Growing up with a cold, unfeeling father and unstable mother has taught him exactly what he doesn’t want out of life or love. The troubled young man prefers a solitary life and is content to keep it that way until a campus emergency saddles him with an unwanted roommate.Popular, wholesome, straight Nick Thompson is far more temptation than Eric’s prepared for, but Nick’s warm, easygoing manner gradually cracks through Eric’s prickly protective shell.After Eric suffers a traumatic attack, their friendship gives way to an intense passion. Eric’s no stranger to casual sex, but what he feels for Nick is something deeper, and more fragile.Independent Eric doesn't know the first thing about being in a relationship, much less with a lover who can't even admit he's gay. But conservative Nick can't seem to find his way out of his own personal closet. 'Rock', meet 'Hard-Place'.

    and everything that’s stayed the same.Author note: This short is now available in the latest edition of Glitterland.

    He even has a pair with more paint splatters than metal. After his family’s rejection and abuse from a man he thought loved him, James only just gets through the day by painting. He lives in constant fear that he’s not worthy of anything, let alone love.As CEO of his company, Carrington Enterprises, Seth Burns is a take-charge kind of guy, and he is instantly smitten by the artist helping with his newest project. When he witnesses James suffer a panic attack, a protective instinct he never knew he had kicks in. He truly believes nothing is unobtainable—including James—if he’s willing to put in the time and effort.James is shy and confused by Seth’s interest in him as a person. With Seth’s support, can he work through his fears to finally find the true love he deserves, or will someone finally land the crushing blow he won’t survive?

    in love.Cambridge art professor Larry Morton takes one, alcohol-glazed look at the huge, tattooed man looming in a dark alley, and assumes he’s done for. Moments later he finds himself disarmed—literally and figuratively. And, the next morning, he can’t rest until he offers an apology to the man who turned out to be more gentle than giant. Larry's intrigued to find there's more to Al Fletcher than meets the eye; he possesses a natural artistic talent that shines through untutored technique. Unfortunately, no one else seems to see the sensitive soul beneath Al’s imposing, scarred, undeniably sexy exterior. Least of all Larry's class-conscious family, who would like nothing better than to split up this mismatched pair. Is it physical? Oh, yes, it’s deliciously physical, and so much more—which makes Larry’s next task so daunting. Not just convincing his colleagues, friends and family that their relationship is more than skin deep. It’s convincing Al. Contains comic misunderstandings, misuse of art materials, and unexpected poignancy.

    He was five. Dimitri is a psychopath. And he’s still obsessed with just one person.Arlo Miller was born a victim, raised as his father’s punching bag and his mother’s scapegoat. Dimitri was his only protection, and they took him away.As children they clung to each other. As adults, they pretend neither remembers, while both harbor secret crushes. Dimitri hides his feelings behind a mask of indifference. Arlo hides his by falling for very bad men.When one of those men confronts Dimitri, this time Arlo commits a felony. Murder. But Dimitri won’t allow Arlo to take the fall. With the help of Dimitri’s mother and seven psychopaths, they now have twenty-four hours to fake an alibi, hide a body, and confess their true feelings for each other once and for all. Which is harder? Falling in love or getting away with murder?NOTE: This can be read as a stand-alone but these characters do make a cameo in Headcase (Necessary Evils, #4).