Nevertheless, I am sure of this much: My little story has become your history. You won't really understand your times until you understand mine."" So begins the account of Agnes Shanklin, the charmingly diffident narrator of Dreamers of the Day. And what is Miss Shanklin's "little story"? Nothing less than the creation of the modern Middle East at the 1921 Cairo Peace Conference, where Winston Churchill, T. E. Lawrence, and Lady Gertrude Bell met to decide the fate of the Arab world-and of our own. A forty-year-old schoolteacher from Ohio, Agnes has come into a modest inheritance that allows her to take the trip of a lifetime to Egypt. Arriving at the Semiramis Hotel just as the Peace Conference convenes, Agnes enters into the company of the historic luminaries who will, in the space of a few days at a hotel in Cairo, invent the nations of Iraq, Syria, Lebanon, Israel, and Jordan. As Agnes observes the tumultuous inner workings of nation-building, she is drawn more and more deeply into geopolitical intrigue and toward a personal awakening. With graceful and effortless prose, Mary Doria Russell illuminates the long, rich history of the Middle East through a story that brilliantly elucidates today's headlines. Dreamers of the Day is a memorable and passionate novel.

    The vagaries of the Fairchilds are keenly observed, and sometimes harshly judged, by nine-year-old Laura McRaven, a Fairchild cousin who takes The Yellow Dog train to the Delta for Dabney Fairchild's wedding. An only child whose mother has just died, Laura is resentful of her boisterous, careless cousins, and desperate for their acceptance. As the hour moves closer and closer to wedding day, Laura arrives at a more subtle understanding of both the Fairchilds and herself. Born in 1909 in Jackson, Mississippi, Eudora Welty is one of the South's finest novelists. She won a Pulitzer in 1972 for The Optimist's Daughter. Delta Wedding is her best known work.

    During the years when her husband F. Scott Fitzgerald was working on Tender is the Night—which many critics consider his masterpiece—Zelda Fitzgerald was preparing her own story. The novel strangely parallels events from her husband’s life, throwing a fascinating light on Scott Fitzgerald and his work. In its own right, it is a vivid and moving story—centered upon the confessional of a famous glamour girl of the affluent 1920s and an aspiring ballerina—that captures the spirit of an era.

    Twelve years in the making, the publication of Rhett Butler’s People marks a major and historic cultural event. Through the storytelling mastery of award-winning writer Donald McCaig, the life and times of the dashing Rhett Butler unfolds. Through Rhett’s eyes we meet the people who shaped his larger than life personality as it sprang from Margaret Mitchell’s unforgettable pages: Langston Butler, Rhett’s unyielding father; Rosemary his steadfast sister; Tunis Bonneau, Rhett’s best friend and a onetime slave; Belle Watling, the woman for whom Rhett cared long before he met Scarlett O’Hara at Twelve Oaks Plantation, on the fateful eve of the Civil War. Of course there is Scarlett. Katie Scarlett O’Hara, the headstrong, passionate woman whose life is inextricably entwined with Rhett’s: more like him than she cares to admit; more in love with him than she’ll ever know…Brought to vivid and authentic life by the hand of a master, Rhett Butler’s People fulfills the dreams of those whose imaginations have been indelibly marked by Gone With The Wind.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    Here is the story of the inimitable twelve-year-old Frankie, who is utterly, hopelessly bored with life until she hears about her older brother's wedding. Bolstered by lively conversations with her house servant, Berenice, and her six-year-old male cousin—not to mention her own unbridled imagination—Frankie takes on an overly active role in the wedding, hoping even to go, uninvited, on the honeymoon, so deep is her desire to be the member of something larger, more accepting than herself. "A marvelous study of the agony of adolescence" (Detroit Free Press), The Member of the Wedding showcases Carson McCullers at her most sensitive, astute, and lasting best.

