There’s Chan Sam, who left an "at home" wife in China to earn a living in "Gold Mountain"—North America. There’s May-ying, the wilful, seventeen-year-old concubine he bought, sight unseen, who labored in tea houses of west coast Chinatowns to support the family he would have in Canada, and the one he had in China. It was the concubine’s third daughter, the author’s mother, who unlocked the past for her daughter, whose curiosity about some old photographs ultimately reunited a family divided for most of the last century.

    Composed in 48 episodes, it recounts the daily life of Sanaaq, a strong and outspoken young widow, her daughter Qumaq, and their small semi-nomadic community in northern Quebec. Here they live their lives hunting seal, repairing their kayak, and gathering mussels under blue sea ice before the tide comes in. These are ordinary extraordinary lives: marriages are made and unmade, children are born and named, violence appears in the form of a fearful husband or a hungry polar bear. Here the spirit world is alive and relations with non-humans are never taken lightly. And under it all, the growing intrusion of the qallunaat and the battle for souls between the Catholic and Anglican missionaries threatens to forever change the way of life of Sanaaq and her young family.About the translation:In the early 1950s, Mitiarjuk Nappaaluk was asked by a priest working in Kangiqsujuaq in northern Quebec to write down some Inuttitut phrases to assist him in the study of the language. At the age of twenty-two, Nappaaluk began writing but did not stop at mere phrases. She invented a group of characters and events and, over the next twenty years, wrote the first Inuit novel, simultaneously reinventing the novel form.Due in part to the perseverance of French anthropologist Bernard Saladin d’Anglure, Sanaaq was first published in syllabic Inuttitut in 1987. His French translation appeared in 2002. This English translation now brings this cornerstone of Inuit literature to Anglophone readers and scholars.

    Only Mr. Davies, author of Fifth Business, The Manticore, and World of Wonders, could have woven together their destinies with such wit, humour-and wisdom.

    Beginning with the dramatic events surrounding his birth, the richly recalled events of Ferguson's life and a vivid cast of loveable misfits make for a taut and appealingly idiosyncratic tale. In 1959, just one step ahead of the law, Hank Ferguson (the Ferguson brothers' con-artist dad) headed north in a beat-up two-toned 1953 Mercury Zephyr with his pregnant wife, Louise. He got as far as remote Fort Vermilion. Passing himself off as a teacher at the local "Indian school," he settled his ever-expanding family in what was then Canada's third poorest community. In this spirited reading, originally broadcast on CBC Radio in September 2004, Ian Ferguson's gifts as a comic actor rise exuberantly to the fore.

    He found himself in the nightmare world of trench warfare; of mud and smoke, of chlorine gas and rotting corpses. In this world gone mad, Robert Ross performed a last desperate act to declare his commitment to life in the midst of death. The Wars is quite simply one of the best novels ever written about the First World War.

    There are presumably more important concerns in Indian Country. More important than humor? Among the Diné/Navajo, a ceremony is held in honor of a baby’s first laugh. While the context is different, it nonetheless reminds us that laughter is precious, even sacred.Bury My Heart at Chuck E. Cheese’s is a powerful and compelling collection of Tiffany Midge’s musings on life, politics, and identity as a Native woman in America. Artfully blending sly humor, social commentary, and meditations on love and loss, Midge weaves short, stand-alone musings into a memoir that stares down colonialism while chastising hipsters for abusing pumpkin spice. She explains why she does not like pussy hats, mercilessly dismantles pretendians, and confesses her own struggles with white-bread privilege.   Midge goes on to ponder Standing Rock, feminism, and a tweeting president, all while exploring her own complex identity and the loss of her mother. Employing humor as an act of resistance, these slices of life and matchless takes on urban-Indigenous identity disrupt the colonial narrative and provide commentary on popular culture, media, feminism, and the complications of identity, race, and politics.

    Marie-Joseph Angélique, a twenty-nine-year-old slave, was arrested, tried, and found guilty of starting the blaze that consumed forty-six buildings. Suspecting that she had not acted alone and angered that she had maintained her innocence, Angélique's condemners tortured her after the trial. She confessed but named no accomplices. Before Angélique was hanged, she was paraded through the city. Afterward, her corpse was burned. Angélique, who had been born in Portugal, faded into the shadows of Canadian history, vaguely remembered as the alleged arsonist behind an early catastrophic fire.The result of fifteen years of research, The Hanging of Angélique vividly tells the story of this strong-willed woman. Afua Cooper draws on extensive trial records that offer, in Angélique's own words, a detailed portrait of her life and a sense of what slavery was like in Canada at the time. Predating other first-person accounts by more than forty years, these records constitute what is arguably the oldest slave narrative in the New World.Cooper sheds new light on the largely misunderstood or ignored history of slavery in Canada. She refutes the myth that Canada was a haven at the end of the Underground Railroad. Cooper also provides a context for Canada in the larger picture of transatlantic slavery while re-creating the tragic life of one woman who refused to accept bondage.

