Claire had his eyes set on Selah Winston almost immediately. Since meeting her at his brother’s wedding, he felt the sparks that jumpstarted his dormant heart. The connection was instant and undeniable. Whenever he’s near Selah, he feels a sense of home and security. He knows Selah is feeling him too, but she denies their connection and insists she has nothing to offer him but friendship. She’s busy rebuilding her life after struggling with drugs, depression and family issues. She has no time for anything or anyone else. Or so she thinks. She doesn’t know how persistent St. Claire men can be, apparently…Major ‘somewhat’ concedes to her request. He’ll give her friendship (for now), a little bit of space (for now) but it doesn’t thwart his original goal to make her his woman. Everyone has family issues. He knows that all too well. From his perspective, the best way to handle them is to work as a team to help each other overcome their problems. In helping her, he may have found the remedy to his own complications and a new beginning he never saw coming.

    Here, Sma argues for contact with Earth, to try to fix the mess the human species has made of it. Another Culture citizen, Linter, goes native while Li, who is a Star Trek fan, argues that the whole "incontestably neurotic and clinically insane species" should be eradicated with a micro black hole. The ship Arbitrary has ideas, and a sense of humour, of its own.This limited first edition only includes the novella and no extra collections. It had a print of 400 numbered copies and comes in a slip-case signed by both author and cover artist.

    JEFFRIES A DETECTIVE IN THE HOUSE Everyone’s awed by Inspector Witherspoon’s Scotland Yard successes, but they don’t know about his secret weapon. Her name is Mrs. Jeffries, and she keeps house for the Inspector—and keeps him on his toes. No matter how messy the murder or how dirty the deed, her polished detection skills are up to the task. Because as she knows all too well, a crimesolver’s work is never done…Mrs. Jeffries Plays the CookWhen a dead body turns up, Mrs. Jeffries winds up doing double-duty: cooking for the household—and trying to cook a killer’s goose…Mrs. Jeffries and the Missing Alibi It’s one of the most brazen murders anyone can remember—and Inspector Witherspoon has become the main suspect. Now it’s up to Mrs. Jeffries to clear her boss’s good name…Mrs. Jeffries Stands CorrectedWhen a local publican is murdered, Inspector Witherspoon finally takes Mrs. Jeffries’s advice to trust his own instincts. But as he narrows down the suspects, Mrs. Jeffries and her staff must solve the case before he ruins his career—and theirs…

    Now Meloy returns with a novel even more dazzling and unexpected than her first. A Family Daughter is a brilliantly entertaining, powerfully moving novel about families, love, and the desire to reimagine one’s own history.It’s 1979, and seven-year-old Abby, the youngest member of the close-knit Santerre family, is trapped indoors with the chicken pox during a heat wave. The events set in motion that summer will span decades and continents, as the Santerres become entangled with an aging French playboy, a young Eastern European prostitute, a spoiled heiress, and her ailing jet-set mother. With elegant precision, Meloy takes us through the world of this changeable family, its values and taboos, its heartbreak and bitterness and fierce devotion.A rich, full novel about passion and desire, fear and betrayal, A Family Daughter illuminates both the joys and complications of contemporary life and the relationship between truth and fiction. For everyone who has yet to meet the Santerres, unmatched pleasure awaits.

    The Bathroom Readers' Hysterical Society agrees, and shows it with this endlessly diverting tribute to tabby. From famous cats to the famous with their cats to cats' famous history, from cats who like to paint to cats who travel the world to find their way home, Uncle John's Hysterical Society scours the globe to find the winning-est, wackiest, most wondrous cat tales for this collection.

    A charming tale for young and old captures the spirit of the ancient Principality of Liechtenstein and creates an enduring legend of this enchanting country.

    Though she doesn’t want to get married, her grandparents give her no choice. History is repeating itself: Deya’s mother, Isra, also had no choice when she left Palestine as a teenager to marry Adam. Though Deya was raised to believe her parents died in a car accident, a secret note from a mysterious, yet familiar-looking woman makes Deya question everything she was told about her past. As the narrative alternates between the lives of Deya and Isra, she begins to understand the dark, complex secrets behind her community.

    Though her son, Nicholas, is wearing resentment like a badge, Maddy flees with him to her childhood home, only to find her widowed father a sullen and broken man.Determined to piece together the shattered fragments of her life, Maddy struggles to support her son and care for the farm that has dwindled under the inattentive hand of her father. With the support of an unforeseen ally, she strives to broaden their income even as her dreams are thwarted by the harsh realities of a beautiful but savage land. Seemingly alone in the inevitable struggles ahead, reminders of her childhood faith usher in the promise that hope and love can blossom in the most unexpected places. This title was previous published as Hawaiian Sunrise.

    She raised her children with the income from just a few acres of land that she managed on her own, tending to the cattle and crops with maternal concern, all the while minding her unruly husband. Every obligation met, all accounts squared up, each meal cooked to satiate the tongue and heart—Amma never rested, not even when bedridden with Parkinson’s. She lived a farmer’s life and died a farmer’s death.Amma is a homage to a way of life and values—simplicity, honesty and hard work—lost to us today. Peppered with unsentimental nostalgia and delightful humour, and vividly documenting village and farming life in the Kongu region, Amma tugs at generational memory. Murugan’s non-fiction writing, his first to appear in English, is as deeply affecting as his fiction.

    It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.

    The once-star collegiate football player finds himself fighting for his son’s life. This memoir takes you through the various challenges of raising a family of six kids and balancing a career, all while his son battles to defeat the odds of survival. Both Steve and his high school sweetheart, Savanna, found hope and happiness through the example of their 20-month-old son Hayes.

    

    The are an amalgam of mythology and folk tales from the Indian sub-continent, Persia, and Arabia. No original manuscript has ever been found for the collection, but several versions date the collection's genesis to somewhere between AD 800-900. The stories are wound together under the device of a long series of cliff-hangers told by Shahrazad to her husband Shahryar, to prevent him from executing her. Many tales that have become independently famous come from the Book, among them Ali Baba and the Forty Thieves, and the voyages of Sinbad the Sailor. This collection comes from the third of sixteen volumes translated by Burton.

    In January 1680 a dozen Pueblo Indians are charged with conspiring to incite a revolution against the colonial government. When the prisoners are brought before the Governor, one of them is revealed as a young woman. Educated by the friars in her pueblo's mission church, Serafina speaks beautiful Spanish and surprises the Governor with her fearlessness and intelligence.The two strike a bargain. She will entertain the Governor by telling him a story. If he likes her story, he will free one of the prisoners. Like Scheherezade, who prevented her royal husband from killing her by telling him stories, Serafina keeps the Governor so entertained with her versions of Nuevo Mexicano cuentos that he spares the lives of all her fellow prisoners.Some of the stories Serafina tells will have a familiar ring to them, for they came from Europe and were New Mexicanized by the Spanish colonists. Some have Pueblo Indian plots and characters--and it is this blending of the two cultures that is Anaya's true subject.

    The book is a last in its series started from Vanvas.