Thirteen, awkward, and without a father, she finds herself mixed up with her school's outcasts-Charlie, the local detective's son, and Tara, a goth kid who has a mental hold over Reggie and harbors a dark secret. That same summer a serial killer called Neptune begins kidnapping women. He leaves their severed hands on the police department steps and, five days later, displays their bodies around town. Just when Reggie needs her mother Vera-an ex-model with many "boyfriends" and a thirst for gin-the most, Vera's hand is found on the steps. But after five days, there's no body and Neptune disappears.Now a successful architect who left her hometown behind after that horrific summer, Reggie doesn't trust anyone and lives with few attachments. But when she gets a call from a homeless shelter saying that her mother has been found alive, Reggie must confront the ghosts of her past and find Neptune before he kills again.With her signature style, Jennifer McMahon portrays the dark side of adolescent friendship and introduces characters who haunt the imagination, along with a disturbing web of secrets, betrayals, and murder.

    Europe is modernizing, and the sultan of the Ottoman Empire feels he has no choice but to follow suit. But just as he's poised to announce sweeping political change, a wave of murders threatens the fragile balance of power in his court. Who is behind the killings? Deep in the Abode of Felicity, the most forbidden district of Topkapi Palace, the sultan - ruler of the Black Sea and the White, ruler of Rumelia and Mingrelia, lord of Anatolia and Ionia, Romania and Macedonia, Protector of the Holy Cities, steely rider through the realms of bliss - announces, "Send for Yashim." Leading us through the palace's luxurious seraglios and Istanbul's teeming streets, Yashim places together the clues. He is not alone. He depends on the wisdom of a dyspeptic Polish ambassador, a transsexual dancer, and the Creole-born queen mother. He manages to find sweet salvation in the arms of another man's wife (this is not your everyday eunuch!). And he introduces us to the Janissaries. For four hundred years, they were the empire's elite soldiers. But they grew too powerful, and ten years earlier the sultan had them crushed. Are the Janissaries staging a brutal comeback? And if they are, how can they be stopped without throwing Istanbul into political chaos?

    Jonathan Pine is ready to stand up and be counted in the fight against this ultimate heart of darkness. His mission takes him from the cliffs of west Cornwall, via northern Quebec and the Caribbean, to the jungles of post-Noriega Panama. His quarry is the worst man in the world.

    Then Wesley's old friend from university, archaeologist Neil Watson, unearths the bodies of a strangled young woman and a new-born baby on the site of a seventeenth century merchant's house: though luckily for the overstretched police force the skeletons are centuries old. But as the search for the missing child intensifies and the true identity of the body on the cliff path is established, Wesley begins to suspect a tragic link, spanning the centuries, between his investigations and Neil's: for motives of jealousy, sexual obsession and desperate longing are as old as time. And when the dark secret of the merchant's house is finally revealed, Wesley must act swiftly to avert a further tragedy.

    In this first mystery in a new series, Beau is asked by the Duchess of York for his help in finding the killer of the cantankerous Countess of Wrayburn, who has been fatally poisoned.

    This modern classic continues to be a touchstone of historical suspense fiction for readers everywhere.The year is 1896. The city is New York. Newspaper reporter John Schuyler Moore is summoned by his friend Dr. Laszlo Kreizler—a psychologist, or “alienist”—to view the horribly mutilated body of an adolescent boy abandoned on the unfinished Williamsburg Bridge. From there the two embark on a revolutionary effort in criminology: creating a psychological profile of the perpetrator based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who will kill again before their hunt is over.Fast-paced and riveting, infused with historical detail, The Alienist conjures up Gilded Age New York, with its tenements and mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. It is an age in which questioning society’s belief that all killers are born, not made, could have unexpected and fatal consequences.

    Six movie-theater employees were killed in an armed robbery, while one inexplicably survived. Then, a teenage girl vanished from the annual State Fair. Neither crime was ever solved.Twenty-five years later, the reverberations of those unsolved cases quietly echo through survivors’ lives. A private investigator in Vegas, Wyatt’s latest inquiry takes him back to a past he’s tried to escape—and drags him deeper into the harrowing mystery of the movie house robbery that left six of his friends dead. Like Wyatt, Julianna struggles with the past—with the day her beautiful older sister Genevieve disappeared. When Julianna discovers that one of the original suspects has resurfaced, she’ll stop at nothing to find answers.As fate brings these damaged souls together, their obsessive quests spark sexual currents neither can resist. But will their shared passion and obsession heal them, or push them closer to the edge? Even if they find the truth, will it help them understand what happened, that long and faraway gone summer? Will it set them free—or ultimately destroy them?

