At ten she took up marijuana, and by twelve she began snorting cocaine. Here is her gripping, heart-wrenching story--a story of a childhood gone awry and a young woman battling to restore order to her chaotic life.

    That’s exactly what happened to Lisa Brockman, a six-generation Mormon with lineage tracing back to the early church. In college, Lisa found herself challenged to defend her faith, and the beliefs she knew to be true began to unravel.  In Out of Zion, Lisa shares her journey of discovering the biblical Jesus and the key conversations that led her from the faith of her ancestors to conversion to Christianity. If you have reached a place of questioning what you believe, or you long for confidence to share your faith with others, Lisa provides the framework you need to…understand the nuances of the history and evolution of Mormon culturelearn to identify the vital differences between the Mormon and biblical plans of salvationcompassionately engage in conversation with your Mormon friends and neighborsAs you follow the evolution of Lisa’s faith, you will face the same challenge to defend what you believe and, ultimately, learn to share the gospel effectively with others.

    But there were restrictions too, that come with growing up in an orthodox Tamil Brahmin family, as well as the rarely spoken about dangers of predatory male relatives. Ruskin College, Oxford, gave her her first taste of freedom in 1955, at the age of 22. Oxford brought her a degree in philosophy and economics—as well as hardship, as she washed dishes in a cafe to pay her fees. It was here, too, that she had her early encounters with the sensual life. With rare candour, she writes of her romantic liaisons in Oxford and Harvard, and falling in love with her ‘unsuitable boy’—her husband, Lakshmi Jain, whom she married against her beloved father’s wishes.Devaki’s professional life saw her becoming deeply involved with the cause of ‘poor’ women—workers in the informal economy, for whom she strove to get a better deal. In the international arena, she joined cause with the concerns of the colonized nations of the south, as they fought to make their voices heard against the rich and powerful nations of the former colonizers. Her work brought her into contact with world leaders and thinkers, amongst them, Vinoba Bhave, Nelson Mandela, Desmond Tutu, Henry Kissinger, Amartya Sen, Doris Lessing and Iris Murdoch, her tutor at St Anne’s College, Oxford, who became a lifelong friend.In all these encounters and anecdotes, what shines through is Devaki Jain’s honesty in telling it like it was—with a message for women across generations, that one can experience the good, the bad and the ugly, and remain standing to tell the story.

    Originally published in Paris, this is a collection of Hollywood's darkest and best kept secrets from the pen of Kenneth Anger, a former child movie actor who grew up to become one of America's leading underground film-makers.

    In Dream Brother, music critic David Browne offers an incisive portrait of the ill-fated father and son, examining their deaths and their short, though accomplished, careers. Browne's keen reporting and strong sense of the complex relationship between Jeff and Tim Buckley create a gripping account of a young artist hurtling toward his own destruction and a lyrical story of two lives adrift on the same churning river. Too discerning to simply attribute Jeff's death to some otherworldly, shared destiny with his father -- who died in 1975 at 28 -- the author instead paints a compelling picture of two valuable artists who never should have left the world so early. Dream Brother avoids dwelling on the similarities between father and son, but its focus on their individual paths makes the coincidences all the more haunting.Despite looking and sounding uncannily like a man who came a generation earlier, Jeff Buckley did not embrace his father's legacy. As Browne points out, the son was already without his father long before Tim's fatal heroin dose. For the rest of his life, Jeff resented his father for his absence and rejected the drug habit and self-destructive lifestyle that had ensnared Tim. And yet, both father and son possessed a daring that led them to premature, accidental deaths.Painting vivid images of the art and business of music in two very different eras, Dream Brother makes it clear that the common thread linking the deaths of Tim and Jeff Buckley is a sense of profound loss -- youth cut short, talent unexplored, music extinguished.Indeed, pervasive throughout Dream Brother is the feeling of something seductively ethereal. Maybe it's the presence of the Wolf River, which lured Jeff to his death. Maybe it's the foreknowledge of how the story will end. But probably, long after the Buckleys are gone, it's the music they left behind. (Karen Burns)