    Life at the school is not easy, but Seepeetza still manages to find some bright spots. Always, thoughts of home make her school life bearable.An honest, inside look at life in an Indian residential school in the 1950s, and how one indomitable young spirit survived it.

    citizen, using it as a starting point for her exploration of the rights, liberties, and protections that are traditionally associated with American citizenship. Tapping into history, politics, and literature, she elucidates how accidents of birth--such as national origin, race, and gender--that once determined the boundaries of Americanness still their shadows today.

    Beyond the stereotypes and cliche's of Rez dogs, drinking, and bingos, the story of a girl who loved to read and her family begins to unfold.

    Rock icon. Living legend. Buffy Sainte-Marie is all of these things, and Greystone is proud to celebrate the incredible Cree singer-songwriter, activist, and educator with her authorized biography.For more than 50 years, Sainte-Marie has made her voice heard through her music, art, and activism, establishing herself among the ranks of folk greats such as Joni Mitchell and Bob Dylan. She’s released more than twenty albums and ten singles, survived being blacklisted by two U.S. presidents, and has received countless accolades, including the only Academy Award ever to be won by a First Nations artist. Her most recent album, Power in the Blood (2015), won the Polaris Music Prize and two Juno Awards. But Sainte-Marie is so much more than a musician; she is also an entrepreneur, a pioneer in digital art, and an important cultural activist who has worked tirelessly advocating for and protecting Indigenous rights and freedoms. Her incredible contributions to society will be recognized when she receives the Allan Waters Humanitarian Award at the 2017 Juno Awards, and will also come to light in her forthcoming biography.Penned by leading music, culture, and feminist writer Andrea Warner, Buffy Sainte-Marie: An Authorized Biography will weave a powerful, intimate look at the life of a beloved artist and everything that she has accomplished in her 76 years (and counting).

    In the first half of the book, we learn of Termen’s early days as a scientist in Leningrad during the Bolshevik Revolution, the acclaim he receives as the inventor of the theremin, and his arrival in 1930s New York under the aegis of the Russian state. In the United States he makes a name for himself teaching the theremin to eager music students and marketing his inventions to American companies. In the second half, the novel builds to a crescendo as Termen returns to Russia, where he is imprisoned in a Siberian gulag and later brought to Moscow, tasked with eavesdropping on Stalin himself. Throughout all this, his love for Clara remains constant and unflagging, traveling through the ether much like a theremin’s notes. Us Conductors is steeped in beauty, wonder, and looping heartbreak, a sublime debut that inhabits the idea of invention on every level.

    An eleven-year-old girl narrates the unfolding of the Fish Wars in the 1960s, as her family is gradually drawn to the front lines of the conflict. In 1890, as tensions escalate at Wounded Knee, two young men at college, one French and the other Lakota, each contemplate a death in the family. In the final, haunting piece, a Nez Perce/Cayuse family is torn apart as they debate the fate of ancestral remains in a moving revision of the Greek tragedy Antigone.Formally inventive, witty, and generous, the works in this singular debut collection draw on Indigenous aesthetics and forms to offer a powerful, sustaining vision of Native life in the Americas.

    His is a meditation on delight that takes a clear-eyed view of the complexities, even the terrors, in his life, including living in America as a black man; the ecological and psychic violence of our consumer culture; the loss of those he loves. Among Gay’s funny, poetic, philosophical delights: the way Botan Rice Candy wrappers melt in your mouth, the volunteer crossing guard with a pronounced tremor whom he imagines as a kind of boat-woman escorting pedestrians across the River Styx, a friend’s unabashed use of air quotes, pickup basketball games, the silent nod of acknowledgment between black people. And more than any other subject, Gay celebrates the beauty of the natural world—his garden, the flowers in the sidewalk, the birds, the bees, the mushrooms, the trees.This is not a book of how-to or inspiration, though it could be read that way. Fans of Roxane Gay, Maggie Nelson, and Kiese Laymon will revel in Gay’s voice, and his insights. The Book of Delights is about our connection to the world, to each other, and the rewards that come from a life closely observed. Gay’s pieces serve as a powerful and necessary reminder that we can, and should, stake out a space in our lives for delight.

    Twelve episodes in the everyday life of the community of Mariposa