The hostage-takers threaten to shoot pilgrims every day, unless the incumbent Government accedes to their demands. With the popular Hindu festival of Diwali just around the corner and elections less than six months away, the Government at the center is under immense pressure to act. What will the Government do? The army? The intelligence agencies? The common man? No terrorist group has claimed responsibility for the attack. Who are these men? Is there a larger plot? Faced with such unprecedented events, will the country descend into unimaginable anarchy or will it rise above the issues of collective apathy and greed that have plagued it since Independence?

    Based on the present political situation in Kashmir valley.

    It is here that Laxman's sense of parodyand satire find some of their finest expressions. A selection of these rare and masterly cartoons which comment caustically on our social and political character were togethter in the first volume of "laugh with Laxman", and proved to be immensly popular. This is the second volume in the series replete with timeless gems that continue to amuse.

    The Pakistani army, mauled by the Abbottabad raid, decides to create andexecute an operation that will get the Pakistani public opinion firmly behindthem. Major Shezad Khan, a much decorated officer from the Pakistani army’selite Special Service Group (SSG) embarks on a mission to attack a strategictarget in India. His comrades-in-arms are five ferocious Lashakar-e-Taiba militants.Though he crosses into India through Kashmir, there is one man who has beentasked with the job of ensuring that they don't reach their target. RAW’s SeniorField Agent Sanjay Khanna teams up with Military Intelligence and NSG tothwart the attack.The narrative sweeps across the vast expanses of Tajikistan, the malarial jungles ofBengal, through conflict zones in Baluchistan, and the Vale of Kashmir as the twomen and their teams race against time. A thrilling finale awaits in the maximum city – Mumbai.Will the ‘Fox-Hunt’ succeed?

    And it does, once again, in the lawless Bihar of the 1990s...When journalist Shruti Ranjan, newly-wed wife of the Deputy Commissioner of Kishanganj in the lawless Bihar of the 1990s, is brutally raped by a ‘politically sheltered local goon’ all of her attempts at getting justice are crushed by a corrupt and complicit state government. That’s when the charismatic Sharad Malviya, a leading member of the Opposition party, offers her an unlikely solution: his party’s ticket to contest the Lok Sabha elections. Left with little to choose from, Shruti agrees, only to realize that being catapulted to an enviable position of power in an all-man’s world comes at a price. Caught between her mentor and her spouse – both upright but ultimately flawed men – and a host of envious others who continue to cast aspersions on her character, she struggles to address the larger problems of the country.Taunted for being a 'Draupadi' she makes the curse her identity and resolutely fights her fate...

     The chairman of the board, billionaire arms dealer and part-time philanthropist David Soper, decides that it's time to kill or cure. Business School alumnus and Las Vegas hotel genius Max Green is the perfect man for the job. A man of vision. A man with a mission. A man who knows that wealth-care is smarter than healthcare. He's going to make Samaritans great again. Andrew Sharp, star cardio-thoracic surgeon, turns his back on the NHS and buys in to this brave new world of Porsches and payola. But when his American Dream turns into a living nightmare, Andrew discovers that even the new-found love of his assistant, Cathy, may not be enough to save him… Samaritans is the new novel from the co-creator and writer of Yes Minister and Yes, Prime Minister. Praise for Samaritans 'A book George Orwell would have approved of.' The Sunday Times ‘It’s wonderful! I was hooked, mouth open, heart pounding. The catastrophic state of medical care is his story but Samaritans can be read too as a wider allegory, a discourse on a politics of greed, dis-entitlement, deregulation and social brutality that has run quite mad.’ Stephen Fry ‘It is with the highest confidence that I recommend this book, with particularity, to those Members of Congress who remain committed to making access to life saving care far too difficult for far too many people. It is my fondest hope that they might laugh their way to the education they so sorely require.’ Rick Ungar ‘Jonathan Lynn tackles the US healthcare system in satirical splendour. I laughed out loud. It is both hilarious and scary at the same time! Nobody does it better.’ Barbara Broccoli 'There is reason to believe Jonathan Lynn was not born in the US and, while probably not a spy, he has spent some little time observing Americans in the wild. His observations are not always flattering—he’s talking Big Medicine, Big Insurance, Big Business and their cousin, Small Ethics—but he certainly seems to have our number. Samaritans is smart, dark, and very, very funny. Stay healthy, America!' Michael McKean, Better Call Saul, Spinal Tap ‘Jonathan Lynn's Samaritans does for hospitals what Evelyn Waugh's The Loved One did for cemeteries. The book is laugh-aloud funny, but also deadly serious--because it deals with the lethal effect profit-minded health care can have on patient lives...I haven't read satire this hilarious and powerful since Riotous Assembly, the late Tom Sharpe's indictment of apartheid in South Africa. This is essential reading for anyone who has a body and wants to keep it alive.' M.G Lord ‘Comedy genius...as politically and socially important as is it is entertaining.’ Muriel Gray Jonathan Lynn is the multi-award winning author of The Complete Yes Minister and The Complete Yes, Prime Minister, which were drawn from the phenomenally successful BBC series which he created and wrote with Antony Jay, and which sold more than a million copies in hardback.

