Set on the magical Massachusetts island, True Love introduces characters from a new generation of Montgomery-Taggerts, the beloved family from Deveraux’s classic novels.Just as Alix Madsen is finishing up architectural school, Adelaide Kingsley dies and wills her, for one year, the use of a charming nineteenth-century Nantucket house. The elderly woman’s relationship to the Madsen family is a mystery to the spirited Alix—fresh from a romantic breakup—but for reasons of her own Alix accepts the quirky bequest, in part because it gives her time to plan her best friend’s storybook wedding.But unseen forces move behind the scenes, creaking Kingsley House’s ancient floorboards. It seems that Adelaide Kingsley had a rather specific task for Alix: to solve the strange disappearance of one of the Kingsley women, Valentina, more than two hundred years ago. If that wasn’t troubling enough, Alix must deal with the arrogant (and extremely good-looking) architect Jared Montgomery, who is living in the property’s guesthouse.Unbeknown to Alix, Jared has been charged with looking after her while she lives on the island—an easy task for him, considering the undeniable chemistry between the two. But Jared harbors secrets of his own, which, if revealed, may drive a wedge between the pair.With a glorious Nantucket wedding on the horizon, sparks fly, and the ghosts of the past begin to reveal themselves—some of them literally. Finding their lives inextricably entwined with the turbulent fortunes of their ancestors, Alix and Jared discover that only by righting the wrongs of the past can they hope to be together.

    Vermont, 1972. Carole LaPorte has a satisfying, ordinary life. She cares for her children, balances the books for the family’s auto shop and laughs when her husband slow dances her across the kitchen floor. Her tragic childhood might have happened to someone else. But now her mind is playing tricks on her. The accounts won’t reconcile and the murmuring she hears isn’t the television. She ought to seek help, but she’s terrified of being locked away in a mental hospital like her mother, Solange. So Carole hides her symptoms, withdraws from her family and unwittingly sets her eleven-year-old daughter Alison on a desperate search for meaning and power: in Tarot cards, in omens from a nearby river and in a mysterious blue glass box belonging to her grandmother. An exploration of the power of courage and love to overcome a damning legacy, All the Best People celebrates the search for identity and grace in the most ordinary lives.

    She's tried all the dating apps, and let's just say: she's underwhelmed by her options. You'd think that by now someone would have come up with something more bespoke; a way for users to be more tailored about who and what they want in a life partner--how hard could that be?Enter The Arc: a highly secretive, super-sophisticated matchmaking service that uses a complex series of emotional, psychological and physiological assessments to architect partnerships that will go the distance. The price tag is high, the promise ambitious--a level of lifelong compatibility that would otherwise be unattainable. In other words, The Arc will find your ideal mate.Ursula is paired with 42-year-old lawyer Rafael Banks. From moment one, this feels like the electric, lasting love they've each been seeking their whole adult lives. But as their relationship unfolds in unanticipated ways, the two begin to realize that true love is never a sure thing. And the arc of a relationship is never predictable...even when it's fully optimized.

    I’m thirty-five years old, and I’ve lost my NYC apartment, my job, my money, and frankly, my dignity.But the final heartache in the suck sandwich of my life? My great-aunt Maggie died. The only family member who’s ever gotten me.Even after death, though, she’s helping me get back up. She’s willed me the keys to a house in the burbs, of all places, and dared me to grab life by the family jewels. Well, I’ve got the vise grips already in hand (my ex should take note) and I’m ready to fight for my life again.Too bad that bravado only lasts as long as it takes to drive into Huckleberry Hills. And see the house.There are forty-seven separate HOA violations, and I feel them all in my bones. Honestly, I’m surprised no one’s “accidentally” torched the house yet. I want to, and I’ve only been standing in front of it for five minutes. But then my hot, grumpy neighbor tells me to mow the lawn first and I’m just...done. Done with men too sexy for their own good and done with anyone telling me what to do ever again. First rule of surviving the burbs? There is nothing that YouTube and a glass of wine can’t conquer.

    But now she simply collects them. Aquamarine bottles, bright yellow crockery, deep Tuscan red pots (and the odd slow-cooker) take up every available inch of space in her house. Having suffered a terrible tragedy—one she staunchly refuses to let herself think about, thank you very much—she’s decided that it’s easier to love things than people. Things are safe. Things will never leave you. But when a new family moves in next door with two young boys, one of whom has a collection of his own, Amy’s carefully managed life starts to unravel, prompting her to question why she began to close herself off in the first place. As Amy embarks on a journey back into her past, she has to contend with nosy neighbors, a meddlesome government worker, the inept police, and a little boy whose love of bulldozers might just let Amy open up her heart—and her home—again. Quirky and charming, big-hearted and moving, The Missing Treasures of Amy Ashton proves that it’s never too late to let go of the things that don’t matter...and welcome the people who do.

