But the woman is dazed and her confession is unconvincing. The unexpected guest decides to help her and blame the murder on an intruder. Later, the police discover clues that point to a man who died two years previously and a Pandora's box of love and hate, suspicion and intrigue is opened in the night air.

    He finds himself on a collision course that results in a desperate romance, and a journey into the ecstasy and dread that mirror each other at the heart of the postmodern experience.

    In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and often funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Vonnegut explores the relationship between science’s pursuit of truth and the state’s need to control it in “The Petrified Ants,” a darkly whimsical story about two Soviet researchers who stumble upon an amazing discovery, only to learn that natural history is also written by the hand that wields the power. “The Petrified Ants” and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut’s unique voice had been stilled forever–and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius.Other stories from Look at the Birdie available as single-story e-books:On sale August 25, 2009"Hello, Red"On sale October 20, 2009:"Confido""FUBAR""Shout About It from the Housetops""Ed Luby's Key Club""A Song for Selma""Hall of Mirrors""The Nice Little People""Little Drops of Water""The Honor of a Newsboy""Look at the Birdie" (Short Story)"King and Queen of the Universe""The Good Explainer"

    The two have to survive dangers, schemes and assassination attempts . . . but can they survive each other?

      Born and raised in rural Alabama, Billy Creekmore was destined to be a psychic. His mother, a Choctaw Indian schooled in her tribe’s ancient mysticism, understands the permeable barrier between life and death—and can cross it. She taught the power to Billy and now he helps the dead rest in peace.   Wayne Falconer, son of one of the most fervent tent evangelists in the South, travels the country serving his father’s healing ministry. Using his unique powers to cure the flock, Little Wayne is on his way to becoming one of the popular and successful miracle workers in the country. He helps the living survive.   Billy and Wayne share more than a gift. They share a dream—and a common enemy. They are on separate journeys, mystery walks that will lead them toward a crossroad where the evil of their dreams has taken shape. One of them will reject the dark. The other will be consumed by it. But neither imagined just how monstrous and far-reaching the dark was, or that mankind’s fate would rest in their hands during an epic showdown of good versus evil.   From the author of Gone South, Boy’s Life, and the Matthew Corbett series, a master of suspense who has won the World Fantasy and Bram Stoker Awards, Mystery Walk offers “creepy, subtle touches throughout [and] splendid Southern-town atmosphere” (Kirkus Reviews).

    But he is in more danger than he can possibly imagine.READ IT BECAUSEIt's a look at the shattered ruins of Prospero and how it feels to lose your Legion, your world and your identity. And speaking of identity, the guest star will make your jaw drop...THE STORYCaptain Kalliston of the Thousand Sons, taken captive in the shattered ruins of his homeworld, is tortured and interrogated by an unseen foe. He is sure that he knows the nature of his captor, and plays a dangerous game to get him to reveal himself. But the truth is very different and far more dangerous than he thinks, and he is in more danger than he could possibly imagine... This story also appears in Age of Darkness, book XVI of the Horus Heresy.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    But Dexter is no ordinary man.The summer before he goes to college, Ricky Colenso travels to Bosnia to volunteer as an aid worker. A few weeks later, he disappears and is never heard from again. A family grieves and is offered little hope--in the fog of that horrible time and place, the killer, too, has vanished.Or so it would seem. For in a world that has forgotten right and wrong, there are few like Cal Dexter who can settle the score. And so, years later, a worldwide chase is on and Dexter begins to draw a net around the killer. But this time CIA agent Paul Devereux must find a way to stop Dexter before his quest for vengeance throws the world into chaos.A heart-stopping novel of murder and mystery, double-cross and triple-cross, old loyalties and new hatreds, Avenger has all of Frederick Forsyth's page-turning trademarks.

    When humans face tough threats across the galaxy, there's only one option: break out the Bolos! Gigantic Al-controlled tanks with enough firepower for an army (and possessing warmer hearts than many of the flesh-and-blood creatures they protect), the Bolos battle on distant star systems to defend us all.

    Since then, she's found some peace as an advocate for POWs, but she knows she'll never love again.Until, on a crowded flight to Washington, DC, she meets Dax, and it happens the way attraction happens best: suddenly, passionately and uncontrollably. Can Keely allow herself a future while still honoring the man from her past?Above and Beyond (Pseudonym Erin St. Claire) When Trevor Rule's best friend Richard is killed in action, Trevor knows his first priority is to take care of Richard's grieving widow, Kyla. All he has to give her is a box filled with the love letters she'd written Richard, a box Trevor has protected with his life. But with each letter he reads, he falls more in love with his best friend's wife.With Richard's death haunting them both, how can Trevor tell Kyla how he feels, and convince her that they both have a right to be happy?"

