A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    Will the Old Man understand and help us once again?' The Old Man of the Moon is Shen Fu's intimate and moving account of his marriage - from early passion to the trials of poverty and separation - and his great, enduring love for his wife in eighteenth-century China.

    Will Hopey actually show up, or will Maggie have to go it alone? Hell, will anybody show up? Lots of old friends and enemies make appearances in the second chapter of this latest Locas epic. Also, what happened to Princess Animus? The film may have broke but the movie was most definitely not over. All this and Tonta, too! Meanwhile, Gilbert serves up the second and concluding part of “The Magic Voyage of Aladdin,” which establishes the rivalry of its two stars, Fritz and Mila. Who’s Mila, you ask? And to make matters worse, who are the Fritz lookalikes that are coming out of the woodwork? You’ll have to read Love and Rockets: New Stories No. 8 to find out!

    But when a group of teenage runaways settles in the hills and begins to invade their homes and lives, lines become drawn between those residents seeking to insulate themselves from the outside world and those reaching for more.Caught in the middle of this clash is Zaccariah Ramsy, a bar owner whose quiet life is threatened by his newfound loyalty to JT, a streetwise runaway who begins to visit his bar, and the re-emergence of the tragic story of his former love, Stella Vale, whose daughter was abducted as an infant fifteen years prior. As tensions between the townspeople and the newcomers rise, Ramsy must decide which side he will choose. A piercing tale of isolation, redemption, and belonging, Each Vagabond By Name is a powerful exploration of the intricacies of small town life by a commanding new literary voice.

    His girlfriend is sleeping with another man, his brother has left their South American country and moved to the United States, leaving Nelson to care for their widowed mother, and his acting career can’t seem to get off the ground. That is, until he lands a starring role in a touring revival of The Idiot President, a legendary play by Nelson’s hero, Henry Nunez, leader of the storied guerrilla theater troupe Diciembre. And that’s when the real trouble begins. The tour takes Nelson out of the shelter of the city and across a landscape he’s never seen, which still bears the scars of the civil war. With each performance, Nelson grows closer to his fellow actors, becoming hopelessly entangled in their complicated lives, until, during one memorable performance, a long-buried betrayal surfaces to force the troupe into chaos.

    I name us Picture People because most special and obvious about the species is, our kind lives on and for pictures, lives as and for images, our species takes pictures, makes pix, thinks in pix. What is behind the human drive to create, remake, and keep images from and of everything? What does it mean that we now live in a -glut of images?- Men and Apparitions takes on a central question of our era through the wild musings and eventful life of Ezekiel Hooper Stark, cultural anthropologist, ethnographer, specialist in family photographs. As Ezekiel progresses from a child obsessed with his family's photo albums to young and passionate researcher to a man devastated by betrayal in love, his academic fascinations determine and reflect his course, touching on such various subjects as discarded images, pet pictures, spirit mediums, the tragic life of his long-dead cousin the semi-famous socialite Clover Adams, and the nature of contemporary masculinity. Kaleidoscopic and encyclopedic, madcap and wry, this book showcases Lynne Tillman not only as a brilliantly original novelist but as one of our most prominent thinkers on culture and visual culture today.

    When he meets Julia Fitzpatrick, it seems as if this period of turbulence and misfortune is at an end.

    When Joel Litvinoff is felled by a stroke, his wife, Audrey, uncovers a secret that forces her to re-examine her ideas about their forty-year marriage. Joel’s children will soon have to come to terms with this unsettling discovery themselves, but for the time being, they are grappling with their own dilemmas. Rosa is being pressed to make a commitment to religion. Karla is falling in love with the owner of a newspaper concession and Lenny is back on drugs. In the course of battling their own demons and each other, every member of the family is called upon to re-examine long-held articles of faith and to decide what – if anything – they still believe in.

    But someone else will be there too. Quinlan. He was part of the gang once, but betrayal turned an ally into a bitter enemy, one who will stop at nothing to get his revenge. He and his gunmen will be at the wedding out for blood and to revenge the betrayal in a final showdown. Oswell knows there's no way out of it. You can't outrun your past. All you can do is face it-- and hope to survive.

