Parker has established himself as one of the most original voices in contemporary fantasy. Through works ranging in scale from multi-volume epics (The Engineer Trilogy) to standalone novels (The Company) to a vivid assortment of stories and novellas, he has earned his reputation as an imaginative, consistently absorbing storyteller. His latest novella, My Beautiful Life, can only enhance that reputation.As the ironic title indicates, Parker’s latest tells the story of an individual life that takes extraordinary turns. As the story begins, the nameless, dying narrator takes us back to his childhood home in a remote corner of the ubiquitous Empire. The second of three sons, he lives there with his mother in a state of unrelieved poverty. Life eventually becomes so dire that the mother — who can only find work as a prostitute — is forced to sell one of her children. The oldest son, Nico, volunteers to be sold in order to protect his family, and that decision sets in motion everything that follows. Nico’s journey takes him, in time, to the heart of the Empire and the very center of power. Over time, he acquires considerable power of his own and uses it to bring his younger brothers into the circle of his influence, changing their lives forever. Under Nico’s guidance, the middle brother — our nameless narrator — achieves a destiny that will alter not only his own life, but the life of the Empire itself. Written with wit, economy, and considerable style, My Beautiful Life is at once a profoundly gripping narrative and a rueful meditation on the workings of fate. Equally suitable both for long-time fans and for newcomers to Parker’s fictional universe, it is an essential — and hugely enjoyable — addition to a distinguished body of work.Cover illustration by Vincent Chong

    Past winners and shortlisted authors have included the Pulitzer winners Junot Díaz, Anthony Doerr and Adam Johnson, plus Hilary Mantel, Ali Smith, Yiyun Li, CK Stead and Elizabeth Strout.Six Shorts 2017 brings together the six stories shortlisted for this year's award: ‘Reputation Management’ by Kathleen Alcott; ‘Half of What Atlee Rouse Knows about Horses’ by Bret Anthony Johnston; ‘The Hazel Twig and the Olive Tree’ by Richard Lambert; ‘The Tenant’ by Victor Lodato; ‘Every Little Thing’ by Celeste Ng; and ‘Mr Salary’ by Sally Rooney.Chosen by a hugely experienced and prestigious judging panel that included Booker-winner Anne Enright, Orange- and Whitbread-winner Rose Tremain, Booker-shortlistee Neel Mukherjee and critic and novelist Mark Lawson, the six stories represent the very best in contemporary English-language short fiction.

     When a mysterious invite arrives in the mail and Father Menchu responds by whisking Sal off to Lichtenstein, the former cop is left on very new ground as she gets more than a glimpse at the broader world of magic users. Unfortunately, they are immediately confronted by a wealthy business man who is less upset about them blowing up his boat two episodes ago, as he is about them stealing his (sludge-demon releasing) book. When the three remaining Team members back in Rome suddenly find themselves under attack, Sal and Menchu are left scrambling for how to help and have to turn to the peculiar techno-cultists whose computers run on seahorses and have a pointed interest in the cop sister of their acquaintance Perry. Welcome to the Market Arcanum. This episode is brought to you by team-writer Margaret Dunlap who shows us that the Society is far from the only fish in the magic-hunting sea—and certainly isn’t the biggest. "Bookburners is sheer enormous fun! Energetic, intense, vivid prose. More soon please." --Naomi Novik, author of Uprooted and the New York Times bestselling Temeraire series "Bookburners is the breathless, hallucinogenic love child of Torchwood, the Librarians, and the Laundry Files. More soon, please." --Ian Tregillis, author of The Mechanical and Bitter Seeds "Bookburners is an exciting new take on urban fantasy. Love the premise, love the characters, love the unique (and sometimes wonderfully disturbing) spin on the dangers of magic!" --Cassandra Rose Clarke, author of The Assassins Curse "Bookburners has everything I want from episodic storytelling - strong writing, a rich premise, and memorable characters that will keep me coming back week after week." --Mike Underwood, author of the Ree Reyes Geekomancy series "Bookburners satisfies my craving for pulpy, demonic chaos with sharp writing, deliciously sinister magic, stellar black humor, and a kick-ass cast. The serialized story perfectly suits a sorcerer’s codex of baddies while the plucky Sal digs for deeper truths in her work with the Black Archives squad." --Lindsay Smith, author of the Sekret Series

