Testing chemicals in his lab, he drinks a mixture he hopes will isolate - and eliminate - human evil. Instead it unleashes the dark forces within him, transforming him into the hideous and murderous Mr. Hyde.The Strange Case of Dr. Jekyll and Mr. Hyde dramatically brings to life a science-fiction case study of the nature of good and evil and the duality that can exist within one person. Resonant with psychological perception and ethical insight, the work has literary roots in Dostoevsky's "The Double" and Crime and Punishment. Today Stevenson's novella is recognized as an incisive study of Victorian morality and sexual repression, as well as a great thriller.This collection also includes some of the author's grimmest short fiction: "Lodging for the Night," "The Suicide Club," "Thrawn Janet," "The Body Snatcher," and "Markheim."

    'What those buildings had been used for in other days was not obvious to the casual and careless observer, but to the least observant their present use was obvious enough. Here were piles of timber from Norway; there were stacks of slate from Wales; here was marble from Aberdeen, and there cement from Portland: the old chambers of the grey buildings were filled to overflowing with all the things that go towards making a house-ironwork, zinc, lead, tiles, great coils of piping, stores of domestic appliances. And on a shining brass plate, set into the wall, just within the gateway, were deeply engraven the words: Mallalieu and Cotherstone, Builders and Contractors ...'

    Told by 'One of the Firm', it is the tale of a foolhardy junior partner of an ill-fated haberdashery store. Formerly a bill-sticker, Robinson wishes to spend the firm's entire capital on advertising, to 'broadcast through the metropolis on walls, omnibuses, railway stations, little books, pavement chalkings, illuminated notices, porters' backs, gilded cars, and men in armour'. Although Robinson's devotion to inflated and dishonest advertising is the target of Trollope's satire, Robinson is none the less presented as an attractive and sympathetic character. Trollope wrote of Brown, Jones, and Robinson, 'I think there is some good fun in it'. The novel is an amusing comedy, bearing the hallmarks of Trollope's better-known novels - clever dialogue, riveting moments of drama, and comic suspense.

    This bracelet becomes the possession of Colonel Thorndyke. A little later he is wounded and returns home to England. The secret of the bracelet is told to the Colonel's brother, a country squire, and the treasure is left to younger members of the Thorndyke family.

    Only two little girls know where he is but they’re too scared to tell. Time is running out for the policeman. Will the girls get help before it’s too late? Piggy Monk Square is a dark yet frequently very funny novel set in 1970's Liverpool. The action takes place in the volatile period before the Toxteth riots burned much of the inner city down. A BRITISH THRILLER This unusual yet very readable British thriller describes a world tainted with deep mistrust and hostility between the local people and the police force. This harsh world is viewed through the eyes of a nine-year-old girl, Rebecca. Rebecca’s world is changing. Her parents are fighting. Her teachers are cruel. She doesn’t know what to do and turns to her best friend Debbie more and more. But Debbie’s life is just as tough. With a father who is always dodging the police, and a mother who works her to the bone, Debbie is no Cinderella. The world these girls inhabit is no fairy tale, it is confusing and can be brutally violent. A TERRIFYING SECRET No wonder the girls mix reality with fantasy - it’s how they survive, especially when it comes to coping with what will soon become their terrifying secret. A secret that will infuse their childhood with fear and change their lives forever. The nightmare begins when Rebecca and Debbie are playing in the cellar of a derelict house. A policeman catches them there and warns them not to return to this dangerous old building. But they are both determined little girls with nowhere else to play, so they come back, again and again. Unfortunately for them so does the policeman. The policeman tries to chase the girls away, but he falls down a ladder and goes ‘asleep.’ The girls try to wake him but can’t. They want to get help but at the same time they know they shouldn’t have been playing in that cellar. They have learned not to trust the police and are so afraid of getting into trouble that they leave the injured policeman alone. NOWHERE TO TURN Wishful thinking makes the girls hope that he will get up and go of his own accord and that everything will be okay again. But when they return and find him still there, conscious but unable to move they find another way to help him. A way that doesn’t involve adults. But, their interpretation of ‘helping’ the dying policeman has terrible consequences for them all.

