In Delhi, he meets three guys who join his dramatic journey—they all want to change the country. They all aspire to become IAS officers. They all want to take the ‘never-seen-before-types dowry’! As expected, they mess up with a very proper college professor. There begins a chase, funnier than Tom and Jerry… Will the professor find them? Will their dreams ever come true? Find out in this laughathon full of clichés straight from the cow belt of India!Note: This book is in the Hindi language and has been made available for the Kindle, Kindle Fire HD, Kindle Paperwhite, iPhone and iPad, and for iOS, Windows Phone and Android devices.

    Set in Aligarh in the early 1960s, after the dust of Partition had ostensibly settled, Topi Shukla is an intriguing story about two friends--one Hindu and one Muslim.

    Often used to get around the provisions of constitutions and legal codes.A late-night phone call from his ex-girlfriend Anasuya forces writer Arjun Kumar to leave his wife and home in Delhi and travel to the mofussil town of Noma on the UP-Bihar border. The reason — Anasuya's husband, Rafique Neel, a college professor and theatre director, has mysteriously disappeared.Soon after he arrives, Arjun realizes that things are not as they seem: the police are refusing to register a missing-persons case, Rafique's student Janaki has also disappeared, and the locals are determined to turn it into a case of 'love jihad'. And when Arjun begins to dig deeper, what he finds endangers him and everyone around him.Inspired by true events from today's India, Legal Fiction is a brilliant existential thriller and a chilling parable of our times.

    Soldiers, mercenaries, free-booters. Europeans all, braving the heat and dust of India. They fought for wealth, for glory, and for sheer fun. Their glorious and inglorious exploits are full of thrill, romance, and violence. Ruskin Bond has recreated the turbulent and colourful India of the eighteenth and nineteenth centuries with the soldiers of fortune strutting across the subcontinent. The saga of their lives and loves in Delhi, Jaipur, Aligarh, Sardhana, and Lucknow reads stranger than fiction.

    One year. Everything to lose.When Rishabh Bala reaches the tenth standard, life takes a turn for the complicated. The bewildered boy feels the pressure of the looming board exams and finds himself hopelessly-and hormonally-in love. But what he yearns for most is victory on the field: at least one trophy with his beloved school football team.Set in the suburban Thane of 2006, here is a coming-of-age story that runs unique as it does familiar. Hopscotching from distracted classrooms and tired tutorials to triumphs and tragedies on muddy grounds, this is the journey of Rishabh and his friends from peak puberty to the cusp of manhood.

    The inhumanity of caste hierarchies and the plight of women stirred his indignation and remained constant themes throughout his works. Of his many novels, Rangbhumi depicts most graphically the devastation of peasant society and agriculture under colonial rule.

    It relates the political development of that age with current geography in a very interesting way. It also brings out a new perspective on Ravana, his rise and his fall.

    Around the pilgrim's neck is a Sri Chakra amulet which looks like one that belonged to Saroja, Shastri's first wife. But Shastri thought he had killed Saroja years before, believing she was pregnant by another man. If the amulet is Saroja's, then she might have survived, and the pilgrim (Dinakar, a television star) could be Shastri's son. A similar story is revealed when Dinakar visits his old friend Narayan: either could be the father of Prasad, a young man destined for spiritual attainment. The interwoven lives of three generations play out variations on the same themes. Whose son am I? Whose father am I? Where are my roots? These mysteries of the past and present are explored, but there are no clear answers. And while significant in daily ???being', such questions lose urgency in the flux of ???becoming' (???bhava' means both being and becoming). So we are led to consider that samsara??"the world of illusion and embodiment??"may not be very different from sunya , the emptiness from which everything arises. At times a drama of cruelty and lust, at times a lyrical meditation on love and transformation, Bhava is an exceptional novel by one of India's most celebrated writers. Translated from the Kannada by Judith Kroll with the author

    An anthology of some the best poems written by Harivansh Rai Bachchan,which have been selected specially for this anthology by himself.

    Circling themes of intimacy and time, they return to the urgency of conversation: that fragile bridge across the frozen attitudes that divide our world. But at the heart of the collection is a deeper preoccupation, with those blurry places where humans might walk with gods, where the body might touch the beyond, where the enchanted might intersect effortlessly with the everyday. Where one stumbles upon what the poet simply calls ‘love without a story’.

    It is one of the most appreciated works of Dinkar other than "Kurukshetra".Karna was first born son of Kunti whom she had abandoned at birth as he was an illegitimate son. Karna grew up in a lowly family, yet became one of the best warriors of his time. In the Great Mahabharata war, Karna was obliged to fight from the side of Duryodhana as Duryodhana recognizing his merits had made him a king and adopted him as a close friend. Karna fighting from Kaurava's side was a great worry of Pandavas as he was reputed to be unconquerable in war. The way Dinkar has presented the story of Karna with all hues of human emotions trapped in moral dilemmas, is simply marvelous. The rhythm and meter is lilting. Choice of words and purity of language is exhilarating. The work has a timeless relevance and is a must read.

    

    A short novel, that may also be viewed as a set of connected mini-narratives, it can also be considered as one of the foremost instances of metafiction in twentieth century Hindi literature. This book talks about the encounter of narrator with 3 different women during his teenage, youth & adulthood.

    Their possessions are meagre: the single room barely accommodates their bed, the water pot, the kitchen utensils and the tin box in which Sonsi keeps her precious things. But there is a magical place beyond the window which sustains Raghuvir Prasad's and Sonsi's spirit. This window lived in a wall.

    Writing with the same honesty and passion as her scandalous short-story, “The Quilt,” Chughtai exposes the complex relationships developed between women living and working in relative seclusion, and the intellectual and emotional contradictions lying in the heart of a rebellious country on the brink of independence from the British Raj and ultimately Partition.