    A force of nature. To know her is to love her, to love her is to hate her. Shes a woman who changes her name according to the ethnic flavor of the month, dabbles in Mormonism, and steals cleaning supplies from restaurant bathrooms. She is beautiful, excitable, contradiction as art form. Shes the kind of mom who reads her daughters diary, serves ketchup soup for dinner, and drags her girls from Utah to California to Wyoming in pursuit of one loser boyfriend after another. Her love for her daughters is fierce, smothering, neglectful. There is no other way than her. Does that sound extravagant? Or should I say there is no other place than her, observes Lucy, the endearing narrator of Nicole Stansburys very special debut novel, Places to Look for a Mother. In the tradition of Mona Simpsons Anywhere But Here and Larry McMurtrys Terms of Endearment, Places to Look for a Mother tells a tale of mostly maddening mother-daughter bonds. Forgiveness is always there, but its hard to find. And the Taylor family usually loses it. With lithe prose, pitch-perfect dialogue, and gloriously real characters, author Nicole Stansbury conjures a family that proves Tolstoy right once again: All happy families are alike; every unhappy family is unhappy in its own way. The Taylors are no exception, but Places to Look for a Mother is an exceptionally good novel.

    He never saw them again. Their bodies were never found, and Adam himself was discovered with his back pressed against an oak tree and his shoes filled with blood. The Likeness: Still traumatised by her brush with a psychopath, Detective Cassie Maddox transfers out of the Murder squad and starts a relationship with fellow detective Sam O'Neill. When he calls her to the scene of his new case, she is shocked to find that the murdered girl is her double. Faithful Place: The course of Frank Mackey's life was set by one defining moment when he was nineteen. The moment his girlfriend, Rosie Daly, failed to turn up for their rendezvous in Faithful Place, failed to run away with him to London as they had planned. Broken Harbour: In Broken Harbour, a ghost estate outside Dublin - half-built, half-inhabited, half-abandoned - two children and their father are dead. The mother is on her way to intensive care. Scorcher Kennedy is given the case because he is the Murder squad's star detective. The Secret Place: Even in her exclusive boarding school, in the graceful golden world that Stephen has always longed for, bad things happen and people have secrets. The previous year, Christopher Harper, from the neighbouring boys' school, was found murdered on the grounds. The Trespasser: Being on the Dublin Murder squad is nothing like Detective Antoinette Conway dreamed. Her working life is a stream of thankless cases and harassment. Antoinette is tough, but she's getting close to the breaking point.

    One casualty of the fallout finds himself homeless in the suburbs of Washington D.C. and faces new challenges at every turn just trying to survive. As he changes and adapts he learns hard lessons, makes new friends and ultimately becomes a formidable force of harsh justice in a lawless land. An unrelenting coming of age story set in the backdrop of a once proud America spiraling downward into third world squalor and violence.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    For eleven cents—all the money in his pocket—he buys a soda bottle’s worth of moonshine. Farther down the road, he takes two turnips and a handful of string beans from a kitchen garden and beds down for the night in a haystack. It is still dark out when he wakes up to a dog licking his forehead and a man pointing a pistol in his face. Despite the awkward introduction, Music and Regus Bone are soon friends. Bone is a guard at Hardcastle Coal Co., whose owner will do anything to keep his employees from unionizing. For the irresistible wage of three dollars a day, Music—outfitted with an ancient, misfiring revolver and a holster made from a feed sack—hires on as a watchman despite his queasy feelings about the job. His attraction to the young widow of a miner killed by a former guard only deepens his discomfort, and when he and Bone catch a pair of union organizers, they make a decision that will change their lives and Switch County forever. Inspired by real events, Hardcastle is a stirring tribute to the power of friendship and family in a time and place in which the price of integrity is more than a man on his own can bear.