    An enchanting new novel from the New York Times bestselling author of The Swans of Fifth Avenue and The Aviator’s Wife.Hollywood, 1914. Frances Marion, a young writer desperate for a break, meets “America’s Sweetheart,” Mary Pickford, already making a name for herself both on and off the screen with her golden curls and lively spirit. Together, these two women will take the movie business by storm.Mary Pickford becomes known as the “Queen of the Movies”—the first actor to have her name on a movie marquee, and the first to become a truly international celebrity. Mary and her husband, Douglas Fairbanks, were America’s first Royal Couple, living in a home more famous that Buckingham Palace. Mary won the first Academy Award for Best Actress in a Talkie and was the first to put her hand and footprints in Grauman’s theater sidewalk. Her annual salary in 1919 was $625,000—at a time when women’s salaries peaked at $10 a week. Frances Marion is widely considered one of the most important female screenwriters of the 20th century, and was the first writer to win multiple Academy Awards. The close personal friendship between the two stars was closely linked to their professional collaboration and success.This is a novel about power: the power of women during the exhilarating early years of Hollywood, and the power of forgiveness. It’s also about the imbalance of power, then and now, and the sacrifices and compromises women must make in order to succeed. And at its heart, it’s a novel about the power of female friendship.

    Felicia has been quietly in love with her happily married boss for twenty years; now that he’s a lonely widower, she just needs the right situation to make him see her as more than the best executive assistant in Midtown Manhattan. Andrea is a private detective specializing in gathering evidence on cheating husbands—a skill she unfortunately learned from her own life—and can’t figure out why her intuition tells her the guy she’s tailing is one of the good ones when she hasn’t trusted a man in years. For these three women, as well as half a dozen others in sparkling supporting roles—a young model fresh from rural Georgia, a diva Hollywood star making her Broadway debut, an overachieving, unemployed Brown grad who starts faking a fabulous life on social media, to name just a few—everything is about to change, thanks to the dress of the season, the perfect little black number everyone wants to get their hands on…

    For a while, she found a safe haven in her marriage to bestselling crime novelist Stephen Ludlow—until his car skidded into Echo Bay. But Stephen’s wasn’t the only body pulled from the icy waters that night. When details about a mysterious violet-eyed blonde become public, a media circus ensues, and Christy-Lynn runs again.Desperate for answers, she’s shattered to learn that Stephen and his mistress had a child—a little girl named Iris, who now lives in poverty with her ailing great-grandmother. The thought of Iris abandoned to the foster care system—as Christy-Lynn once was—is unbearable. But she’s spent her whole life running—determined never to be hurt again. Will she finally stand still long enough to open herself up to forgiveness and love?

    Since his death, she’s been sleepwalking through life, barely holding on for the sake of her teenage son. Her house is a wreck, the grass is overrun with weeds, and she’s at risk of losing her job. As Paige stares at her neglected lawn, she knows she’s hit rock bottom. So she does something entirely unexpected: she begins to dig.As the hole gets bigger, Paige decides to turn her entire yard into a vegetable garden. The neighbors in her tidy gated community are more than a little alarmed. Paige knows nothing about gardening, and she’s boldly flouting neighborhood-association bylaws. But with the help of new friends, a charming local cop, and the transformative power of the soil, Paige starts to see potential in the chaos of her life. Something big is beginning to take root—both in her garden and in herself.

    Jo has almost everything she's ever wanted, including a condo on the beach (though she's the youngest resident by thirty years) and an exciting job (albeit below deck) that lets her travel the world.Jo is on track until a family tragedy turns her life upside down, and the list falls by the wayside. But when her two nieces show up unannounced with plans to stay the summer, they discover her list and insist on helping Jo finish it. Though the remaining eight items (which include running a marathon, visiting ten countries, and sleeping in a castle) seem impossible to complete in twelve weeks, Jo takes on the challenge.When she summons the courage to complete item number five--kiss a stranger--and meets Alex Hayes, all bets are off. As her feelings for Alex intensify and Jo's inability to confront difficult emotions about her family complicates her relationships, she must learn to quit playing it safe with her heart before she loses what matters most.

    Swipe left for disaster.By day, Mel Strickland is an underemployed helpdesk tech at a startup incubator, Hatch, where she helps entitled brogrammers—"Hatchlings"—who can't even fix their own laptops, but are apparently the next wave of startup geniuses. And by night, she goes on bad dates with misbehaving dudes she's matched with on the ubiquitous dating app, Fluttr.But after one dick pic too many, Mel has had it. Using her brilliant coding skills, she designs an app of her own, one that allows users to log harrassers and abusers in online dating space. It's called JerkAlert, and it goes viral overnight.Mel is suddenly in way over her head. Worse still, her almost-boyfriend, the dreamy Alex Hernandez—the only non-douchey guy at Hatch—has no idea she's the brains behind the app. Soon, Mel is faced with a terrible choice: one that could destroy her career, love life, and friendships, or change her life forever.