     As "The Passages of H. M. "opens, we see, through the eyes of his long-suffering wife Lizzie, an aging, angry, and drunken Herman Melville wreaking domestic havoc in his unhappy New York home. He is decades past his flourishing career as a writer of bestselling tales of seagoing adventures like "Typee "and "Omoo." His epic but ungainly novel "Moby-Dick "was meant to make him immortal, but critics scoffed and readers fled. His days are spent trudging the docks of New York as a customs inspector and contemplating his malign literary fate. But within him is stirring, perhaps, one great work yet--the tale of a handsome sailor in the Napoleonic Wars, undone by one moment of uncontrollable rage . . . Lizzie's chapters alternate with third-person accounts of Melville's crowded life: his shipping off to sea on a merchant vessel as an impoverished young aristocrat; his fateful voyage on a whaling ship; his desertion in the Marquesas Islands and sojourn with cannibals--a great adventure and polymor-phous sexual idyll--and his instant fame as a novelist; his fateful encounter and soul-deep friendship with Nathaniel Hawthorne; and the long years of physical decline and liter-ary obscurity. Jay Parini creates a Melville who is at once sympathetic and maddening, in sync with the vast forces of the universe and hopelessly impractical and abstracted. And one who, in thought and deed, is unambiguously attracted to men--a surmise well supported by the known biographical facts but still sure to cre-ate controversy. Parini penetrates the mind and soul of a liter-ary titan, using the resources of fiction to humanize a giant while illuminating the sources of his matchless creativity.

    With a rising career as a partner at an esteemed gallery, he strives not to let ambition, money, power, and his dark past corrode the sanctuary of his domestic and private life. Influenced by his father, a brilliant Romantics scholar, Edward has always been more of a purist than an opportunist. But when a celebrated artist controlled by her insecurities betrays him, and another very different artist awakens his heart and stirs up secrets from his past, Edward will find himself unmoored from his marriage, his work, and the memory of his beloved father. And when the finalist of an important prize are announced, and the desperate artists maneuver to seek its validation, Edward soon learns that betrayal comes in many forms, and that he may be hurtling toward an act that challenges his own notions about what comprises a life worth living. A compelling odyssey of a man unhinged by his ideals, The Prize is also an unflinching portrait of a marriage struggling against the corroding tide of time and the proximity to the treacherous fault line between art and money.

    That was what he said, standing at the door to the cabin where I was spending the summer with my father. I was fifteen. It was 1948 and one of the first days of July.Trond’s friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning would turn out to be different. What began as a joy ride on “borrowed” horses ends with Jon falling into a strange trance of grief. Trond soon learns what befell Jon earlier that day—an incident that marks the beginning of a series of vital losses for both boys. Set in the easternmost region of Norway, Out Stealing Horses begins with an ending. Sixty-seven-year-old Trond has settled into a rustic cabin in an isolated area to live the rest of his life with a quiet deliberation. A meeting with his only neighbor, however, forces him to reflect on that fateful summer.

    and they've decided it's time they start sharing their knowledge again. But when their first batch of students start poking around the firehouse and accidentally set in motion the merging of two universes (it's easier than you'd think) Venkman, Stantz, Zeddemore, and Spengler will need all the help they can get to put things right! And who do you think will Answer The Call? (If you guessed Holtzmann, Yates, Tolan, and Gilbert... you get a gold star!) It's a brand new inter-dimensional meeting of the minds.

    But when an injury threatens to end her mission, can she inspire that rebel spirit in those who just want to keep their heads down? Writer Kelly Thompson (A-FORCE) and artist Emilio Laiso (GODS OF WAR) bring us an all-new tale of Alderaan's last monarch in action!

    An only child, she is named after her grandmothers, Isa and May, who were there at her birth and who have formed and influenced her in very different ways. Jealous of each other, they both want to be first in their granddaughter's affections. Isa has an edge, in that young Isamay looks like her, but Isa's reserved and elegant exterior hides startling surprises that could undermine her granddaughter's certainties. May, on the other hand, is plump, indomitable and opinionated, and it's from her that Isamay inherits her stubborn determination.Isamay, almost thirty, has never wanted children, but suddenly considers changing her mind. Her live-in lover, Ian (always mysterious about his own family history) is sure that he does not want a child.Engrossing, set in the present but with hooks into the past, this is an unusual story about grandmothers and their potentially powerful role in family life, about nature vs nurture, bloodlines and bridges across generations.