is reluctant to tap her brilliant mind. Yet Riley, needing to battle her own demons, comes on board, and her hunt leads her through the disturbing subculture of doll collectors, into the homes of broken families, and into the darkest canals of the killer’s mind. As Riley peels back the layers, she realizes she is up against a killer more twisted than she could have imagined. In a frantic race against time, she finds herself pushed to her limit, her job on the line, her own family in danger, and her fragile psyche collapsing. Yet once Riley Paige takes on a case, she will not quit. It obsesses her, leading her to the darkest corners of her own mind, blurring the lines between hunter and hunted. After a series of unexpected twists, her instincts lead her to a shocking climax that even Riley could not have imagined. A dark psychological thriller with heart-pounding suspense, ONCE GONE marks the debut of a riveting new series—and a beloved new character—that will leave you turning pages late into the night. Book #2 and #3 in the Riley Paige series are also available.

    No one knows how Faye's great-great-grandmother Cally, a newly freed slave barely out of her teens, came to own Joyeuse in the aftermath of the Civil War. No one knows how her descendants hung onto it through Reconstruction, world wars, the Depression, and Jim Crow, but Faye has inherited the island plantation--and the family tenacity. When the property taxes rise beyond her means, she sets out to save Joyeuse by digging for artifacts on her property and the surrounding National Wildlife Refuge and selling them on the black market. A tiny bit of that dead glory would pay a year's taxes. A big valuable chunk of the past would save her home forever.But instead of potsherds and arrowheads, she uncovers a woman's shattered skull, a Jackie Kennedy-style earring nestled against its bony cheek. Faye is torn. If she reports the forty-year-old murder, she'll reveal her illegal livelihood, thus risking jail and the loss of Joyeuse. She doesn't intend to let that happen, so she probes into the dead woman's history , unaware that the past is rushing up on her like a hurricane across deceptively calm Gulf waters. Because the killer is still close at hand, ready to kill again to keep his secrets dead and buried.

    Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. Believing in Rachel's innocence, Matthew will soon confront the true evil at work in Fount Royal.After hearing damning testimony, magistrate Woodward sentences the accused witch to death by burning. Desperate to exonerate the woman he has come to love, Matthew begins his own investigation among the townspeople. Piecing together the truth, he has no choice but to vanquish a force more malevolent than witchcraft in order to save his beloved Rachel and free Fount Royal from the menace claiming innocent lives.

    Fortunately, his assistant Natalie and her daughter are kind enough to welcome him into their home. Unfortunately, their home is not quite up to Monk's standards of cleanliness and order.But while Monk attempts to arrange his surroundings just so, something else needs to be put straight. The death of a dog at the local firehouse-on the same night as a fatal house fire-has led Monk into a puzzling mystery. And much to his horror, he's going to have to dig through a lot of dirt to find the answer.

    Especially since her father, the late police detective, was killed in the line of duty. But when an elderly Jewish man approaches Aimée with a top-secret decoding job on behalf of a woman in his synagogue, Aimée unwittingly takes on more than she is expecting. She drops off her findings at her client’s house in the Marais, Paris’s historic Jewish quarter, and finds the woman strangled, a swastika carved on her forehead. With the help of her partner, René, Aimée sets out to solve this horrendous murder, but finds herself in an increasingly dangerous web of ancient secrets and buried war crimes.