    While a student at the School of Visual Arts, Chris Stein photographed the downtown New York scene of the early ’70s, where he met Deborah Harry and cofounded Blondie. Their blend of punk, dance, and hip-hop spawned a totally new sound, and Stein’s photographs helped establish Harry as an international fashion and music icon. In photos and stories direct from Stein, brilliant writer of hits like "Rapture" and "Heart of Glass," this book provides a fascinating snapshot of the period before and during Blondie’s huge rise, by someone who was part of and who helped to shape the early punk music scene—at CBGB, Andy Warhol’s Factory, and early Bowery. Stars such as David Bowie, the Ramones, Joan Jett, and Iggy Pop were part of Stein’s world, as were fascinating downtown characters like Jean-Michel Basquiat, Richard Hell, Stephen Sprouse, Anya Phillips, Divine, and many others. As captured by one of its greatest artists and instigators, and designed by Shepard Fairey, this book is a must-have celebration of the new-wave and punk scene, whose influence on music and fashion is just as relevant today as it was four decades ago.

    A year later they had sold their business, rented out their house, and were setting out to circumnavigate the globe in a 40-year-old yacht. Their entire sailing experience consisted of six afternoons on the Ottawa River.Over the next four years, squeezed into quarters no bigger than the Stuemers’ old bedroom, the family of five would become seasoned mariners. They would battle deadly storms at sea and evade real-life pirates. Dodge waterspouts and lightning strikes and witness the bombing of the USS Cole. See the staggering beauty of Borneo’s rainforest, and its destruction from logging. Be arrested at gunpoint and entertained like visiting royalty. In all, they would visit 34 countries and cover 35,000 nautical miles.Almost everywhere they went, the family made lasting friendships. They learned to trust each other and embrace opportunity, and in Kenya they learned the true meaning of humanity. As Northern Magic pushed onward, many thousands followed the family’s progress in Diane’s dispatches to the Ottawa Citizen, and thousands more turned out to cheer when the amazing Stuemers came home.

    Fox stunned the world by announcing he had been diagnosed with Parkinson's disease -- a degenerative neurological condition. In fact, he had been secretly fighting it for seven years. The worldwide response was staggering. Fortunately, he had accepted the diagnosis, and by the time the public started grieving for him, he had stopped grieving for himself. Now, with the same passion, humor, and energy, that Fox has invested in his dozens of performances over the last 18 years, he tells the story of his life, his career, and his campaign, to find a cure for Parkinson's.Combining his trademark ironic sensibility, and keen sense of the absurd, he recounts his life -- from his childhood in a small town in western Canada, to his meteoric rise in film and television which made him a worldwide celebrity. Most importantly however, he writes of the last 10 years, during which -- with the unswerving support of his wife, family, and friends -- he has dealt with his illness. He talks about what Parkinson's has given him: the chance to appreciate a wonderful life and career, and the opportunity to help search for a cure, and spread public awareness of the disease. He is a very lucky man, indeed.

    As a Major League manager, he has one of the more stressful jobs imaginable. So what does he do to relax? He goes for long walks. Whenever possible, he takes long walks as a way to clear his head, calm his soul and give his body a workout. In this charming little volume, he shares his thoughts on walking in terms that can inspire everyone to get out more often for a good walk, a great way to stay fit and healthy through the forties and fifties and beyond. Along the way he provides glimpses into his life and character that will delight his many fans.

    He has shared these PostSecrets on his award-winning blog, in an internationally traveling art exhibit, and in three electrifying books: the bestselling PostSecret, My Secret, and The Secret Lives of Men and Women.Now, in his most extraordinary book yet, Warren again delves into our collective confessions, presenting a never-before-seen selection of provocative and moving PostSecrets. A Lifetime of Secrets lays bare our private fears, hopes, regrets, and desires, from people as young as eight and as old as eighty. From painful admissions of infidelity to breathtaking revelations and endearing sentiments, Warren’s latest collection will shock and move readers of every age, revealing secrets that have haunted their creators for a lifetime.

