Readers and critics were enchanted; as NPR commented, “Towles writes with grace and verve about the mores and manners of a society on the cusp of radical change.”A Gentleman in Moscow immerses us in another elegantly drawn era with the story of Count Alexander Rostov. When, in 1922, he is deemed an unrepentant aristocrat by a Bolshevik tribunal, the count is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. Unexpectedly, his reduced circumstances provide him a doorway into a much larger world of emotional discovery.Brimming with humour, a glittering cast of characters, and one beautifully rendered scene after another, this singular novel casts a spell as it relates the count’s endeavour to gain a deeper understanding of what it means to be a man of purpose.

    After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.

    Struggling to come to terms with her rampant fertility, disillusioned with a haughty obstetrician, and infuriated by an inordinate amount of peeing, Amy finds solace in a decision to homebirth. After all, it worked for the cavewomen, right? But as a tropical cyclone threatens to whip down the main street, Amy finds herself facing more than biology.Peace, Love and Khaki Socks explores what it is to be a woman, an expectant mother, a lover and a friend in a patriarchy. Sometimes horrifying, sometimes hilarious and always honest, this unforgettable story is one woman’s struggle to turn the ordinary into something extraordinary.

    From his early years in the Netherlands to growing up in Australia during the 1980s, Michael recalls the secret surrounding his estranged Greek father and how scandalous events from the past fractured his family. This is a moving chronicle of a boy’s turbulent relationship with his bullying stepfather, aloof older brother and adored mother, whose cheerful apathy has devastating consequences. As his life unfolds, Michael – now a father – must decide if he can free himself from the dark pull of the past.Reminiscent of the great autobiographical novels of JM Coetzee and Michael Ondaatje, The Last Thread is a beautifully crafted work from an exceptional new writer.

    call is the first time Lexie Vidler has heard her sister’s voice in years. Annie is a drug addict, a thief, a liar—and in trouble, again. Lexie has always bailed Annie out, given her money, a place to sleep, sent her to every kind of rehab. But this time, she’s not just strung out—she’s pregnant and in premature labor. If she goes to the hospital, she’ll lose custody of her baby—maybe even go to prison. But the alternative is unthinkable.As weeks unfold, Lexie finds herself caring for her fragile newborn niece while her carefully ordered life is collapsing around her. She’s in danger of losing her job, and her fiancé only has so much patience for Annie’s drama. In court-ordered rehab, Annie attempts to halt her downward spiral by confronting long-buried secrets from the sisters’ childhood, ghosts that Lexie doesn’t want to face. But will the journey heal Annie, or lead her down a darker path?Both candid and compassionate, Before I Let You Go explores a hotly divisive topic and asks how far the ties of family love can be stretched before they finally break.

    The graffiti on the holding room wall says it all: 'Gunyah is hell on earth'. And Ellen's about to find out why. Ellen was never the daughter her mother wanted. Patent leather shoes and frilly dresses just weren't her thing and, at age fourteen, she's ready to leave school and find her own way. No one is going to stop her from going where she wants, doing what she wants, and hanging out with Robbie. Or so she thinks. But when the police turn up, Ellen is deemed to be in 'moral danger' and is sentenced to the Gunyah Training School for Girls. Suddenly, she's no longer Ellen, she's Girl 43, and she has to follow the rules, work hard and - most importantly - stay quiet. When it's discovered that she's pregnant, there's no respite from the staff. Told she isn't capable of bringing up a child, they twist the truth to make her cooperate. But however hard they try, they can't destroy the connection between a mother and her child . . . or can they? Drawn from experiences in Parramatta Girls' Home in the seventies, "Girl 43" is a story that could have come straight from today's headlines about the shocking treatment of innocent children and teens by people in the very institutions that were supposed to protect them.

    Like fireflies to the light, Mona, Benny and Jimmy are drawn into the elegantly wasted orbit of the Crystal Ballroom and the post-punk scene of 80s Melbourne, a world that includes Nick Cave and Dodge, a photographer pushing his art to the edge. With precision and richness Kirsten Krauth hauntingly evokes the power of music to infuse our lives, while diving deep into loss, beauty, innocence and agency. Filled with unforgettable characters, the novel is above all about the shapes that love can take and the many ways we express tenderness throughout a lifetime.As it moves between the Blue Mountains and Melbourne, Sydney and Castlemaine, Almost a Mirror reflects on the healing power of creativity and the everyday sacredness of family and friendship in the face of unexpected tragedy.

    Maggie’s English-speaking father has ambitions for his daughter that don’t include marriage to the poor French boy on the next farm over. But Maggie’s heart is captured by Gabriel Phénix. When she becomes pregnant at fifteen, her parents force her to give baby Elodie up for adoption and get her life ‘back on track’.Elodie is raised in Quebec’s impoverished orphanage system. It’s a precarious enough existence that takes a tragic turn when Elodie, along with thousands of other orphans in Quebec, is declared mentally ill as the result of a new law that provides more funding to psychiatric hospitals than to orphanages. Bright and determined, Elodie withstands abysmal treatment at the nuns’ hands, finally earning her freedom at seventeen, when she is thrust into an alien, often unnerving world.Maggie, married to a businessman eager to start a family, cannot forget the daughter she was forced to abandon, and a chance reconnection with Gabriel spurs a wrenching choice. As time passes, the stories of Maggie and Elodie intertwine but never touch, until Maggie realizes she must take what she wants from life and go in search of her long-lost daughter, finally reclaiming the truth that has been denied them both.