    Indeed, this enduring obsession provided fodder for some of Singh’s best-known work, both as a journalist and as a peerless raconteur.On Women, a wide-ranging selection of Singh’s writings on the subject, includes Singh’s recounting of an embarrassingly drunken meeting with Begum Para, an actress of yesteryears; a sharp profile of Shraddha Mata, a tantric sadhvi who was alleged to have borne Jawaharlal Nehru’s illegitimate child; and a touching sketch of Singh’s grandmother in the twilight of her life. Also featured in this volume are unforgettable women characters from Khushwant Singh’s most popular works of fiction: Georgine, a clueless American teenager who is seduced by a middle-aged tour guide in Delhi; and Nooran, a young girl in pre-Partition Punjab, who discovers the sweet pleasure of first love only to be overtaken by cataclysmic events which leave her adrift.Insightful, poignant, and occasionally wicked, the essays and extracts in On Women are testament to why Khushwant Singh remains one of the most popular writers of our times.

    What seems like a good deed however has a cruel payback andin a single moment, Kamran loses everything dear to him. This is whenMirza, in gratitude, takes Kamran under his wing and the young man getsdrawn into the mafia boss’s dangerous world of cops and rival gangsters,eventually taking over from him.Kamran also inherits Mirza’s philosophy that all of life’s problems can besolved through Ghalib¹s poetry.Soon, the innocent taxi driver has cops, criminals and even cabinetministers at his beck and call.And he has a new name—Ghalib Danger.

    The stories are satires on Indian political and social climate of 1960s and 70s.

    The Chinese have nuked large parts of the country; Bombay has been obliterated; Delhi is in the throes of rigorous reconstruction; Bengal has seceded and is now a protectorate of China; the Maoists have taken over much of what remains. The southern states are a distant and tranquil place that nobody has visited in years.The most powerful person in the country is a deranged bureaucrat called the Competent Authority, who has used his official position as the head of the Bureau of Reconstruction, to subvert all forces of governmental authority. Cloaked in anonymity, his identity known only to his terrified minions, the CA rules the remnants of India with an iron fist.Although, in theory, the government and the armed forces still exist, the Prime Minister, who looks very familiar, and the General, who commands the Army, are mere puppets in the hands of the Competent Authority. All they can do is watch in horror as he tries to put in motion a fiendish plan to annihilate everyone in the country, for reasons that are completely logical.The only person who can stop him is Pintoo, a mutant twelve year old from Shanti Nagar, where all the poor people live. Determined to thwart the CAs plan and save the country from disaster, Pintoo employs three reluctant henchmen to help him: Pande, a corrupt and vicious policeman, Chatterjee, a pessimistic but determined CBI officer and Ali, the last surviving member of Al Qaeda. And then there's also the matter of the hand that has a mind of its own.

    Having lost her parents at a very tender age, she is in search of a place which she can call home. Her passion for Art lands her a job as an art curator to the famous artifacts of the Ranaut Dynasty. When she meets the scion, Aryan Ranaut, she feels that her dream might come true until…All He wanted was to trust…Living the life of a modern day Prince is no easy task for the young and dashing Aryan Ranaut. Having lost his father to a rapacious woman, Aryan has severe trust issues. But upon meeting Shefali, he feels he could let down his guard. Until…All They need is to find The Angel…Just as Aryan realizes his love for Shefali, one of the most precious artifacts, The Angel, goes missing from the Ranaut collection. All fingers point towards Shefali—more so because she leaves the palace without telling anyone on the very night of the theft. Finding the Angel is a story where duty clashes with love and lack of trust overrides passion. Under these circumstances, can The Angel bring the star-crossed lovers together?

    It’s not just his looks that Anjali’s attracted to, but his gentle and understanding nature.At 42, Parth Bhardwaj is an internationally famous author, writing under a pseudonym. Always having steered clear of married women, he has a difficult time keeping away from Anjali, feeling drawn to her from the moment he sets eyes on her. Just when the two finally realise that they are meant for each other, the unthinkable happens. Anjali’s husband Jayant is found murdered in his bed, making both Parth and Anjali the prime suspects.Will Anjali ever find happiness in her lonely life?

    In this book, Nikhil continues taking his readers along for a journey which try to solve the riddles of basic human existence - riddles of love, of childhood's lost and found, of relationships and of our day to day trials.His characters vary from a gangster who chooses love over looting, a couple trying to steal their first kiss in a right-wing nightmare, children playing one-tip one-hand cricket to an early jobber trying to rise above his mundane job to an old man contemplating the purpose of life after getting replaced by technology.Nikhil's characters are immensely relatable and his stories are his voice speaking out your own stories. This book reminds you of the smell of summer sunshine hitting garden leaves and takes you to back to a kinder gentler and simpler time.

    ‘Chauthi khidaki’ is a fantastic scientific tale built around the concept of Time. ‘Porkhel’ uses theanalogy of a childat play with her dolls, to highlight that human beings are mere pawns in the hands of Fate. ‘Sucheta Chakrapani ani Ticha Kokilkanth’ tackles the tangle between an artiste and her art – a fantastic rendering reminiscent of magical realism. Matkari’s stories give us the feeling of entering a jungle at dusk. The reader begins his journey along the border that separates reality from fantasy. Matkari employs different narrative styles and structure to lead the reader along familiar as well as unfamiliar paths in this jungle.While being immensely attractive, this journey takes the reader into ever deeper regions.

    Written with Sanjeev's trademark flair, the stories crackle with irreverence and wit. In 'The Troll', a presumptuous blogger faces his undoing when he sets out to expose an Internet phenomenon. In the title story, a young man loses his job in the financial crisis and tries to reset his life over two beers. In 'The Intellectuals', a foreign researcher spends some memorable hours with Kolkata's ageing intellectuals. From the vicious politics of a Mumbai housing society to the snobberies of Delhi's cocktail circuit, the stories in Life over Two Beers get under the skin of a rapidly changing India-and leave you chuckling.