    Perfect for fans of Fiona Davis’s The Dollhouse, this engrossing tale highlights the role that ambition, sexism, and true love will forever play in women’s lives." —Amy Poeppel, author of Small AdmissionsIn 1949, dutiful and ambitious Charlotte's dream of a career in advertising is shattered when her father demands she help out with the family business. Meanwhile, Charlotte is swept into the glamorous world of the Miss Subways beauty contest, which promises irresistible opportunities with its Park Avenue luster and local fame status. But when her new friend—the intriguing and gorgeous fellow-participant Rose—does something unforgivable, Charlotte must make a heart-wrenching decision that will change the lives of those around her forever.Nearly 70 years later, outspoken advertising executive Olivia is pitching the NYC subways account in a last ditch effort to save her job at an advertising agency. When the charismatic boss she’s secretly in love with pits her against her misogynistic nemesis, Olivia’s urgent search for the winning strategy leads her to the historic Miss Subways campaign. As the pitch date closes in on her, Olivia finds herself dealing with a broken heart, an unlikely new love interest, and an unexpected personal connection to Miss Subways that could save her job—and her future.The Subway Girls is the charming story of two strong women, a generation apart, who find themselves up against the same eternal struggle to find an impossible balance between love, happiness, and ambition.

    She’s driven, energetic, and a positive thinker. She has a great career working for famed self-help guru Ian Fortune, she lives in a cute studio apartment in Manhattan, and her family is supportive and loving (albeit a little kooky). Her life is perfect. Absolutely wonderful. Except for one tiny little thing.After a decade of disastrous relationships and an infertility diagnosis, Gemma doesn’t want a Mr. Right (or even a Mr. Right Now), she just wants a baby.And all she needs is an egg, some sperm, and IVF.So Gemma makes a New Year’s resolution: have a baby.Josh Lewenthal is a laid back, relaxed, find-the-humor-in-life kind of guy. The polar opposite of Gemma. He’s also her brother’s best friend. For the past twenty years Josh has attended every Jacobs’ family birthday, holiday, and event – he’s always around. Gemma knows him. He’s nice (enough), he’s funny (-ish), he’s healthy (she thinks) and he didn’t burn any ants with a magnifying glass as a kid. Which, in Gemma’s mind, makes him the perfect option for a sperm donor.So Gemma wants to make a deal. An unemotional, businesslike arrangement. No commitments, just a baby.To Gemma’s surprise, Josh agrees.They have nothing in common, except their agreement to make a baby and their desire to keep things businesslike.But the thing about baby-making…it’s hard to keep it businesslike, it’s nearly impossible to keep it unemotional, and it’s definitely impossible to keep your heart out of the mix. Because when you’re making a baby together, things have a way of starting to feel like you’re making other things too – like a life, and a family, and love. And when the baby-making ends, you wish that everything else didn’t have to end too.

    At least for now. When Nora landed an editorial assistant position at Parsons Press, it was her first step towards The Dream Job. Because, honestly, is there anything dreamier than making books for a living? But after five years of lunch orders, finicky authors, and per my last emails, Nora has come to one grand conclusion: Dream Jobs do not exist.With her life spiraling and the Parsons staff sinking, Nora gets hit with even worse news. Parsons is cutting her already unlivable salary. Unable to afford her rent and without even the novels she once loved as a comfort, Nora decides to moonlight for a rival publisher to make ends meet…and maybe poach some Parsons' authors along the way.But when Andrew Santos, a bestselling Parsons author no one can afford to lose is thrown into the mix, Nora has to decide where her loyalties lie. Her new Dream Job, ever-optimistic Andrew, or...herself and her future. Your next book club read touching on mental health, happiness, and the peaks and perils of being a young woman just trying to figure it all out. Nora Hughes is the perfect heroine for anyone looking to get past their own chapter twenty-something and build their storybook life.

    . . and finding herself again . . . in the middle of her life.Maybe it was those extra five pounds I’d gained. Maybe it was because I was about to turn the same age my mother was when I lost her. Maybe it was because after almost twenty years of marriage my husband and I seemed to be running out of things to say to each other.   But when the anonymous online study called “Marriage in the 21st Century” showed up in my inbox, I had no idea how profoundly it would change my life. It wasn’t long before I was assigned both a pseudonym (Wife 22) and a caseworker (Researcher 101).   And, just like that, I found myself answering questions.   7. Sometimes I tell him he’s snoring when he’s not snoring so he’ll sleep in the guest room and I can have the bed all to myself. 61. Chet Baker on the tape player. He was cutting peppers for the salad. I looked at those hands and thought, I am going to have this man’s children. 67. To not want what you don’t have. What you can’t have. What you shouldn’t have. 32. That if we weren’t careful, it was possible to forget one another.   Before the study, my life was an endless blur of school lunches and doctor’s appointments, family dinners, budgets, and trying to discern the fastest-moving line at the grocery store. I was Alice Buckle: spouse of William and mother to Zoe and Peter, drama teacher and Facebook chatter, downloader of memories and Googler of solutions.   But these days, I’m also Wife 22. And somehow, my anonymous correspondence with Researcher 101 has taken an unexpectedly personal turn. Soon, I’ll have to make a decision—one that will affect my family, my marriage, my whole life. But at the moment, I’m too busy answering questions.   As it turns out, confession can be a very powerful aphrodisiac.