    In later legends, he was to become a figure of mystery, known as both the defender of humanity and the patron saint of dark magic. But now he sought only retirement on his family estates.His dream of justice and amicable relations between the races had turned to ashes in his mind. The medieval kingdom of Gwynedd groaned under the tyranny of Imre and his sister and mistress, Ariella. Normal humans were savagely persecuted by the king, whose Deryni ancestors had seized the throne from the rightful human Haldane line a century before. Camber could not even save his own son from the murderous treachery of Imre.When Camber learned that Cinhil Haldane, a descendant of the previous kings, still lived, he realized that the only hope for the kingdom lay in overthrowing Imre and restoring Cinhil to the throne. But Cinhil was a cloistered monk, hidden under his religious name in one of many monasteries, unaware of his heritage, untrained in politics. Could he be persuaded to leave the only life he knew and take on the leadership of a rebellion? And lacking the Deryni powers, could he hope to overcome the magic of the king? Grimly, Camber set out to locate Cinhil and spirit him from the cloister into a struggle that seemed doomed from the start.And behind came the minions of the king—for Imre was already aware of the plot and bent on destroying all involved in it.

    Wounded and disheartened, the Mauraders set out for the shelter of a frontier garrison. They don’t know that a Tsurani patrol is sent to support an assault on that same garrison. Arriving simultaneously, the Marauders and Tsurani find the outpost already overrun by a dark enemy whose ferocity is legendary in Midkemia. In order to survive, the foes must band together and fight as one.As they make their way across the inhospitable climate, the two batallions struggle not only with the elements and their enemy, but also their consciences. Can their hatred for their mutual enemy overcome their distrust of each other? And, with both sides carrying painful scars from past wars, what is more important: one’s life or one’s honor?

    Banks, Kelley Armstrong, and many more! Horror fiction explores the dark side of human nature, often pushing the limits of violence, graphic gore, and extreme emotions. But with the popularity of shows and movies, such as "The Walking Dead," "True Blood," "Twilight," "Buffy the Vampire Slayer," audiences have demonstrated their love for the genre--especially accompanied with a dose of humor to tone down the terror."Blood Lite III: Aftertaste" continues to put the fun back into dark fiction, featuring a wide range of humorous and highly entertaining horror-filled tales. Edited by Horror Writers Association founding member and award-winning author Kevin J. Anderson, the stories vary in tone from wry to downright laugh-out-loud funny. Featuring such well-known horror writers as Jim Butcher, Sherrilyn Kenyon, Christopher Golden, and many others, this collection of tales is perfect for anyone who enjoys being entertained as much as they love a good scare.Contents:I was a teenage Bigfoot / Jim Butcher --Blood-red greens / Joel A. Sutherland --V plates / Kelley Armstong --Put on a happy face / Christopher Golden --Devil's contract / E.S. Magill --Nine-tenths of the law / Eric James Stone --Scrumptious bone bread / Jeff Strand --Let that be a lesson to you / Mark Onspaugh --Mint in box / Mike Baron --Great zombie invasion of 1979 / J.G. Faherty --Dating after the apocalypse / Stephen Dorato --Typecast / Jeff Ryan --Making the cut / Mike Resnick, Lezli Robyn --Acknowledgments / Will Ludwigsen --Mannequin / Heather Graham --Short term / Daniel Pyle --Distressed travelers / Nina Kiriki Hoffman --Bayou brawl / L.A. Banks --Steeple people / John Alfred Taylor --For sale / David Sakmyster --Man who could not be bothered to die / Norman Prentiss --Last demon / Don D'Ammassa --Misadventure to call your own / Adrian Ludens --Smoke and mirrorballs / Chris Abbey --Brians!!! / D.L. Snell --Still life / Ken Lilli-Paetz --Day in the life / Sherrilyn

    The U.S.S. Enterprise, under the command of Captain Christopher Pike, responds. Starbase 18 lies in ruin. There are no survivors. And there is no clue as to who is responsible for the attack, until Captain Pike’s brilliant science officer discovers a means of retrieving parts of the station’s log. Lieutenant Spock has detected signs of a unique energy signature, one that he believes is Klingon. There are unsubstantiated reports that the Klingon Empire has made a technological leap forward and created a cloaking device—code-named Black Snow Seven—that can shield their ships from even the most advanced sensors. The destruction of the base and the unique energy signature that remains prove that the Empire has succeeded. For generations the Orions have been known as pirates,operating at the margins, outside of legal conventions. A proud and powerful race, the Orions were once a major force in the sector, and they have been using the tension between the Klingon Empire and the Federation to rebuild their power. Captain Pike is charged with trying to foster cooperation between the Orions and the Federation. A distress call from an Orion vessel offers him the perfect opportunity. But the Orion ship lies in disputed space long claimed by the Klingon Empire, and crossing it could be the spark that sets off an interstellar war.

    But what if this transcendent level of intelligence brings with it a ruthless megalomania? David Desh left the special forces after his team was brutally butchered in Iran. Now he has been reactivated for one last mission: find Kira Miller, the enigmatic genius behind a bioterror plot that threatens millions. But when Desh learns that the bioterror plot is just the tip of the iceberg, he is thrust into a byzantine maze of deception and intrigue, and he becomes a key player in a deadly game he can't begin to understand. A game that is certain to have a dramatic impact on the future course of human history. . .