    As children, they are cared for by Paddy Button, a portly sailor who drinks himself to death after only two and a half years in paradise. Frightened and confused by the man's gruesome corpse, the children flee to another part of Palm Tree Island. Over a period of five years, they grow up and eventually fall in love. Sex and birth are as mysterious to them as death, but they manage to copulate instinctively and conceive a child. The birth is especially remarkable: fifteen-year-old Emmeline, alone in the jungle, loses consciousness and awakes to find a baby boy on the ground near her. Naming the boy Hannah (an example of Stacpoole's penchant for gender reversals), the Lestranges live in familial bliss until they are unexpectedly expelled from their tropical Eden.

    But her regime is disrupted by the arrival of McMurphy – the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt to do battle with the powers that keep them imprisoned. Ken Kesey's extraordinary first novel is an exuberant, ribald and devastatingly honest portrayal of the boundaries between sanity and madness.

    Set in provincial France in the 1960s, it is the intensely carnal story—part shocking reality, part feverish dream —of a love affair between a footloose Yale dropout and a young French girl. There is the seen and the unseen—and pages that burn bright with a rare intensity.

    Breaking the well-established routine of his daily life, he immediately sets off for Dover with his astonished valet Passepartout. Passing through exotic lands and dangerous locations, they seize whatever transportation is at hand—whether train or elephant—overcoming set-backs and always racing against the clock.

    In 1949, four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club. Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives – until their own inner crises reveal how much they've unknowingly inherited of their mothers' pasts. With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties. Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.

    Los Angeles liberals Delaney and Kyra Mossbacher lead an ordered sushi-and-recycling existence in a newly gated hilltop community: he a sensitive nature writer, she an obsessive realtor. Mexican illegals Cándido and América Rincón desperately cling to their vision of the American Dream as they fight off starvation in a makeshift camp deep in the ravine. And from the moment a freak accident brings Cándido and Delaney into intimate contact, these four and their opposing worlds gradually intersect in what becomes a tragicomedy of error and misunderstanding.

    And then she meets Bill Clinton. A handsome, charismatic southerner and fellow law student, Bill is already planning his political career. In each other, the two find a profound intellectual, emotional, and physical connection that neither has previously experienced. In the real world, Hillary followed Bill back to Arkansas, and he proposed several times; although she said no more than once, as we all know, she eventually accepted and became Hillary Clinton. But in Curtis Sittenfeld’s powerfully imagined tour-de-force of fiction, Hillary takes a different road. Feeling doubt about the prospective marriage, she endures their devastating breakup and leaves Arkansas. Over the next four decades, she blazes her own trail—one that unfolds in public as well as in private, that involves crossing paths again (and again) with Bill Clinton, that raises questions about the tradeoffs all of us must make in building a life. Brilliantly weaving a riveting fictional tale into actual historical events, Curtis Sittenfeld delivers an uncannily astute and witty story for our times. In exploring the loneliness, moral ambivalence, and iron determination that characterize the quest for political power, as well as both the exhilaration and painful compromises demanded of female ambition in a world still run mostly by men, Rodham is a singular and unforgettable novel.

    After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at fifty, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.With all of Bukowski's trademark humor and gritty, dark honesty, this 1978 follow-up to Post Office and Factotum is an uncompromising account of life on the edge.

    Shortly thereafter he wrote a sequel, Twenty Years After. Later, toward the end of his career, Dumas wrote The Red Sphinx, another direct sequel to The Three Musketeers that begins a mere twenty days afterward. Picking up right where the The Three Musketeers left off, The Red Sphinx continues the stories of Cardinal Richelieu, Queen Anne, and King Louis XIII—and introduces a charming new hero, the Comte de Moret, a real historical figure from the period. Dumas wrote seventy-five chapters of The Red Sphinx, but never quite finished it and the novel languished for almost a century. While Dumas never completed the book, he had earlier written a separate novella, The Dove, that recounts the final adventures of Moret and Cardinal Richelieu. Now for the first time in one cohesive narrative, The Red Sphinx and The Dove make a complete and satisfying storyline—a rip-roaring novel of historical adventure, heretofore unknown to English-language readers, by the great Alexandre Dumas, king of the swashbucklers