    Soumitra Chatterjee tells the stories of his life with Satyajit Ray, recounting his experiences on and off the sets, revealing unknown facts, and offering intimate glimpses into his relationship with the film-maker he revers. As much about Ray as it is about Chatterjee, this is a unique artistic as well as personal journey along the path walked by the director and his most beloved actor. Soumitra Chatterjee was originally rejected for the role of Apu in Apur Sansar by Satyajit Ray. How did he get it back? Did Soumitra Chatterjee advise Satyajit Ray to change the ending of Charulata? How did Satyajit Ray influence Soumitra Chatterjees career on the stage? For 35 years, Bengals most accomplished actor Soumitra Chatterjee was a constant presence in the artistic and personal life of Indias foremost film director Satyajit Ray. Not only did he act in 14 of the maestros films, he was also the film- makers most faithful student and one of his closest friends. Soumitra Chatterjee tells the stories of his life with Satyajit Ray, recounting his experiences on and off the sets, revealing unknown facts, and offering intimate glimpses into his relationship with the film-maker he revers. As much about Ray as it is about Chatterjee, this is a unique artistic as well as personal journey along the path walked by the director and his most beloved actor. My life would never be the same again. It wasnt just that he had given me the chance to act in so many of his films, but also the fact that what I had got from my relationship of thirty-five years with him was no different from what I got from my parents or my wife. It was woven into my life, into the development of my character, and will remain with me till I die

    It documents her experience visiting the continent of Antarctica in January 2019 with photos taken by New Zealand photographer Harriet Were. Lorde expressed an interest in exploring the region of Antarctica since she was old enough to read. In January 2019, she visited Scott Base and McMurdo Station, Antarctica, travelling as an Antarctic Ambassador. During her visit, she observed microscopic species in environmental laboratories and spoke with scientists. Lorde described the book as "sort of a perfect precursor" to her upcoming third studio album. It will feature over 100 pages of images taken by New Zealand photographer Harriet Were and writings from Lorde. All proceeds will be used to fund a postgraduate scholarship created by Antarctica New Zealand, a government agency.

    Veerappan responded in a soft voice: 'It has been many years since I killed elephants. But no one believes me if I say so.'

    This authoritative and affectionate biography traces Federer's rise, from his first tentative strokes with a tennis racket to how he dealt with being sent away to a training academy where he struggled to communicate in a French-speaking part of Switzerland, as well as how he handled the sudden death of his first real coach and mentor. It also examines how Roger has bounced back from arguably one of the most challenging periods of his career; following a serious illness and a dip in form, he broke his run of successive Wimbledon championship wins and was toppled from the number one spot by rival Rafael Nadal—but in characteristic style, silenced his critics by once again returning to winning form. This biography explains how Roger's professionalism and charm, as well as the time he devotes to his charitable foundation, have won him huge amounts of respect from both his fellow athletes and tennis professionals alike.

    On programmes such as My Word! and My Music his distinctive voice became familiar to millions as he displayed an astonishingly well-stocked mind and a genius for ad libbing and outrageous puns. Later, working at the BBC and then at London Weekend Television, he produced some of the best television comedy of the 1960s and 70s. He has written highly successful books for children, and two bestselling anthologies of humour.Frank Muir recalls, in glorious detail, a happy 1920s childhood in the seaside town of Ramsgate, where he was born in his grandmother's pub in Broadstairs, and in London, where he attended an inexpensive but excellent school of a kind no longer to be found. He remembers his very first joke at the age of six, when he knew that his destiny was to make people laugh. He also knew from an early age that he wanted to write, but it took a childhood illness for him to discover that humour and writing could be combined. The death of his father forced him to leave school at the age of fourteen and work in a factory making carbon paper. Then, at the outbreak of the Second World War, he joined the RAF as an air photographer and his memories of the war years, as might be imagined, are engagingly different from the usual kind. It was during those years, with their rich fund of comic material, that he began his career as scriptwriter and performer. At his demob in 1945 he moved naturally to London and the Windmill Theatre, that remarkable breeding ground of talent where new comedians like Jimmy Edwards and Alfred Marks vied with nude girls for the attention of the audience. In story after story he recalls the lost world of London in the 1940s and early 50s, when the laughter and creative ideas seemed to explode out of post-war shabbiness and austerity. Then came the BBC, the legendary partnership with Denis Norden, and half a century of fulfilling the boyhood ambition of that Kentish lad. 'All I ever wanted to do was to write and amuse people.'