Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    Lost, teetering on the edge of normalcy, Puchner's characters seek to define themselves in a frequently absurd and hostile world -- a world that threatens to make outcasts of us all. Caught up in loneliness or solitude, they can't quite hear the music of their own lives.In "Children of God," a young loner becomes the caretaker and companion for two mentally retarded men, seeking solace in their outsider status. "Essay #3: Leda and the Swan" is told in the forlorn, be-nighted, and tragically funny voice of a high school girl who longs more than anything to be loved. In "Mission," an idealistic ESL teacher is faced with the inscrutable wrath of one of his immigrant students. And in the unsettling "Child's Play," Puchner explores the price of nonconformity by following a pack of boys wreaking havoc on Halloween.Writing from an impressive range of perspectives -- men and women, children and adults, immigrants and tourists -- Puchner deftly exposes the dark, ten-der undersides of his characters with arresting beauty and precision. Here are people fumbling for identity in a depersonalized world, captured in moments that are hilarious, shocking, and transcendent -- sometimes all at once. Unfailingly true, surprisingly moving, and impossible to forget, these nine stories mark the arrival of a brilliant young writer and one of our most promising literary voices.

    Her brilliantly etched characters confront life’s abrupt and unsettling changes with fear, courage, humor, and overwhelming grace. In the O. Henry Prize–winning story “The Visitor,” a VA hospital nurse’s aide contends with a family ghost and discovers the ways in which her own past haunts her. The reticent father in “Pond” is confronted with a Solomonic choice that pits his love for his daughter against his feelings for her young son. In “Night Train to Frankfurt,” first published in The New Yorker, a daughter travels to an alternative-medicine clinic in Germany in a gambit to save her mother’s life. And in the title story, a woman vacations in Morocco with her family while contemplating a decision that will both ruin and liberate them all. From “Temporary,” where a young woman confronts the ephemeral nature of companionship, to “Three Girls,” in which sisters trapped in a snowstorm recognize the boundaries of childhood, the nuanced voices of Alone With You bear the hallmarks of an instant classic from a writer with unerring talent and imaginative resource. Silver has the extraordinary ability to render her fictional inhabitants instantly relatable, in all their imperfections. Her stories have the singular quality of looking in a mirror. We see at once what is familiar and what is strange. In these stirring narratives, we meet ourselves anew.

    Set in the Gulf Coast over the course of a year torn halfway by the arrival of Hurricane Katrina, these stories, filled with humor, restraint, and verve, follow the lives of an assembly of unforgettable characters. An exonerated ex-con who may not be entirely innocent, a rabbit farmer in mourning, and an earnest young mariner trying to start a new life with his wife—all are characters that populate the spirited cities and drowsy parishes in Horack’s marvelous portrait of the South. "A knockout winner" for guest judge Antonya Nelson, The Southern Cross marks the arrival of a standout new voice.