    This volume is produced from digital images created through the University of Michigan University Library's preservation reformatting program.

    At a young age, Rafael was exposed to many languages. By the time he was seventeen, he was the master of five languages. He quickly added a sixth language - English - to his linguistic collection. After a brief stint in the business world, Sabatini went to work as a writer. He wrote short stories in the 1890s, and his first novel came out in 1902. Sabatini was a prolific writer; he produced a new book approximately every year. He consciously chose to write in his adopted language, because, he said, "all the best stories are written in English." In all, he produced thirty one novels, eight short story collections, six nonfiction books, numerous uncollected short stories, and a play. He is best known for his world-wide bestsellers: The Sea Hawk (1915), Scaramouche (1921), Captain Blood (1922) and Bellarion the Fortunate (1926). Other famous works by Sabatini are The Lion's Skin (1911), The Strolling Saint (1913) and The Snare (1917).

    It came to little, being no more than that I should miss love and fortune in the sunlight and find them in the rain. The woman was a haggard, black-faced gypsy, and when my mother asked for more she turned on her heel and spoke gibberish; for which she was presently driven out of the place by Tarn Roberton, the baillie, and the village dogs. But the thing stuck in my memory, and together with the fact that I was a Thursday's bairn, and so, according to the old rhyme, "had far to go," convinced me long ere I had come to man's estate that wanderings and surprises would be my portion.It is in the rain that this tale begins. I was just turned of eighteen, and in the back-end of a dripping September set out from our moorland house of Auchencairn to complete my course at Edinburgh College. The year was 1685, an ill year for our countryside; for the folk were at odds with the King's Government, about religion, and the land was full of covenants and repressions. Small wonder that I was backward with my colleging. . . .

    His sheltered childhood in the home he loves has not prepared Vernon for the harsh reality of his adult years, and in order to write the great masterpiece of his life, he has to make a crucial decision with no time left to count the cost. But there is a high price to be paid for his talent, especially by his family and the two women in his lifee - the one he loves and the one who loves him. Young Nell Vereker had always loved Vernon, loved him with a consuming passion that was alien to the proper social world in which she lived. But when Vernon sought solace in the arms of Jane Harding, a stranger and enigmatically beautiful older woman, Nell felt she could endure no greater pain. But Fate had only begun to work its dark mischief on this curious romantic triangle -- for before their destinies were sealed, one would live, one would die, and one would return from the grave to be damned…

    K. Chesterton (1874–1936) is best known as the creator of detective-priest Father Brown (even though Chesterton's mystery stories constitute only a small fraction of his writings). The eight adventures in this classic British mystery trace the activities of Horne Fisher, the man who knew too much, and his trusted friend Harold March. Although Horne's keen mind and powerful deductive gifts make him a natural sleuth, his inquiries have a way of developing moral complications. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper-crust society in pre–World War I England.

    Amid bloody and eerie scenes, his daughter is possessed by Tera's soul, and her fate depends upon bringing Tera's mummified body to life.

    Immensely popular for years, the novel led to a hit play, a series of popular films, Trilby products from hats to ice-cream, and streets in Florida named after characters in the book. The setting reflects Du Maurier's bohemian years as an art student in Paris before he went to London to make a career in journalism. A celebrated caricaturist for Punch magazine, Du Maurier's drawings for the novel--of which his most significant are included here--form a large part of its appeal.

    A DARK NIGHT'S WORK, a short fiction novel, was written by Elizabeth Gaskell in 1863.

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    It is a wonderfully atmospheric piece that combines narrative, poetry, song, and descriptive writing to great effect. The character of Dick Turpin that we know today - the dashing highwaymen and unmatched horseman - can be said to stem directly from this novel, as the most famous part of the book (often published on its own in the past), Turpin’s Ride To York, is devoted to him. Although seemingly little known to a modern audience, Ainsworth’s "Rookwood" gave the world the image of the highwayman with which we are all so familiar. (Summary by paulc)