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    So when an outsider with grand plans threatens to demolish an iconic local landmark and build a huge resort the battle lines are drawn.Young journalist Jessica hopes to make it big with her coverage of the court case, but first she has to appease her editor and put a human interest spin on the situation. At first glance the five people she chooses to background have little in common – but it soon becomes apparent that staying at The Beach House has changed all of them in some way.In telling the stories of Kate, Simone, Tom, Clare and Jack, Jessica too learns some important life lessons.

    So Karuna returns the favour. Eventually, Karuna can’t ignore the reality: she is pregnant. Incensed, her mother, already over-protective, confines her to their fourteenth-storey housing-commission flat for one hundred days, to protect her from the outside world – and make sure she can’t get into any more trouble. Stuck inside for endless hours, Karuna battles her mother and herself for a sense of power in her own life, as a new life forms and grows within her. One Hundred Days is a fractured fairytale exploring the fault lines between love and control. At times tense and claustrophobic, it also brims with humour, warmth and character. It is a magnificent new work from one of Australia’s most celebrated writers.

    Don't worry about the fact that you will never be able to afford a home. Worry about the day after. That's when they will all come, with their black shirts and bayonets, and then you will see the drowned bodies and slit necks. And I would stand there and say, But Mum, I'm ten years old.Working as a writer hasn't granted Panos the financial success he once imagined, but lobbying against a mosque being built across the road from his home (and the occasional meth-fuelled orgy) helps to pass the time. He's also found himself a gig ghostwriting for a wealthy property developer. The pay cheque alone is enough for him to turn a blind eye to some dodgy dealings - at least for the time being.In a world full of flashy consumerism and aspiration, can Panos really escape his lot in life? And does he really want to?

    They meet years later at a university in California, Marina a grad student and Jacob a successful practitioner and teacher who has a young son, Ben, from a disastrous marriage. The family moves to a brownstone in Harlem, formerly a shelter run by elderly nuns. Outside the house one day Marina encounters Constance, a young refugee from Rwanda, and her toddler, Gabriel. Unmoored and devastated, Constance and Gabriel quickly come to depend on Marina; and her bond with Gabriel intensifies.When out of the blue Marina learns some disturbing news about her mother, Gizela, she leaves New York in search of the loose ends of her life. As Christmas nears, her tight-knit, loving family, with Constance and Gabrielle, join Marina in her mother's former home, with a startling, life-changing consequence.Alice Nelson skilfully weaves together these shared stories of displacement and trauma into a beautifully told, hope-filled, outstanding novel.

    Two very different people. They were there, and then they were gone, as if through a crack in the sky. After that, in a small town like Goodwood, where we had what Nan called 'a high density of acquaintanceship', everything stopped. Or at least it felt that way. The normal feeling of things stopped.Goodwood is a small town where everyone knows everything about everyone. It's a place where it's impossible to keep a secret.In 1992, when Jean Brown is seventeen, a terrible thing happens. Two terrible things. Rosie White, the coolest girl in town, vanishes overnight. One week later, Goodwood's most popular resident, Bart McDonald, sets off on a fishing trip and never comes home.People die in Goodwood, of course, but never like this. They don't just disappear.As the intensity of speculation about the fates of Rosie and Bart heightens, Jean, who is keeping secrets of her own, and the rest of Goodwood are left reeling.Rich in character and complexity, its humour both droll and tender, Goodwood is a compelling ride into a small community, torn apart by dark rumours and mystery.

    She's breathing gently, long slow breaths. I imagine her soul going in and out: wanting to leave, wanting to come back, wanting to leave, wanting to come back. The day will soon harden into what we need to do. But for now we have each other. . . ."He met Candy amid a lush Sydney summer. Gorgeous, sexy, free-spirited Candy. They fell in love fast, lots of laughter and lust, the days melting warmly into each other. He never planned to give her a habit. But she wanted a taste. And wasn't love, after all, about sharing lives? Candy had a bit of money and in the beginning, everything was beautiful. Heady, heroin-hazed days, the world open and inviting. But when the money ran out, the craving remained, and the days ceased their luxurious stretch.But there was still love. Only now, it was a threesome. Heroin had its own demands, its own timetable, and thoughts of nabbing the next fix hurled them into each day. Then, when desperation sets in, Candy will stop at nothing to secure a blast, as she and her lover become hostage to the nightmarish world of addiction. Painful, sexy, tender, and charged with dark humor, Candy provocatively charts the daily rituals of two lovers maintaining a long-term junk habit. Told in stunningly vivid prose and set against the backdrop of suburban and urban Australia, Candy is both an electrifying and frightening glimpse of contemporary life and love.