    But the house has a mystery it has never revealed: It's where Arden Arrowood's younger twin sisters vanished on her watch twenty years ago--never to be seen again. After the twins' disappearance, Arden's parents divorced and the Arrowoods left the big house that had been in their family for generations. And Arden's own life has fallen apart: She can't finish her master's thesis, and a misguided love affair has ended badly. She has held on to the hope that her sisters are still alive, and it seems she can't move forward until she finds them. When her father dies and she inherits Arrowood, Arden returns to her childhood home determined to discover what really happened to her sisters that traumatic summer.Arden's return to the town of Keokuk--and the now infamous house that bears her name--is greeted with curiosity. But she is welcomed back by her old neighbor and first love, Ben Ferris, whose family, she slowly learns, knows more about the Arrowoods' secrets and their small, closed community than she ever realized. With the help of a young amateur investigator, Arden tracks down the man who was the prime suspect in the kidnapping. But the house and the surrounding town hold their secrets close--and the truth, when Arden finds it, is more devastating than she ever could have imagined.Arrowood is a powerful and resonant novel that examines the ways in which our lives are shaped by memory. As with her award-winning debut novel, The Weight of Blood, Laura McHugh has written a thrilling novel in which nothing is as it seems, and in which our longing for the past can take hold of the present in insidious and haunting ways.

    When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas's The Three Musketeers, Corso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters bearing a suspicious resemblance to those of Dumas's masterpiece. Aided by a mysterious beauty named for a Conan Doyle heroine, Corso travels from Madrid to Toledo to Paris on the killer's trail in this twisty intellectual romp through the book world

    It is 1997, and in a basement flat in Hackney, Isla Green is awakened by a call in the middle of the night: her father phoning from Sydney.  30 years ago, in the suffocating heat of summer 1967, the Greens’ next-door neighbour Mandy disappeared. At the time, it was thought she had fled a broken marriage and gone to start a new life; but now Mandy’s family is trying to reconnect, and there is no trace of her. Isla’s father Joe was allegedly the last person to see her alive, and now he’s under suspicion of murder. Isla unwillingly plans to go back to Australia for the first time in a decade to support her father. The return to Sydney will plunge Isla deep into the past, to a quiet street by the sea where two couples live side by side. Isla’s parents, Louisa and Joe, have recently emigrated from England—a move that has left Louisa miserably homesick while Joe embraces this new life. Next door, Steve and Mandy are equally troubled. Mandy doesn’t want a baby, even though Steve—a cop trying to hold it together under the pressures of the job—is desperate to become a father.   The more Isla asks about the past, the more she learns: about both young couples and the secrets each marriage bore. Could her father be capable of doing something terrible? How much does her mother know? What will happen to their family if Isla’s worst fears are realized? And is there another secret in this community, one which goes deeper into Australia’s colonial past, which has held them in a conspiracy of silence?Deftly exploring the deterioration of relationships and the devastating truths we keep from those we love, The Silence is a stunning debut from a promising literary star.

    I didn’t have anything to do with Frank’s death. I don’t have an alibi, so you’ll have to take my word for it...Forty-eight hours after leaving her husband’s body at the base of the stairs, Tanya Dubois cashes in her credit cards, dyes her hair brown, demands a new name from a shadowy voice over the phone, and flees town. It’s not the first time.She meets Blue, a female bartender who recognizes the hunted look in a fugitive’s eyes and offers her a place to stay. With dwindling choices, Tanya-now-Amelia accepts. An uneasy―and dangerous―alliance is born.It’s almost impossible to live off the grid today, but Amelia-now-Debra and Blue have the courage, the ingenuity, and the desperation, to try. Hopscotching from city to city, Debra especially is chased by a very dark secret…can she outrun her past?

    And then one night there came a knock at the door of a quiet lodging house in the Marylebone Road. . . . This novel, based on the Jack the Ripper murders, was made into a film by Alfred Hitchcock.

    She admits to murder, and the unexpected guest offers to help her concoct a cover story.But is it possible that Laura Warwick did not commit the murder after all? If so, who is she shielding? The victim's retarded young half-brother or his dying matriarchal mother? Laura's lover? Perhaps the father of the little boy killed in an accident for which Warwick was responsible? The house seems full of possible suspects ...Charles Osborne has adapted the novel from Agatha Christie's original play of the same title from 1958.

    This funny, irreverent story collection by Helene Tursten, author of the Irene Huss investigations, features two-never-before translated stories that will keep you laughing all the way to the retirement home.Ever since her darling father’s untimely death when she was only eighteen, Maud has lived in the family’s spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late eighties, Maud contents herself with traveling the world and surfing the net from the comfort of her father’s ancient armchair. It’s a solitary existence, but she likes it that way.Over the course of her adventures—or misadventures—this little bold lady will handle a crisis with a local celebrity who has her eyes on Maud’s apartment, foil the engagement of her long-ago lover, and dispose of some pesky neighbors. But when the local authorities are called to investigate a murder in her apartment complex, will Maud be able to avoid suspicion, or will Detective Inspector Irene Huss see through her charade?

    Andrew Vachss might have scissored his characters from today's headlines: a stalker prowling around an anonymous high-rise; a serial killer whose transgressions reflect a childhood of hideous abuse; an inner-city gunman who is willing to take out a blockful of victims in order to win a moment of acceptance.Tautly written and endowed with murderous ironic spin, Born Bad plunges us into the hell that lies just outside our bedroom windows.