    

    For Storm Rivers, this very statement had recently become the story of her life. Storm's life had never been all bad; but meeting Jasper Goodson, had definitely put the cherry on the top. Life was better than ever. She was happy and she was in love. And the man of her dreams was Perfect...or was he? What goes on behind a closed door---stays behind a closed door. Storm lived by this motto and as truths about her Mr. Perfect start to unfold, Storm finds herself in a sticky situation and a tug-a-war of what's right...and what's wrong. What is she hiding? Well, you'll have to overlook the Painted Smile on her face to find out.

    But the women are also hiding a shameful secret…Present Day: When journalist Ally Niven escapes to the remote Scottish island of Battersay after a failed love affair, all she is looking for is a quiet life and a catering job for the summer. But from the outset someone is trying to scare her off and Ally soon discovers that the beautiful surroundings mask tensions among the people who are harbouring 'Birdwoman' - a feral young woman found on rocky Kulah. Ally is increasingly attracted to reclusive artist, John Balmain, who has also taken refuge on Battersay, but is elusive about his past. From John, Ally learns of a sinister prophecy which predicted the shipwreck and how Flora, the Flame-haired leader of the Kulah women, would wreak her revenge. Increasingly isolated and intimidated by bizarre attacks on her house and sightings of a lone woman in a blue headscarf that she cannot explain, Ally sets out to discover the truth behind the Kulah story and the secrets the broodingly handsome John is determined to keep from her; as the two stories converge in a shocking climax. This is MacLeod Trotter's second enthralling mystery.

    Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.'Thus Bram Stoker, one of the greatest exponents of the supernatural narrative, describes the demonic subject of his chilling masterpiece Dracula, a truly iconic and unsettling tale of vampirism.Dracula's Guest & Other Stories: Edited and Introduced by David Stuart Davies.The above is followed with a rich collection of Stoker's macabre tales including Dracula's Guest (which was omitted from the final version of Dracula); a devilishly dangerous haunted room in The Judge's House; a fatalistic tragedy in The Burial of the Rats; a terror of revenge from beyond the grave in The Secret of Growing Gold, and a surprising twist in the tail in The Gypsy's Prophecy. Other strange and frightening episodes provide a feast of terror for those readers who like to be unnerved as well as entertained.

    When he was fourteen years old and beset by chronic ill health, Patrick O'Brian began creating his first fictional character. "I did it in my bedroom, and a little when I should have been doing my homework," he confessed in a note on the original dust-jacket. Caesar tells the picaresque, enchanting, and quite bloodthirsty story of a creature whose father is a giant panda and whose mother is a snow leopard. Through the eyes and voice of this fabulous creature, we learn of his life as a cub, his first hunting exploits, his first encounters with man, his capture and taming. Caesar was published in 1930, three months after O'Brian's fifteenth birthday, but the dry wit and unsentimental precision O'Brian readers savor in the Aubrey/Maturin series is already in evidence. The book combines Stephen Maturin's fascination and encyclopedic knowledge of natural history with the narrative charm of Rudyard Kipling's The Jungle Book. It was published in England and the United States, and in translation in Sweden, Norway, Denmark, and Japan. Reviews hailed the author as the "boy-Thoreau." "We can see here a true storyteller in the making....a gripping narrative, which holds the reader's attention and never flags."—The Spectator

    Her characters are young men and women discovering what it means to be a grown-up in a country that promised them they'd stay young forever. And here, in shapely, penetrating stories, Beattie confirms why she is one of the most widely imitated -- yet surely inimitable -- literary stylists of her generation.In The Burning House, Beattie's characters go from dealing drugs to taking care of a bereaved friend. They watch their marriages fail not with a bang but with a wisecrack. And afterward, they may find themselves trading confidences with their spouses' new lovers. The Burning House proves that Beattie has no peer when it comes to revealing the hidden shapes of our relationships, or the depths of tenderness, grief, and anger that lie beneath the surfaces of our daily lives.

    Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."--Publishers WeeklyStarred Review in Booklist "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.In his essay "Poetry as Survival," Jim Harrison wrote, "Poetry, at its best, is the language your soul would speak if you could teach your soul to speak." The Essential Poems is proof positive that Jim Harrison taught his soul to speak."In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death." --Dean Kuipers, LitHub"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post"Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this."--New York Journal of Books"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up."--John Freeman, Executive Editor, "Recommended Reading from Lit Hub Staff""Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns."--Alta"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all."--Harper's